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Rabindranath Tagore is the second most popular literature laureate of all time (after John Steinbeck) according to the official website of the Nobel Prize. Writers ranked below him on the popularity chart include Gabriel Garcia Marquez, Pablo Neruda and Ernest Hemingway. Tagore won the prize in 1913, but a hundred years later readers continue to flock to his work because it possesses all the qualities essential to keep it fresh and relevant despite the passage of time-big ideas, complex themes, stylistic brilliance, a deep engagement with nature, beauty, family, love, and passion, and above all, a profound timelessness. Keeping the 21st century reader firmly in mind, this volume brings together some of Tagore's most celebrated works. In The Home and the World, perhaps his most popular novel, intricate issues of devotion-to the motherland and to the family-are explored through a story of two friends and a woman coming into her own. The Monk-King, with its devious priest and marauding armies, is also about the power of sacrifice and loyalty. In 'The Laboratory', Tagore's last short story, he creates a world that is materialistic and amoral with a light yet ruthless touch. In poems like 'Camilla' and 'An Ordinary Girl' he describes the sadness of unrequited love. His drama, Chandalika, is about the angst and helplessness of being in love with an unattainable ideal. Brilliantly translated by Arunava Sinha, this selection of Rabindranath Tagore's fiction, poetry, lyrics and drama is evidence of his position as one of the world's greatest writers and reinforces the enduring nature of his words, emotions and beliefs.
This critical volume addresses the question of Rabindranath Tagore's relevance for postmodern and postcolonial discourse in the twenty-first century. The volume includes contributions by leading contemporary scholars on Tagore and analyses Tagore's literature, music, theatre, aesthetics, politics and art against contemporary theoretical developments in postcolonial literature and social theory. The authors take up themes as varied as the implications of Tagore’s educational vision for contemporary India; new theoretical interpretations of gender, queer elements, feminism and subalternism in Tagore's literary and social expressions; his language use as a vehicle for a dialogue between positivism, Orientalism and other constructs in the ongoing process of globalization; the nature of the influence of Tagore's music and literature on national and cultural identity formation, particularly in Bengal and Bangladesh; and intersubjectivity and critical modernity in Tagore’s art. This volume opens up a space for Tagore’s critique and his creative innovations in present theoretical engagements.
A unique autobiography that provides an incomparable insight into the mind of a genius The Renaissance man of modern India, Rabindranath Tagore put his country on the literary map of the world when he won the Nobel Prize for Literature in 1913. My Life in My Words is, quite literally, Tagore on Tagore. Uma Das Gupta draws upon the vast repertoire of Tagore’s writings to create a vivid portrait of the life and times of one of India’s most influential cultural icons. The result is a rare glimpse into the world of Tagore: his family of pioneering entrepreneurs who shaped his worldview; the personal tragedies that influenced some of his most eloquent verse; his groundbreaking work in education and social reform; his constant endeavour to bring about a synthesis of the East and the West and his humanitarian approach to politics; and his rise to the status of an international poet. Meticulously researched and sensitively edited, this unique autobiography provides an incomparable insight into the mind of a genius.
This book addresses W.B. Yeats's and Rabindranath Tagore's engagements with identity, nationalism, and the literary and cultural traditions of Ireland and India. It offers a fresh critical perspective on their work from the beginning of the twentieth century, the point at which their international collaborations most significantly influence the cross-border lives of their literature. This book foregrounds the Yeats-Tagore relationship, significant among their international collaborations, provides a new analysis of the fraught beginning to Tagore's international fame, and the value of reading his English translations as original texts, as is done by many English-language readers. Of Tagore's many international acquaintances, Yeats looms largest over his first English-language publications. This brief relationship, in part due to its tensions, is significant when considering literary modernism's global nature and appeal. Exploring the thematic parallels and generic innovations in the works of Yeats and Tagore allows readers to recognize the significant moments of tension and divergence in their oeuvres. Reading Yeats and Tagore comparatively offers a timely historical perspective on how the nationalised valences of identity and selfhood might become transnational in contemporary readings.
India’s Rabindranath Tagore was the first Asian Nobel Laureate and possibly the most prolific and diverse serious writer ever known. The largest single volume of his work available in English, this collection includes poetry, songs, autobiographical works, letters, travel writings, prose, novels, short stories, humorous pieces, and plays.
Nobel Prize-winning author Rabindranath Tagore’s most ambitious work Gora unfolds against the vast, dynamic backdrop of Bengal under British rule, a divided society struggling to envisage an emerging nation. It is an epic saga of India’s nationalist awakening, viewed through the eyes of one young man, an orthodox Hindu who defines himself against the British colonialist culture and finds himself approaching his nationalist identity through the prism of organized religion. First published in 1907, Gora questions the dogmas and presuppositions inherent in nationalist thought like few books have dared to do. This new, lucid and vibrant translation brings the complete and unabridged text of the classic to a new generation of readers, underlining its contemporary relevance.
Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision.
The poems of Rabindranath Tagore (1861-1941) are among the most haunting and tender in Indian and in world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and the world, the eternal and transient, and with the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as 'Earth' and 'In the Eyes of a Peacock' present a picture of natural processes unaffected by human concerns, while others, as in 'Recovery - 14', convey the poet's bewilderment about his place in the world. And exuberant works such as 'New Rain' and 'Grandfather's Holiday' describe Tagore's sheer joy at the glories of nature or simply in watching a grandchild play.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.