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Rachel Winters had nothing, won it all, and then lost everything. After the death of her daughter, grief-spawned delusions cause Rachel to lose her husband, her home, and custody of her son. Help arrives from two unlikely sources: a young teen, Lilly, battling her own demons, and a tattered holy card depicting Saint Therese of Lisieux. As Rachel grows closer to Lilly and comes to know Saint Therese, unbidden memories from her edgy past reveal fearful mysteries of seduction, madness, and murder . . . and a truth that will haunt her forever.
Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.
Long considered an important work, GEORGIA SCENES, printed unproofed, was flawed despite its significance and popularity. In this collection, David Rachels corrects the errors, adds nine previously uncollected "Georgia Scenes" to the original 19, and looks at Longstreet's life and place in Literature. Illustrations.
From extensive research, including a remarkable interview with the unrepentant chief of Hitler’s Women’s Bureau, this book traces the roles played by women – as followers, victims and resisters – in the rise of Nazism. Originally publishing in 1987, it is an important contribution to the understanding of women’s status, culpability, resistance and victimisation at all levels of German society, and a record of astonishing ironies and paradoxical morality, of compromise and courage, of submission and survival.
Step inside Rachel's Pudding Pantry, a place where love, laughter and scrumptious bakes bring everyone together. 'Cosy and uplifting - a real treat!' Debbie Johnson 'Family, friendships, farming and fabulous food. The Pudding Pantry is perfect!' Sunday Times bestseller Heidi Swain Primrose Farm is Rachel's very own slice of heaven. Come rain or shine there's always a pot of tea brewing by the Aga, the delicious aroma of freshly baked puddings, and a chorus of happy memories drifting through the kitchen. But the farm is in a spot of trouble. As the daffodils spring, Rachel must plant the seeds of change if she wants to keep the farm afloat, and it's all resting on a crazy plan. She'll need one family cook book, her Mum Jill's baking magic - and a reason to avoid her distractingly gorgeous neighbour, Tom . . . Swapping their wellies for aprons, can Rachel and Jill bake their way into a brighter future? The proof will be in the pudding!
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)