Download Free Race And Immigration In The New Ireland Book in PDF and EPUB Free Download. You can read online Race And Immigration In The New Ireland and write the review.

'Race and Immigration in the New Ireland' offers a variety of expert perspectives and a comprehensive approach to the social, political, linguistic, cultural, religious, and economic transformations in Ireland that are related to immigration. It includes a wide range of critical voices and approaches to reflect the broad impact of immigration on multiple aspects of Irish society and culture.
Racism and Social Change in the Republic of Ireland provides an original and challenging account of racism and Irish society. In the last decade Irish society has visibly changed with the emergence of new immigrant communities of black and ethnic minorities. This book argues that Ireland was never immune from the racist ideologies that governed relationships between the "West and the rest" despite a history of colonial anti-Irish racism. Drawing upon a number of academic disciplines, it focuses on the relationship between ideological forms of racism and its consequences upon black and ethnic minorities, and sets out an invaluable critique of racism in Irish society.
'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.
Immigrants as outsiders in the two Irelands examines how a wide range of immigrant groups who settled in the Republic of Ireland and in Northern Ireland since the 1990s are faring today. It asks to what extent might different immigrant communities be understood as outsiders in both jurisdictions. Chapters include analyses of the specific experiences of Polish, Filipino, Muslim, African, Roma, refugee and asylum seeker populations and of the experiences of children, as well as analyses of the impacts of education, health, employment, housing, immigration law, asylum policy, the media and the contemporary politics of borders and migration on successful integration. The book is aimed at general readers interested in understanding immigration and social change and at students in areas including sociology, social policy, human geography, politics, law and psychology.
In the space of around ten years Ireland went from being a traditional labour exporter to a leading European economy, and thus an attractive destination for immigrants from Eastern Europe and further afield. This produced a singular social laboratory, which this book explores in all its complexity set against the backdrop of globalization. Until recently seen as a showcase for the success of globalization, Ireland also became a destination for those displaced by the effects of globalization elsewhere. Globalization, Migration and Social Transformation takes Ireland as a paradigmatic case of social transformation, exploring the reasons why emigration was so rapidly replaced by immigration, along with the social, political, cultural and economic effects of this shift. Presenting the latest research around the themes of identity, social transformations and EU and Irish politics and policy, this book offers a rich array of detailed empirical case studies drawn from Ireland, which shed light on the experiences of immigrant groups from around the world and the wider processes of social transformation. In addition, it examines the manner in which the Irish state and the broader political system relate to new migrants and vice-versa, thus advancing our comparative understanding of how the European Union is responding to the challenge of mass migration. Globalization, Migration and Social Transformation makes a strong contribution to the comparative literature on immigration and integration, diaspora and social transformation in the era of globalization, and as such, it will appeal to social scientists with interests in migration, race and ethnicity, globalization and Irish studies.
After all the green beer has been poured and the ubiquitous shamrocks fade away, what does it mean to be Irish American besides St. Patrick’s Day? Who’s Your Paddy traces the evolution of “Irish” as a race-based identity in the U.S. from the 19th century to the present day. Exploring how the Irish have been and continue to be socialized around race, Jennifer Nugent Duffy argues that Irish identity must be understood within the context of generational tensions between different waves of Irish immigrants as well as the Irish community’s interaction with other racial minorities. Using historic and ethnographic research, Duffy sifts through the many racial, class, and gendered dimensions of Irish-American identity by examining three distinct Irish cohorts in Greater New York: assimilated descendants of nineteenth-century immigrants; “white flighters” who immigrated to postwar America and fled places like the Bronx for white suburbs like Yonkers in the 1960s and 1970s; and the newer, largely undocumented migrants who began to arrive in the 1990s. What results is a portrait of Irishness as a dynamic, complex force in the history of American racial consciousness, pertinent not only to contemporary immigration debates but also to the larger questions of what it means to belong, what it means to be American.
What happens when a society divided along sectarian lines starts to become multicultural? Does diversity inflame old tensions or can it offer a blueprint for a bright new future?
