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Grammar of Rabha language and study on the social life and customs of Rabha tribe of India and Bangladesh.
We are living through the consequences of a linguistic revolution. Dramatic linguistic change has left us at the beginning of a new era in the evolution of human language, with repercussions for many individual languages. In this book, David Crystal, one of the world’s authorities on language, brings together for the first time the three major trends which he argues have fundamentally altered the world’s linguistic ecology: first, the emergence of English as the world’s first truly global language; second, the crisis facing huge numbers of languages which are currently endangered or dying; and, third, the radical effect on language of the arrival of Internet technology. Examining the interrelationships between these topics, Crystal encounters a vision of a linguistic future which is radically different from what has existed in the past, and which will make us revise many cherished concepts relating to the way we think about and work with languages. Everyone is affected by this linguistic revolution. The Language Revolution will be essential reading for anyone interested in language and communication in the twenty-first century.
With the ancient epic Mahabharat as her source, and the battle of Kurukshetra as a central motif, Mahasweta Devi weaves three stories in which we visit unexpected alleys and by-lanes of the traditional epic saga, and look at events from the eyes of women marginalized, dispossessed, dalit. Their eyes condemn the wanton waste and inhumanity of war. This Kurukshetra is not the legendary Dharmayuddha of the popular imagination but rather a cold-blooded power game sacrificing countless human lives. How do the women s quarters of the palace, a colourless place of shadowy widowhood, appear to five peasant women whose lives are no less shattered by the Kurukshetra massacre, but who are used to dealing with trauma in a more robust manner? How does their outlook on life and survival influence the young pregnant princess who is abruptly plunged into the half-life of uppercaste widowhood? How does a lower caste serving woman, who was brought in to service king Dhritarashtra when his queen was with child, view her half-royal offspring and his decision to perform the last rites for a father who never acknowledged him as a son? How does an ageing Kunti, living out her last years in the forest, come to terms with her guilt over her unacknowledged son, Karna? And, having finally voiced her shame aloud, how then does she face up to a crime she has not even remembered: the murder of a family of nishad forest dwellers? These tales, brewed in the imagination of a master story-teller, make us look at the Mahabharata with new eyes, insisting as they do on the inclusion, within the master narrative, of the fates and viewpoints of those previously unrepresented therein: women and the underclass. MAHASWETA DEVI is one of India s foremost writers. Her powerful, satiric fiction has won her recognition in the form of the Sahitya Akademi (1979), Jnanpith (1996) and Ramon Magsaysay (1996) awards, the title of Officier del Ordre Des Arts Et Des Lettres (2003) and the Nonino Prize (2005), amongst several other literary honours. She was also awarded the Padmasree in 1986, for her activist work amongst dispossessed tribal communities. ANJUM KATYAL is as an editor who has also translated several plays and short stories.
This landmark work first published 20 years ago helped establish the field of African-American womanist theology. It is widely regarded as a classic text in the field. Drawing on the biblical figure of Hagar mother of Ishmael, cast into the desert by Abraham and Sarah, but protected by God Williams finds a proptype for the struggle of African-American women. African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring the themes implicit in Hagar's story poverty and slavery, ethnicity and sexual exploitation, exile and encounter with God Williams traces parallels in the history of African-American women from slavery to the present day. A new womanist theology emerges from this shared experience, from the interplay of oppressions on account of race, sex and class. Sisters in the Wilderness offers a telling critique of theologies that promote "liberation" but ignore women of color. This is a book that defined a new theological project and charted a path that others continue to explore.