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DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div
Adapted from jewelry, textiles, hardware, ceramic, inlays, carvings, and more, 852 full-color designs, collected by famed French artist Racinet, offer decorative ornamentation from every major culture of the world. Highlighting the achievements of artisans from ancient Egypt to 18th-century France, this treasury of historic motifs is an unparalleled source of beauty and inspiration.
Classic sourcebook of spectacular design collages, all royalty-free, featuring over 1,500 decorative elements and motifs from major cultures in world history through the 19th century.
Egyptian Artwork featured in Albert Racinet's L'Ornement PolychromeAlbert Charles Auguste Racinet, an accomplished artist in his own right, is best remembered for two works on the history of design. One of those works is the L'Ornement Polychrome which features artwork from ancient civilizations through the eighteenth century.This journal includes blank lines for writing. 100 pages (50 double-sided sheets) of cream colored paper. Sized 6" x 9" inches which fits in a medium sized purse or tote bag for on the go.Makes a great gift for art students, art lovers and history lovers.About the Design: Front cover features Egyptian pattern from L'Ornement Polychrome. Text reads L'Ornement Polychrome.Item best used with quick-drying ink pen or pencil.
Teeming with tapestries, manuscript illuminations, carpets, and tiles, this far-reaching compendium brings together the two greatest 19th-century catalogues of ornament into one indispensable reference book. Encompassing designs from medieval times through to the 19th century, in styles as diverse as Egyptian, Etruscan, or Middle Eastern, this...
For design professionals as well as art lovers, this magnificent treasury charts the evolution of color throughout the ages in the decorative arts. 100 color plates.
One of the great anthologies of historic ornament and design, on a par with Owen Jones' Grammar of Ornament and Racinet's Historic Ornament, Dolmetsch's dazzling collection of over 1,500 illustrations — most in full color — is a veritable treasure chest of royalty-free images. Artists, designers, and hobbyists will also find design inspiration on every page, with images of artistic ornaments from antiquity through the 19th century, when this volume was originally assembled. Arranged chronologically, coverage begins in the ancient world, with designs from Roman architecture and sculpture, mosaic floors of Pompeii, and Byzantine embroidery. From the Middle Ages come illuminated manuscripts and stained glass decorations. Items dating from the Renaissance and later include Italian glass painting, pottery, and lace; French tapestry and block printing; and German metal work and weaving.
900 fine examples from Ancient Egypt to 1800, human figures, animals, floral motifs, architectural flourishes, much more, in numerous styles.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.