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This is a must read book for anyone interested in the areas of racial theory and racial relations, multicultural and polarized religions, and the making of African personality and culture. In keeping with earlier volumes in the series, it emphasizes the cross-fertilization of Africa and the world.In "Binga Bank: Th e Development of the Black Metropolis" Beth Johnson gives an historic look at the opening of the Binga Bank, its founder, and how the bank helped stimulate the black metropolis in Chicago. "Black on the Block" takes a look at life in the community of North Kenwood-Oakland, California. Mark Christian describes what it is like to be a member in the African diaspora in the United States and United Kingdom. In the racial theory and racial relations area, Clarence Tally's "The aeRace' Concept and Racial Structure" argues that the study of race has become dominated by the idea that race is socially constructed. Reiland Rabaka analyzes discourse on the process of awarding reparations to people of African origin. Paula A. Moore explains why people of African descent with mental health problems do not receive treatment."Patriot Day" focuses on the emergence and growth of Islam in America and its struggle to connect with America's cultural heritage. "Edward Wilmot Blyden and the African Personality," by James Conyers, reviews Blyden's ideas and beliefs challenging the European worldview. "Cultural Helix Th eory" examines the most fundamental component of African culture, language and how it aff ects the black community. "Black in the Saddle" by Demetrius W. Pearson chronicles the professional and personal experiences of Willie Thomas, an African American cowboy.
This is a must read book for anyone interested in theareas of racial theory and racial relations, multiculturaland polarized religions, and the making of African personalityand culture. In keeping with earlier volumes inthe series, it emphasizes the cross-fertilization of Africaand the world. In "Binga Bank: Th e Development of the Black Metropolis"Beth Johnson gives an historic look at theopening of the Binga Bank, its founder, and how thebank helped stimulate the black metropolis in Chicago."Black on the Block" takes a look at life in the communityof North Kenwood-Oakland, California. Mark Christiandescribes what it is like to be a member in the Africandiaspora in the United States and United Kingdom.In the racial theory and racial relations area, ClarenceTally's "The Race' Concept and Racial Structure" arguesthat the study of race has become dominated by the ideathat race is socially constructed. Reiland Rabaka analyzesdiscourse on the process of awarding reparationsto people of African origin. Paula A. Moore explains whypeople of African descent with mental health problemsdo not receive treatment. "Patriot Day" focuses on the emergence and growthof Islam in America and its struggle to connect withAmerica's cultural heritage. "Edward Wilmot Blydenand the African Personality," by James Conyers, reviewsBlyden's ideas and beliefs challenging the Europeanworldview. "Cultural Helix Th eory" examines the mostfundamental component of African culture, language andhow it aff ects the black community. "Black in the Saddle"by Demetrius W. Pearson chronicles the professionaland personal experiences of Willie Thomas, an AfricanAmerican cowboy. James L. Conyers, Jr., is university professor of African Americanstudies, director of the African American studies program,and director of the Center for the Study of African AmericanCulture at the University of Houston. He is also the editor ofLaw, Culture, and Africana Studies and Afrocentric Traditions(available from Transaction).
"This is a must read book for anyone interested in the areas of racial theory and racial relations, multicultural and polarized religions, and the making of African personality and culture. In keeping with earlier volumes in the series, it emphasizes the cross-fertilization of Africa and the world. In "Binga Bank: Th e Development of the Black Metropolis" Beth Johnson gives an historic look at the opening of the Binga Bank, its founder, and how the bank helped stimulate the black metropolis in Chicago. "Black on the Block" takes a look at life in the community of North Kenwood-Oakland, California. Mark Christian describes what it is like to be a member in the African diaspora in the United States and United Kingdom. In the racial theory and racial relations area, Clarence Tally's "The aeRace' Concept and Racial Structure" argues that the study of race has become dominated by the idea that race is socially constructed. Reiland Rabaka analyzes discourse on the process of awarding reparations to people of African origin. Paula A. Moore explains why people of African descent with mental health problems do not receive treatment."Patriot Day" focuses on the emergence and growth of Islam in America and its struggle to connect with America's cultural heritage. "Edward Wilmot Blyden and the African Personality," by James Conyers, reviews Blyden's ideas and beliefs challenging the European worldview. "Cultural Helix Th eory" examines the most fundamental component of African culture, language and how it aff ects the black community. "Black in the Saddle" by Demetrius W. Pearson chronicles the professional and personal experiences of Willie Thomas, an African American cowboy."--Provided by publisher.
