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Media, Crime and Racism draws together contributions from scholars at the leading edge of their field across three continents to present contemporary and longstanding debates exploring the roles played by media and the state in racialising crime and criminalising racialised minorities. Comprised of empirically rich accounts and theoretically informed analysis, this dynamic text offers readers a critical and in-depth examination of contemporary social and criminal justice issues as they pertain to racialised minorities and the media. Chapters demonstrate the myriad ways in which racialised ‘others’ experience demonisation, exclusion, racist abuse and violence licensed – and often induced – by the state and the media. Together, they also offer original and nuanced analysis of how these processes can be experienced differently dependent on geography, political context and local resistance. This collection critically reflects on a number of globally significant topics including the vilification of Muslim minorities, the portrayal of the refugee ‘crisis’ and the representations and resistance of Indigenous and Black communities. This volume demonstrates that processes of racialisation and criminalisation in media and the state cannot be understood without reference to how they are underscored and inflected by gender and power. Above all, the contributors to this volume demonstrate the resistance of racialised minorities in localised contexts across the globe: against racialisation and criminalisation and in pursuit of racial justice.
A scan of today's television programming reveals numerous media stories, factual and fictional, featuring some aspect of crime. These depictions can stray far from reality, with the effect of creating and reinforcing distorted impressions. This collection offers a sociological analysis of race, class, and gender stereotypes within crime media. Essays discuss particular examples of inequalities and stereotypes, consider the implications of such portrayals, and demonstrate how they influence the public's expectations and beliefs about real-world crime.
Race, Crime and the Media encourages students to think critically about the realities of the criminal justice system, the media and race. Through a collection of original readings that address the subject in a way that is balanced and provocative, students will become aware about the power and influence of the media and the role it plays in the characterization of crimes committed about racial minorities. This book represents an effort to draw attention to the intersection of race, crime and the media, by raising questions about the influence of the media on how we think.
Living in a segregated society, white Americans learn about African Americans through the images the media show. This text offers a look at the racial patterns in the mass media and how they shape the ambivalent attitudes of whites toward blacks.
In a post-Macpherson, post-9/11 world, criminal justice agencies are adapting their responses to criminal behaviour across diverse ethnic groups. Race, Crime and Resistance draws on contemporary theory and a range of case studies to consider racial inequalities within the criminal justice system and related organisations. Exploring the mechanisms of discrimination and exclusion, the book goes beyond superficial assumptions to examine the ensuing processes of mobilisation and resistance across disadvantaged groups. Empirically grounded and theoretically informed, the book critically unpicks the persisting concepts of race and ethnicity in the perceptions and representations of crime. Articulate and sensitive, the book clarifies complex ideas through the use of chapter summaries, case studies, further reading and study questions. It is essential reading for students and scholars of criminology, race and ethnicity, and sociology.
Crime and Racial Constructions: Cultural Misinformation about African Americans in Media and Academia critically examines how the film industry and criminologists have constructed African Americans in their effort to explain observed race differences in crime. Of particular concern is how the images they paint of violent, out-of-control blacks result in hardline criminal justice policies.
Racial Spectacles: Explorations in Media, Race, and Justice examines the crucial role the media has played in circulating and shaping national dialogues about race through representations of crime and racialized violence. Jonathan Markovitz argues that mass media "racial spectacles" often work to shore up racist stereotypes, but that they also provide opportunities to challenge prevalent conceptions of race, and can be seized upon as vehicles for social protest. This book explores a series of mass media spectacles revolving around the news, prime-time television, Hollywood cinema, and the internet that have either relied upon, reconfigured, or helped to construct collective memories of race, crime, and (in)justice. The case studies explored include the Scottsboro interracial rape case of the 1930s, the Kobe Bryant rape case, the Los Angeles Police Department’s "Rampart scandal," the Abu Ghraib photographs, and a series of racist incidents at the University of California. This book will prove to be important not only for courses on race and media, but also for any reader interested in issues of the media's role in social justice.
In today's society, the public perception of crime has been skewed by how the media depicts it. People use the media for enjoyment, companionship, surveillance, and interpretation. The problem is that it becomes hard to separate fact from entertainment. This raises several questions. How are we consuming media? Are we consuming reality within the news? And are we consuming harmless pleasure from entertainment media? In Crime, Media, and Reality: Examining Mixed Messages about Crime and Justice in Popular Media, Venessa Garcia and Samantha Garcia Arkerson focus predominantly on the social constructions of crime and justice and how we absorb them. They look at the influence of crime news and true crime television series that prevent the public from understanding pure entertainment from the realities of crime and justice. They bring to light the social science knowledge missed by media "infotainment," which has blurred the line between information and entertainment. Throughout, all different forms of media are discussed, news media, crime dramas and true crime television series. In doing so, they keep all of its fascinating coverage while uncovering the reality of crime and justice. This book adds significant information to the constructs held by the general public by placing media depictions into historical, legal, and social context.
Covering the Border War: How the News Media Create Crime, Race, Nation, and the USA-Mexico Divide examines the notion of the body politic in border newspaper coverage of the USA-Mexico divide and how the nation and immigration are racially imagined in crime news discourse, where whiteness is associated with order and brownness is associated with disorder in a variety of imaginative, nativist ways. By applying critical discourse analysis methodology to the Los Angeles Times, Arizona Republic, Albuquerque Journal, and Houston Chronicle during a peak epoch of border militarization policies (1993–2006), brownness emerges through a news crime frame that reflexively shows the values and meanings of whiteness and the nation. At the body scale, border crossings threaten the whiteness of the national body through suggestions of rape and disfigurement. Border news discourse feminizes the nation with nurturing resources and services under threat of immigrant “rape” as well as expresses racial anxiety about a “changing face” of the nation. Border news coverage constructs immigrants as home intruders at the house scale, both human and animal. Whiteness at this scale reflexively signifies a law-abiding, rightful owner of property protecting against criminal trespassing. Brown immigrants are also seen as wild animals, which constructs whiteness burdened with the task of animal management. Whiteness at the regional scale suggests a masculinized, militarized battleground or a settled region threatened by a brown, cataclysmic flood. Finally, the nation scale complements the body scale but in a more contemporary and scientific way. Whiteness reflects a body politic fighting the disease of cancer/immigration in two ways: with an imagined militaristic, immune system and with hi-tech, aggressive operations. This “diseased body politic” communicates whiteness and nativism about the border through discursive border symptoms and border operations that represent the intersection of immunology discourse, the racial construction of the body politic, and anxiety about postmodern economic transformation and its impact on national borders.