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Initially created to counteract broadcasts from Nazi Germany, the BBC’s Eastern Service became a cauldron of global modernism and an unlikely nexus of artistic exchange. Directed at an educated Indian audience, its programming provided remarkable moments: Listeners in India heard James Joyce reading from Finnegans Wake on the eve of independence, as well as the literary criticism of E. M. Forster and the works of Indian writers living in London. In Radio Empire, Daniel Ryan Morse demonstrates the significance of the Eastern Service for global Anglophone literature and literary broadcasting. He traces how modernist writers used radio to experiment with form and introduce postcolonial literature to global audiences. While innovative authors consciously sought to incorporate radio’s formal features into the novel, literature also exerted a reciprocal and profound influence on twentieth-century broadcasting. Reading Joyce and Forster alongside Attia Hosain, Mulk Raj Anand, and Venu Chitale, Morse demonstrates how the need to appeal to listeners at the edges of the empire pushed the boundaries of literary work in London, inspired high-cultural broadcasting in England, and formed an invisible but influential global network. Adding a transnational perspective to scholarship on radio modernism, Radio Empire demonstrates how the history of broadcasting outside of Western Europe offers a new understanding of the relationship between colonial center and periphery.
Empire of the Air tells the story of three American visionaries—Lee de Forest, Edwin Howard Armstrong, and David Sarnoff—whose imagination and dreams turned a hobbyist's toy into radio, launching the modern communications age. Tom Lewis weaves the story of these men and their achievements into a richly detailed and moving narrative that spans the first half of the twentieth century, a time when the American romance with science and technology was at its peak. Empire of the Air is a tale of pioneers on the frontier of a new technology, of American entrepreneurial spirit, and of the tragic collision between inventor and corporation.
The role of mass communication in nation building has often been underestimated, particularly in the case of Mexico. Following the Revolution, the Mexican government used the new medium of radio to promote national identity and build support for the new regime. Joy Hayes now tells how an emerging country became a radio nation. This groundbreaking book investigates the intersection of radio broadcasting and nation building. Hayes tells how both government-controlled and private radio stations produced programs of distinctly Mexican folk and popular music as a means of drawing the country's regions together and countering the influence of U.S. broadcasts. Hayes describes how, both during and after the period of cultural revolution, Mexican radio broadcasting was shaped by the clash and collaboration of different social forces--including U.S. interests, Mexican media entrepreneurs, state institutions, and radio audiences. She traces the evolution of Mexican radio in case studies that focus on such subjects as early government broadcasting activities, the role of Mexico City media elites, the "paternal voice" of presidential addresses, and U.S. propaganda during World War II. More than narrative history, Hayes's study provides an analytical framework for understanding the role of radio in building Mexican nationalism at a critical time in that nation's history. Radio Nation expands our appreciation of an overlooked medium that changed the course of an entire country.
Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943).
STREET SURVIVOR BOLD INNOVATOR RADIO STAR NIGHT OWL JEALOUS LOVER BATTLER OF CANCER INSPIRATION TO ANYONE WHO EVER HEARD THE SOUND OF HIS VOICE! This is the story of the most controversial, provocative and influential sports announcer the industry has ever known. Ted Husing was called the Master for good reason. But the man was much more than just another talking head. Yes, Husings life was about much more than sports. It was how he played the game!
This history of commercial radio networks in the United States provides a wealth of information on broadcasting from the 1920s to the present. It covers the four transcontinental webs that operated during the pre-television Golden Age, plus local and regional hookups, and the developments that have occurred in the decades since, including the impact of television, the rise of the disc jockey, the rise of talk radio and other specialized formats, implications of satellite technology and consolidation of networks and local stations.
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
In 1970 Nagle, while living in Papua New Guinea, decides to write a fictional book about fictional people in politics and not about politics itself. He penned the title in 1972 as Power Seekers, which remains the title today. The book is a trilogy. Book 1 is ‘The Way to Power’, book 2 is ‘In Power’, and book 3 is ‘Out of Power’. Power Seekers book 1, ‘The Way to Power’, begins the life, times, and adventures of one man—Richard Harris—a man with a common name but an uncommon nature. This book is purely fictional as to persons, institutions, times, and places. It is about a man, not a person, who is ruthlessly ambitious, a Catholic believer (but not too religious), and a true follower of Jong’s synchronicity philosophy. Power Seekers takes the reader into a world of ruthless people, envy, jealousy, ambition, treachery, hatred, love, disloyalty, and lust. It takes the reader into the wealth and power of the big end of town and their extensive influence on all political parties and to the inner thoughts of the real leader of Australia, the boss of all bosses. Therein lay the reader’s journey into the light. Yet Nagle does define a caring world of some parliamentarians as opposed to the opportunistic world of some other so-called politicians. There will be some who read Nagle’s book and may think this book is based upon them fully or in part or about their lives or the lives of real people as a character, but as Nagle says in the preface, this view is wrong, and if they still hold this view to be true, they are advised of Carley Simon’s song: you’re so vain if you think this book is about you.
"Wasserstein is widely recognized as the father of modern-day mergers and acquisitions... [He] explains what drives mergers and how they get done." - USA Today "Informative and entertaining." - Kirkus Reviews Big Deal is a penetrating look at the world of mergers and acquisitions by the legendary Bruce Wasserstein. Using compelling case studies, he reveals the inside story of the billion dollar deals that shape America's economy.