This is a must read book for anyone interested in the areas of racial theory and racial relations, multicultural and polarized religions, and the making of African personality and culture. In keeping with earlier volumes in the series, it emphasizes the cross-fertilization of Africa and the world.In "Binga Bank: Th e Development of the Black Metropolis" Beth Johnson gives an historic look at the opening of the Binga Bank, its founder, and how the bank helped stimulate the black metropolis in Chicago. "Black on the Block" takes a look at life in the community of North Kenwood-Oakland, California. Mark Christian describes what it is like to be a member in the African diaspora in the United States and United Kingdom. In the racial theory and racial relations area, Clarence Tally's "The aeRace' Concept and Racial Structure" argues that the study of race has become dominated by the idea that race is socially constructed. Reiland Rabaka analyzes discourse on the process of awarding reparations to people of African origin. Paula A. Moore explains why people of African descent with mental health problems do not receive treatment."Patriot Day" focuses on the emergence and growth of Islam in America and its struggle to connect with America's cultural heritage. "Edward Wilmot Blyden and the African Personality," by James Conyers, reviews Blyden's ideas and beliefs challenging the European worldview. "Cultural Helix Th eory" examines the most fundamental component of African culture, language and how it aff ects the black community. "Black in the Saddle" by Demetrius W. Pearson chronicles the professional and personal experiences of Willie Thomas, an African American cowboy.
Renowned political scientist Terri Givens calls for ‘radical empathy’ in bridging racial divides to understand the origins of our biases, including internalized oppression. Deftly weaving together her own experiences with the political, she offers practical steps to call out racism and bring about radical social change.
‘Lucid, fluent and compelling’ – Observer ‘We need writers like Andrews ... These are truths we need to be hearing’ – New Statesman Back to Black traces the long and eminent history of Black radical politics. Born out of resistance to slavery and colonialism, its rich past encompasses figures such as Marcus Garvey, Angela Davis, the Black Panthers and the Black Lives Matter activists of today. At its core it argues that racism is inexorably embedded in the fabric of society, and that it can never be overcome unless by enacting change outside of this suffocating system. Yet this Black radicalism has been diluted and moderated over time; wilfully misrepresented and caricatured by others; divested of its legacy, potency, and force. Kehinde Andrews explores the true roots of this tradition and connects the dots to today’s struggles by showing what a renewed politics of Black radicalism might look like in the 21st century.
The rise of black radicalism in the 1960s was a result of both the successes and the failures of the civil rights movement. The movement's victories were inspirational, but its failures to bring about structural political and economic change pushed many to look elsewhere for new strategies. During this era of intellectual ferment, the writers, editors, and activists behind the monthly magazine Liberator (1960–71) were essential contributors to the debate. In the first full-length history of the organization that produced the magazine, Christopher M. Tinson locates the Liberator as a touchstone of U.S.-based black radical thought and organizing in the 1960s. Combining radical journalism with on-the-ground activism, the magazine was dedicated to the dissemination of a range of cultural criticism aimed at spurring political activism, and became the publishing home to many notable radical intellectual-activists of the period, such as Larry Neal, Ossie Davis, Ruby Dee, Harold Cruse, and Askia Toure. By mapping the history and intellectual trajectory of the Liberator and its thinkers, Tinson traces black intellectual history beyond black power and black nationalism into an internationalism that would shape radical thought for decades to come.
Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another. Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities. This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.
Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions, and Customs covers virtually every aspect of African American cultural expression, addressing subject matter that ranges from how African culture was preserved during slavery hundreds of years ago to the richness and complexity of African American culture in the post-Obama era. The most comprehensive reference work on African American culture to date, the multivolume set covers such topics as black contributions to literature and the arts, music and entertainment, religion, and professional sports. It also provides coverage of less-commonly addressed subjects, such as African American fashion practices and beauty culture, the development of jazz music across different eras, and African American business.
The African diaspora is arguably the most important event in modern African history. From the fifteenth century to the present, millions of Africans have been dispersed -- many of them forcibly, others driven by economic need or political persecution--to other continents, creating large communities with African origins living outside their native lands. The majority of these communities are in North America. This historic displacement has meant that Africans are irrevocably connected to economic and political developments in the West and globally. Among the known legacies of the diaspora are slavery, colonialism, racism, poverty, and underdevelopment, yet the ways in which these same factors worked to spur the scattering of Africans are not fully understood -- by those who were part of this migration or by scholars, historians, and policymakers. In this definitive study of the diaspora in North America, Toyin Falola offers a causal history of the western dispersion of Africans and its effects on the modern world. Reengaging old and familiar debates and framing new ones that enrich the discourse surrounding Africa, Falola isolates the thread, running nearly six centuries, that connects the history of slavery, the transatlantic slave trade, and current migrations. A boon to scholars and policymakers and accessible to the general reader, the book explores diverse narratives of migration and shows that the cultures that migrated from Africa to the Americas have the capacity to unite and create a new pan-Africanist movement within the globalized world. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. He is the 2011 recipient of the Distinguished Africanist Award from the African Studies Association and serves as the vice president of the International Scientific Committee of the UNESCO Slave Route Project. His previous books published by the University of Rochester Press include The Power of African Cultures and Nationalism and African Intellectuals.