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Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current “crisis” that sociologists and others have noted in boy culture. In Pixar’s Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar’s males succeed or fail according to the “boy code,” the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, socialhierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar’s Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.
The second edition of “Murder in California: The Topography of Evil” is Marques Vickers’ visual return to 108 infamous crime scenes detailing the shocking and often searing narratives behind each tragedy. Over 225 images amplify insight by escorting the reader to the crime location, offering a critical context and perspective for understanding. The captured snapshots portray visual testimonies of extinguished lives removed by acts of violence. Crime scenes often revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Several have altered little since their moment of infamy. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. California has been the residence for many notorious profiled individual and serial killers including the Zodiac, Ted Unabomber Kaczynski, Charles Manson, Sirhan Sirhan, Jim Jones, Richard Allen Davis, David Carpenter, The Menendez Brothers, Juan Corona, Rodney Alcala, Phil Spector, Dan White, Juan Corona, Richard Ramirez and Scott Peterson. The media has christened some monikers including the Trailside Killer, Children of Thunder, Co-ed Killer, Vampire of Sacramento, Zebra Killers and the Death House Landlady. The state has been the death site of notable victims including Senator Robert Kennedy, San Francisco Mayor George Moscone, Supervisor Harvey Milk, Mobster Bugsy Siegel, Black Panther Huey P. Newton, Journalist Chauncey Bailey, Nicole Simpson-Brown, Rapper Notorious B.I.G., Polly Klaas, Lacy Peterson, the Heaven’s Gate cult, singers Marvin Gaye, Sam Cooke and actors Haing Ngor, Ramon Novarro and Sal Mineo. The Murder in California edition profiles are segmented into nine categories including assassinations, abductions, historical legacies, reckless homicides, chance encounters and manslaughters, law enforcement fatalities and controversies, unsolved murders, rampage and serial killers. Within the context of examining each profile, many important issues and questions are raised without necessarily culminating in resolution. These include capital punishment, racial perceptions, contributing parental influences, media reporting, public opinion, juvenile sentencing, self-incrimination protections and the impartiality of our judicial system. An extensive and updated listing of fatality victims is included along with convicted and deceased killers. Each living convict still registered within the United States penal systems is identified by their current penitentiary residence. Vickers’ own introduction to the consequences of murder began with the 1968 killings of David Faraday and Betty Lou Jenson by the Zodiac killer in the author’s hometown. Faraday was an acquaintance of Vickers through Boy Scouts and his older sister knew both victims. His reflections on the trauma inflicted on his intimate suburban community correspond with the realization that a single homicide affects far more individuals than simply the victim. Hundreds and often thousands may be touched by the arbitrariness and unfairness of life being terminated abruptly and prematurely. Cases Profiled (By Sequential Order and Category): Assassinations: Oakland School Superintendent Dr. Marcus Foster, Mobster Bugsy Siegel, Journalist Chauncey Bailey, Mickey and Trudy Thompson, San Francisco Mayor George Moscone and Supervisor Harvey Milk, Rapper Christopher Wallace (Notorious B.I.G.), The Marin County Courthouse Shootout Massacre, Senator Robert F. Kennedy, Hitman Joseph The Animal Barboza, Vic Weiss and the Wonderland Gang. Abductions: Patty Hearst, Nicholas Markowitz, Brooke Hart, The Onion Field Killings, Polly Klaas, Ramona Irene Price, Cal Poly Student Kristin Smart, Kevin Collins, Rachel Newhouse, Aundria Crawford and Karen Mitchell. Historical Legacies: Fung Little Pete Jing Toy, Charles Crawford, US President Warren Harding, Ned Doheny and Hugh Plunkett, Mary Ellen Pleasant, Orcutt Freeway Sniper, Miles Archer and Eastside Salinas Gang Killings. Chance Encounters and Manslaughter Killings Ennis Cosby, Diane Whipple, Haing Ngor, Huey P. Newton, Johnny Stompanato, Barbara Graham, Marvin Gaye, Phil Hartman, Phil Spector, Ramon Novarro, Ronni Chasen, Sal Mineo, Sam Cooke and Father Eric Freed. Unsolved Murders: The Black Dahlia, Lindsay Cutshall and Jason Allen, Bob Domingos and Linda Edwards, Santa Rosa Hitchhiker Murders, Crips Gang Founder Raymond Washington, David Nadel, Geneva Ellroy, Virginia Rapp, Kym Morgan, William Desmond Taylor, Ted Healy and the Visalia Ransacker. Rampage Mass Murders: Elliot Rodger, The Helzer Brothers, Bruce Pardo, The 101 California Building Rampage, John Linley Frazier, Edward Charles Allaway, Golden Dragon Restaurant, Meritage Salon, John Kenney, Frederick Martin Davidson, Lynwood Jim Drake, High School student Andy Williams, Oikos University Shootings, Nicolas Holzer, the Cleveland Elementary Schools in San Diego and Stockton and Marcus Wesson. Premeditated Murders: Playboy Playmate Dorothy Stratten, Laci Peterson, John Morency, Artie Mitchell, Nicole Brown-Simpson, Menendez Brothers, Bonnie Lee Bakley, Vincent Brothers, Marin County Barbeque Killings and Ewell Family Executions. Law Enforcement Fatalities and Controversies Captain Walter Auble. Oscar Grant III, Newhall CHP Massacre, Office Thomas Guerry, Oakland Macarthur Boulevard Shooting, Demetrius DeBose, Policeman Matthew Pavelka and the North Hollywood Bank of America Shootout. Serial Killings: Zodiac Killer, Charles Manson, Dorothea Puente, Efren Saldivar, Ted Unabomber Kaczynski, The Two Night Stalkers, The Zebra Killings, Heaven’s Gate Suicide, Edmund Kemper III, Lawrence Bittaker and Roy Norris, Juan Corona, Richard Trenton Chase, Speedfreak Killers, Herbert Mullin, David Carpenter, Reverend Jim Jones and the People’s Temple Massacre, Hillside Strangler and Rodney Alcala.
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The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
In the tradition of the smash hits Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc., Finding Nemo, and The Incredibles comes the newest film from Pixar Animation Studios, Cars, the story of a race car who learns that it's not all about the fast lane. (In fact, life begins at the off-ramp.) Offering an insider's view into the artistic development of Cars, this gorgeously illustrated book celebrates the whimsical yet painstaking research that fueled Pixar's directors, production designers, and artists. Fascinating storyboards, full-color pastels, on-the-road snapshots, and hundreds of character sketches reveal the origins of Pixar's charming and clever automobile-based world. Gleaned from the team's trips to racetracks and down the famed Route 66, The Art of Cars is as colorful as its memorable story and characters, making this book—the only movie tie-in for adults—a spirited ride down the road of a masterful animated feature film. Cars is a Walt Disney Pictures presentation of a Pixar Animation Studios film. 2006 by Disney Enterprises, Inc./Pixar Animation Studios. All rights reserved.
The Battle of France in 1940 involved the first large-scale tank-against-tank battles in history. The massive clashes at Stonne, Hannant, and Gembloux involved hundreds of tanks on both sides, yet have faded from memory due to the enourmity of the French defeat. This book examines two of the premier opposing tanks of the Wehrmacht and the French Army, the German PzKpfw IV and the French Char B1 bis. With a complete history of the design, development, and deployment of these armoured fighting vehicles, the story of these great battles is once again brought to life.