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A funny rhyming story with phonic repetition and colourful illustrations specially designed to help children learn to read. "Goodbye!" cries Raccoon, "I'm off to the moon. I'll be back by lunchtime, or late afternoon." Goose grins and she giggles. "You foolish Raccoon!" Simple, rhyming text helps children to develop essential language and early reading skills, and there are guidance notes for parents at the back of the book.
In this “enchanting” tale of a girl trying to solve a mystery and save a local library, “the magic of reading is given a refreshingly real twist” (Kirkus Reviews). A New York City library branch has been designated for possible closure. But the bookish, socially awkward Pearl, the daughter of the librarian, can’t imagine a world without the library. When the head of their Edna St. Vincent Millay statue goes missing, closure is closer than ever. But Pearl is determined to save the library. And with a ragtag neighborhood library crew—including a constantly tap-dancing girl, an older boy she has a crush on, and a pack of literate raccoons—she just might be able to do it . . . Featuring an eclectic cast of richly drawn characters, quirky sidebars and footnotes, and illustrations by award winner Jessixa Bagley, this is a warm-hearted, visually intriguing tale of reading and believing, and a world of possibility. “Solidly entertaining.” —School Library Journal “Bursting with charm, lovable characters, and excitement that builds and builds.” —Gail Carson Levine, Newbery Award–winning author of Ella Enchanted "A love letter to libraries . . . Big-hearted and dazzling, this classic-in-the-making is not to be missed.” —Katherine Applegate, Newbery Award–winning author of The One and Only Ivan
Mother raccoon shows how she cares for her newborn cubs, Rusty, Rudy, and Spice, as they climb trees, find food, and survive predators.
This is a Children's fun poetry and colouring-in book, for all ages.There are hours of fun, which will keep everyone busy.
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The desire to preserve to future ages the memory of past achievements is a universal human instinct, as witness the clay tablets of old Chaldea, the hieroglyphs of the obelisks, our countless thousands of manuscripts and printed volumes, and the gossiping old story-teller of the village or the backwoods cabin. The reliability of the record depends chiefly on the truthfulness of the recorder and the adequacy of the method employed. In Asia, the cradle of civilization, authentic history goes back thousands of years; in Europe the record begins much later, while in America the aboriginal narrative, which may be considered as fairly authentic, is all comprised within a thousand years. The peculiar and elaborate systems by means of which the more cultivated ancient nations of the south recorded their histories are too well known to students to need more than a passing notice here. It was known that our own tribes had various ways of depicting their mythology, their totems, or isolated facts in the life of the individual or nation, but it is only within a few years that it was even suspected that they could have anything like continuous historical records, even in embryo. The fact is now established, however, that pictographic records covering periods of from sixty to perhaps two hundred years or more do, or did, exist among several tribes, and it is entirely probable that every leading mother tribe had such a record of its origin and wanderings, the pictured narrative being compiled by the priests and preserved with sacred care through all the shifting vicissitudes of savage life until lost or destroyed in the ruin that overwhelmed the native governments at the coming of the white man. Several such histories are now known, and as the aboriginal field is still but partially explored, others may yet come to light.
The desire to preserve to future ages the memory of past achievements is a universal human instinct, as witness the clay tablets of old Chaldea, the hieroglyphs of the obelisks, our countless thousands of manuscripts and printed volumes, and the gossiping old story-teller of the village or the backwoods cabin. The reliability of the record depends chiefly on the truthfulness of the recorder and the adequacy of the method employed. In Asia, the cradle of civilization, authentic history goes back thousands of years; in Europe the record begins much later, while in America the aboriginal narrative, which may be considered as fairly authentic, is all comprised within a thousand years. The peculiar and elaborate systems by means of which the more cultivated ancient nations of the south recorded their histories are too well known to students to need more than a passing notice here. It was known that our own tribes had various ways of depicting their mythology, their totems, or isolated facts in the life of the individual or nation, but it is only within a few years that it was even suspected that they could have anything like continuous historical records, even in embryo. The fact is now established, however, that pictographic records covering periods of from sixty to perhaps two hundred years or more do, or did, exist among several tribes, and it is entirely probable that every leading mother tribe had such a record of its origin and wanderings, the pictured narrative being compiled by the priests and preserved with sacred care through all the shifting vicissitudes of savage life until lost or destroyed in the ruin that overwhelmed the native governments at the coming of the white man. Several such histories are now known, and as the aboriginal field is still but partially explored, others may yet come to light.
James Mooney's 'Calendar History of the Kiowa Indians' provides a comprehensive and detailed account of the calendar systems and time-keeping practices of the Kiowa people. Through meticulous research and analysis of Kiowa oral traditions, Mooney uncovers the intricate ways in which time was conceptualized and organized within the Kiowa culture. His writing style is academic and informative, making the book a valuable resource for scholars and students of Native American studies. Mooney's work is situated within the context of late 19th-century ethnographic studies on American Indian tribes, highlighting the importance of preserving and documenting indigenous knowledge. This book is a significant contribution to the understanding of Native American cosmology and the ways in which different cultures conceptualize time.
Cosmic Crystals shows you how to work with the phases and signs of the moon to energize and amplify the power of your crystals. Living in sync with the rhythm of the lunar cycle is a powerful way to stay aligned to universal energy. Crystals and moon magic have been used together to this aim for centuries. Crystals are natural amplifiers of energy that can be used to enhance your connection to the moon and its healing energy. Learn crystal meditations and rituals for each moon phase, as well as which crystals are most potent during New Moons, Full Moons, and other lunar events. Cosmic Crystals shows you how to combine the power of lunar energy and healing crystals to create sacred space, set intentions, and manifest magic and abundance in your life. For each moon, find information on how to work with its corresponding crystals and energetic qualities, along with lists of its associated herbs, colors, essential oils, animals, and deities. Written by leading crystal expert Ashley Leavy and including lavish photography, this beautiful book will have a place on every crystal enthusiast's book shelf.