This collection offers a multi-faceted investigation of the critical issue of the creation and place of the “Other” in Ireland. The extraordinarily rapid recent economic development of Ireland has effected a profound transformation in the island’s social and cultural life. In the process, old verities and assumptions concerning the nature of Irish society and culture have been called into question, with a whole variety of new challenges coming to light. The developments of the last two decades have transformed questions of what and who constitutes the “Other” within Irish society, but in the process older societal faultlines based on gender, disability and religious difference have not disappeared and historical processes of “Othering” continue to play a critical role in influencing and moulding the social contours of the new Ireland of the twenty-first century. Drawing on a number of different disciplinary perspectives, this collection presents a number of key analyses of social and cultural practices and policies that reflect anxieties about and negotiations of these changes, examining historical and contemporary representation of fears about the porousness of national borders; the increasing racialization of the Irish state through social and juridical proscriptions, and the popular and official narrative of ‘progress’.
"There are wonders that I want to perform" says the name of Ireland's first African-Irish theatre company, Arambe Productions, which derives from the Nigerian saying ara m be ti mo fe da. The company performs stories of the African-Irish community, yet their dramatizations ponder a larger reality of an Ireland that has gone from a country of emigrants to a nation re-shaped by inward-migration. The sudden shifts brought on by the mid-1990s Celtic Tiger economic boom and unprecedented immigration have plunged the Irish population at large into a state of wondering. What does it mean that the non-Irish born population residing in the Republic grew from less than 5% to more than 12% in a little over a decade? How will Ireland model a vision of interculturalism that avoids the failures of multiculturalism in Western Europe and the U.S.? How have race and gender created a hierarchy amongst migrant communities and subjects? Through performance, Arambe Productions transforms such wondering into a process of "working together," signaling a second meaning of the company's name: harambee in Swahili means "work together." The company's collective labors aim to create a post-Celtic Tiger intercultural vision of Irish identity and belonging. But can this vision be performed into existence? My dissertation project, "Performing the `New Irish': Race, Gender, and Interculturalism in the Post-Celtic Tiger Nation," argues that performance is at the center of conceptualizing interculturalism as social policy, philosophy and aspiration in contemporary Ireland. While some might see interculturalism as referring to two cultures meeting in the moment of performance, I argue, rather, that in Ireland today, the term refers to the process of inventing a new pluralistic Irish identity, one that accommodates Irish-born as well as migrant communities. Irish interculturalism connotes practical policy measures regarding integration, access to social benefits and services, and public eduction about racism, but it also translates into cultural initiatives that stress the arts as a zone of contact between diverse populations. My research examines theatres, public festivals and arts/social organizations that make use of performance to theorize interculturalism as embodied practice. Theatre companies like Arambe, Camino de Orula Productions, Calypso Productions, and NGOs like Spirasi, Migrant Rights Centre Ireland, and the Forum on Migration and Communication bid for cultural recognition of minority groups through performance, arts, and media activism. These efforts are endorsed by diverse governmental and non-governmental bodies, which range from the Office of the Minister of Integration, the now-defunct National Consultative Committee on Racism and Interculturalism, to the Irish government Task Force on Active Citizenship. The diverse sponsors and forums for these projects, however, generate tension between state-managed visions for interculturalism and the goals of community-based or non-governmental groups advocating for an interculturalism from below which remains critical of the Irish state's treatment of minority groups and management of inward-migration more generally. My investigation of the interplay between social and aesthetic theories of interculturalism exposes the embodied challenges of analyzing relationships between the Irish state, minority communities and the nation at large. Using ethnographic methods, I position performance as the crucible in which Irish theories of interculturalism are tested and reimagined through the work of bodies who must bear the labor of social change. I trace the struggles to craft an analytical language around race and ethnicity in Ireland frames these projects, and how the intersection of gender with these former categories complicates this task. My sites range from the Abbey Theatre stage to the Migrant Rights Center's photography exhibit by domestic workers and the Dublin St. Patrick's Festival Parade in order to capture the diversity of venues in which performing bodies are called upon to embody post-Celtic Tiger social change. My case studies interrogate whether these projects have the power to push against material limits of social access, paths to citizenship and racism/discrimination and reveal that these performances frequently reinscribe relationships of power between minority and Irish-born communities by falling back on top-down models of interculturalism. Perhaps it is through the reiterative power of performance that the wonders of an egalitarian Irish interculturalism can come into being, but these moving bodies must first be situated in broader matrixes of power which index the role of race and gender in shaping the future of post-Celtic Tiger Irish identities.