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First Published in 2002. The Italian phenomenon known as raddoppiamento sintattico, or sometimes raddoppiamento fonosintattico, has received a vast amount of attention. Long recognized in Italian grammar books, the process consists of the gemination of a word-initial consonant in certain environments. The word raddoppiamento means “doubling,” and it is deemed “syntactic” or “phonosyntactic” because the process spans word boundaries. This offers a synchronic and diachronic cross-dialectical study of this phenomenon.
This book provides an overview of the phonology of Italian. It covers the different levels of analysis from individual sounds up to the phrasal level. It focuses on the most widely dispersed features of the language reflecting its significant regional and social variation and its most prominent regionally restricted patterns.Martin Krämer provides a critical survey of the generative literature on Italian phonology. He reports on current debates in the field, considers their particular and general theoretical interest, and provides both syntheses and original analyses. His accounts of the main aspects and characteristics of Italian phonology are couched in the framework of Optimality Theory, but he keeps formal aspects and theory-internal matters to a minimum and separate from the presentation and descriptionof the data. His exposition is thus fully accessible to students and researchers who are not familiar with or do not subscribe to the tenets of the theory. Individual chapters may thus serve as starting points for in-depth investigations into particular aspects of Italian phonology in whatever frameworkthe reader chooses to employ.The Phonology of Italian is the first fully comprehensive account of its subject for many years. It will interest scholars and advanced students of Italian, Romance phonology, and phonology as a system.
These articles provide new explorations into phonological patterns attested in the minor Romance languages (‘dialects’) spoken in Italy. The goal of this book is both theoretical and empirical. First, it aims to introduce non-Italianists to the phonological structures of the Italian dialects, including northern Gallo-Romance dialects, central and southern dialects, plus a Francoprovençal dialect spoken in southern Italy and a Catalan dialect spoken in Sardinia. Second, the collection provides readers with sophisticated analyses of complex and poorly understood and under-studied phonological phenomena. Over half of the articles contain data collected by the authors, and most of the data have not been available in English language publications. The richness of the empirical material and the sophistication of the theoretical analyses make this collection a particularly important contribution to both phonology and Romance language studies.
Prosodic Phonology by Marina Nespor and Irene Vogel is now available again. "Nespor & Vogel 1986" is a citation classic - even after twenty years, it is still recognized as the standard resource on Prosodic Phonology. This groundbreaking work introduces all of the prosodic constituents (syllable, foot, word, clitic group, phonological phrase, intonational phrase and utterance) and provides evidence for each one from numerous languages. Prosodic Phonology also includes a chapter in which experimental psycholinguistic data support the proposed hierarchy. A perceptual study provides evidence that prosodic constituent structure - not syntactic constituent structure - predicts whether listeners are able to disambiguate different types of ambiguous sentences. A chapter on the phonology of poetic meter examines portions of Dante's Divine Comedy. It is demonstrated that the constituents proposed for spoken language also make interesting predictions about literary metrical patterns. Prosodic Phonology is an important reference not only for phonologists, but for all linguists interested in the issue of interfaces among the components of grammar. It is also a basic resource for psycholinguists and cognitive scientists working on linguistic perception and language acquisition.
In contrast to previous approaches to phonological typology, the typology of syllable and word languages relates the patterns of syllable structure, phoneme inventory, and phonological processes to the relevance of the prosodic domains of the syllable and the phonological word. This volume proves how useful this kind of typology is for the understanding of language variation and change. By providing a synchronic and diachronic account of the syllable and the phonological word in Central Catalan (Catalan dialect group) and Swabian (Alemannic dialect group), the author shows how the evolution of Old Catalan and Old Alemannic can be explained in terms of a typological drift toward an increased relevance of the phonological word. Further, the description of Central Catalan and Swabian allows to identify common strategies for profiling the phonological word and thus makes an important contribution to research on prosodic phonology.
Marit Julien investigates the relation between morphology and syntax, or more specifically, the relation between the form of inflected verbs and the position of those verbs. She surveys 530 languages and shows that, with the exception of agreement markers, the positioning of verbal inflectional markers relative to verb stems is compatible with a syntactic approach to morphology.
This handbook is structured in two parts: it provides, on the one hand, a comprehensive (synchronic) overview of the phonetics and phonology (including prosody) of a breadth of Romance languages and focuses, on the other hand, on central topics of research in Romance segmental and suprasegmental phonology, including comparative and diachronic perspectives. Phonetics and phonology have always been a core discipline in Romance linguistics: the wide synchronic variety of languages and dialects derived from spoken Latin is extensively explored in numerous corpus and atlas projects, and for quite a few of these varieties there is also more or less ample documentation of at least some of their diachronic stages. This rich empirical database offers excellent testing grounds for different theoretical approaches and allows for substantial insights into phonological structuring as well as into (incipient, ongoing, or concluded) processes of phonological change. The volume can be read both as a state-of-the-art report of research in the field and as a manual of Romance languages with special emphasis on the key topics of phonetics and phonology.
This volume is a collection of advanced laboratory phonology research papers concerned with the interaction between the physical and the mental aspects of speech and language. The traditional linguistic theoretic distinction between phonetics and phonology is put to the test here in a series of articles that deal with some of the fundamental issues in the field, from first and second language acquisition to segmental and supra-segmental phenomena in a range of different languages. Unique features of this volume are the development of innovative experimental methodologies, advanced techniques of data analysis, latest-generation equipment for the observation of speech, and their combined critical application to the study of the phonetics-phonology interface. The volume is therefore not only of great interest but of outstanding value and importance to anyone who wishes to be completely apprised of the latest advances in this crucial area of phonological research.
This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.
Available online or as a five-volume print set, The Blackwell Companion to Phonology is a major reference work drawing together 124 new contributions from leading international scholars in the field. It will be indispensable to students and researchers in the field for years to come. Key Features: Full explorations of all the most important ideas and key developments in the field Documents major insights into human language gathered by phonologists in past decades; highlights interdisciplinary connections, such as the social and computational sciences; and examines statistical and experimental techniques Offers an overview of theoretical positions and ongoing debates within phonology at the beginning of the twenty-first century An extensive reference work based on the best and most recent scholarly research – ideal for advanced undergraduates through to faculty and researchers Publishing simultaneously in print and online; visit www.companiontophonology.com for full details Additional features of the online edition (ISBN: 978-1-4443-3526-2): Powerful searching, browsing, and cross-referencing capabilities, including Open URL linking, with all entries classified by key topic, subject, place, people, and period For those institutions already subscribing to Blackwell Reference Online, it offers fully integrated and searchable content with the comprehensive Handbooks in Linguistics series