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This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
"This book analyses Rabindranath Tagore's contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath's experiments with drama/ theatre in the context of the theatre available in nineteenth century Bengal, and explores the innovative strategies he adopted to promote his 'brand' of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre"--
The Post Office (1914) is a play by Rabindranath Tagore. Published following his ascension to international fame with the 1912 Nobel Prize in Literature, the play was introduced to an international audience by W. B. Yeats. When the Irish poet discovered Tagore’s work in translation, he felt an intense kinship with a man whose work was similarly grounded in spirituality and opposition to the British Empire. Brought to Dublin’s Abbey Theatre in 1913, The Post Office remains one of Tagore’s most influential literary works. “The doctor says all the organs of his little body are at loggerheads with each other, and there isn't much hope for his life. There is only one way to save him and that is to keep him out of this autumn wind and sun.” Under doctor’s orders, Amal is confined to his uncle’s home and courtyard, encouraged in his studies despite his desire to experience the world beyond books. Standing at the front gate, he watches life pass him by along the road, speaking with whoever will stop to listen. When construction begins on a new post office nearby, Amal dreams of one day serving as a messenger for the king. With a beautifully designed cover and professionally typeset manuscript, this edition of Rabindranath Tagore’s The Post Office is a classic of Indian literature reimagined for modern readers.
Rabindranath Tagore, also written Rabindranatha Thakura, (7 May 1861 - 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry remain largely unknown outside Bengal. Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of the modern Indian subcontinent, being highly commemorated in India and Bangladesh, as well as in Sri Lanka, Nepal and Pakistan.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.