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This reference guide looks at the career histories of nearly 300 comedy stars, some of whom have a prodigious reputation resting only on one or two outstanding films. The author examines their methds and their sense of physical comedy with background stories as to how comic effects were achieved. Over 350 photographs illustrate entries for nearly 300 comedy stars, including John Cleese, Steve Martin and Danny De Vito and older favourites, the Marx Brothers, Mae West and Danny Kaye. Each entry is accompanied by a complete filmography, including film, TV and guest appearances, plus voice-over narrations and films directed.
This reference guide looks at the career histories of nearly 300 comedy stars, some of whom have a prodigious reputation resting only on one or two outstanding films. The author examines their methds and their sense of physical comedy with background stories as to how comic effects were achieved. Over 350 photographs illustrate entries for nearly 300 comedy stars, including John Cleese, Steve Martin and Danny De Vito and older favourites, the Marx Brothers, Mae West and Danny Kaye. Each entry is accompanied by a complete filmography, including film, TV and guest appearances, plus voice-over narrations and films directed.
A companion volume to Quinlan's illus. directory of film stars. B/W photos.
Profiles over three hundred comedy actors, describing their personal life, professional methods, and career histories
This is an A-Z of biographical profiles of filmstars, listing all the films and the years they were made.
Including over 1800 entries, this guide provides a short biography for each star, with a complete filmography of all film, television, voice-overs and guest appearances. Those featured include Jim Carrey, Uma Thurman and Brad Pitt, and there is also updated information on all stars with re-assessments of career turnarounds, such as John Travolta and Tommy Lee Jones.
A fourth edition of the directory which provides a biography and filmography of each actor considered.
Ian Wilkie contends that comic acting is a distinct art form, and as such demands a unique skillset. By exploring the ways in which performance choices and improvised moments can work in conjunction with texts themselves, Performing in Comedy offers an indispensable practical tool for enhancing comic performance. This volume is a must-read for any actors, directors or students who work with comic texts. Wilkie synthesises theories and principles of comedy with practical tips, and re-evaluates the ways in which these ideas can be used by the performer. Most importantly, these skills – timing, focus, awareness – are teachable rather than being innate talents. Exercises, interviews and guides to further resources enhance this comprehensive exploration of comic acting.