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Quill and Cross in the Borderlands examines nearly four hundred years of history, folklore, literature, and art concerning the seventeenth-century Spanish nun and writer Sor María de Jesús de Ágreda, identified as the legendary “Lady in Blue” who miraculously appeared to tribes in colonial-era New Mexico and taught them the rudiments of the Catholic faith. Sor María, an author of mystical Marian works, became renowned not only for her alleged spiritual travel from her cloister in Spain to the New World, but also for her writing, studied and implemented by Franciscans on both sides of the ocean. Working from original historical accounts, archival research, and a wealth of literature on the legend and the historical figure alike, Anna M. Nogar meticulously examines how and why the legend and the person became intertwined in Catholic consciousness and social praxis. In addition to the influence of the narrative of the Lady in Blue in colonial Mexico, Nogar addresses Sor María’s importance as an author of spiritual texts that influenced many spheres of New Spanish and Spanish society. Quill and Cross in the Borderlands focuses on the reading and interpretation of her works, especially in New Spain, where they were widely printed and disseminated. Over time, in the developing folklore of the Indo-Hispano populations of the present-day U.S. Southwest and the borderlands, the historical Sor María and her writings virtually disappeared from view, and the Lady in Blue became a prominent folk figure, appearing in folk stories and popular histories. These folk accounts drew the Lady in Blue into the present day, where she appears in artwork, literature, theater, and public ritual. Nogar’s examination of these contemporary renderings leads to a reconsideration of the ambiguities that lie at the heart of the narrative. Quill and Cross in the Borderlands documents the material legacy of a legend that has survived and thrived for hundreds of years, and at the same time rediscovers the historical basis of a hidden writer. This book will interest scholars and researchers of colonial Latin American literature, early modern women writers, folklore and ethnopoetics, and Mexican American cultural studies.
From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.
In the late nineteenth century, Spanish intellectuals and entrepreneurs became captivated with Hispanism, a movement of transatlantic rapprochement between Spain and Latin America. Not only was this movement envisioned as a form of cultural empire to symbolically compensate for Spain’s colonial decline but it was also imagined as an opportunity to materially regain the Latin American markets. Paradoxically, a central trope of Hispanist discourse was the antimaterialistic character of Hispanic culture, allegedly the legacy of the moral superiority of Spanish colonialism in comparison with the commercial drive of modern colonial projects. This study examines how Spanish authors, economists, and entrepreneurs of various ideological backgrounds strove to reconcile the construction of Hispanic cultural identity with discourses of political economy and commercial interests surrounding the movement. Drawing from an interdisciplinary archive of literary essays, economic treatises, and political discourses, The Spirit of Hispanism revisits Peninsular Hispanism to underscore how the interlacing of cultural and commercial interests fundamentally shaped the Hispanist movement. The Spirit of Hispanism will appeal to scholars in Hispanic literary and cultural studies as well as historians and anthropologists who specialize in the history of Spain and Latin America.
Stanley Hauerwas presents an overall introduction to the themes and method that have distinguished his vision of Christian ethics. Emphasizing the significance of Jesus’ life and teaching in shaping moral life, The Peaceable Kingdom stresses the narrative character of moral rationality and the necessity of a historic community and tradition for morality. Hauerwas systematically develops the importance of character and virtue as elements of decision making and spirituality and stresses nonviolence as critical for shaping our understanding of Christian ethics.
In 2009, Ignacio Walker—scholar, politician, and one of Latin America’s leading public intellectuals—published La Democracia en América Latina. Now available in English, with a new prologue, and significantly revised and updated for an English-speaking audience, Democracy in Latin America: Between Hope and Despair contributes to the necessary and urgent task of exploring both the possibilities and difficulties of establishing a stable democracy in Latin America. Walker argues that, throughout the past century, Latin American history has been marked by the search for responses or alternatives to the crisis of oligarchic rule and the struggle to replace the oligarchic order with a democratic one. After reviewing some of the principal theories of democracy based on an analysis of the interactions of political, economic, and social factors, Walker maintains that it is primarily the actors, institutions, and public policies—not structural determinants—that create progress or regression in Latin American democracy.
This text focuses on the emergence of the human race and the individual from an undifferentiated oneness and the return of the individual to the human community and to reflective and differentiated oneness with God. Dunne expresses this oneness through music and language.
In RITA® Award–winning author Gwyn Cready’s fun and sexy new time-travel adventure, an ambitious writer discovers that bad-boy painters are as timeless—and irresistible—as their art. . . . Art historian Campbell Stratford is about to make a name for herself with her scandalously sexy tell-all “fictographies” of famous seventeenth-century artists, but she’s more iintimately familiar with her subjects than her eager readers can imagine. Thanks to a time portal she accidentally discovered, she has caused quite a stir in the Great Beyond. To save their reputations, the Guild protecting dead artists convinces playboy Peter Lely, portraitist to the king, to sabotage Cam’s latest project. A few hours posing on Sir Peter’s modeling chaise leads to a night of seductive passion—then Cam returns home and discovers his betrayal. But before she can turn her angry pen on her lover, Sir Peter makes a surprise visit to the future and transforms Cam’s twenty-first-century life into chaos of classic proportions. . . .
Encompassing half the continent of South America, Brazil is one of the most modern, complex, and misunderstood nations. Renowned Brazilian anthropologist Roberto DaMatta takes the misconceptions and offers a fresh, provocative interpretation of the complexity of social structure in Brazil. Using the tools of comparative social anthropology, DaMatta seeks to understand his native country by examining the values, attitudes, and systems that shape the identity of Brazil and its people. He probes the dilemma between the highly authoritarian, hierarchical aspects of Brazilian society and the concurrent desire for equality, democracy, and harmony in that same society. DaMatta leads us on a fascinating exploration into the the world of Brazilian carnivals, rogues, and heroes, and in so doing uncovers a deeper meaning of the rituals, symbols, and dramatizations unique to Brazil and its multifaceted society.
This is a remarkable account of a personal journey exploring the evidence for, and far-reaching implications of, human evolution. It is also a powerful inside look at the experience of lecturing on controversial matters at the academic meccas of America. In 1964, Raymond Nogar, a Dominican Scholar Priest and author of the highly regarded book, The Wisdom of Evolution, set out on a ten campus tour that took him to the Universities of Illinois, California, Stanford, North Carolina, Harvard, Michigan and Notre Dame, among others. The Lord of the Absurd is not a collection of Nogar's Lectures, but rather a series of reflections about interaction with audiences, challenging modes of thinking, understanding the risk of unsettling ideas, and the deepening of the author's own convictions in the very presentation of his lectures. He came to realize that the "transforming effect of speaking, in its most creative phases, calls forth much more interpersonal existence, one in which the speaker, the listener and the word are caught up in a drama of human experience which reinterprets the world and gives directions to an existence which otherwise would remain utterly senseless." One sees in Nogar's reflections on his lecture experiences a progressive deepening of his own thought and spirituality. The same evidence for human evolution that has led some to atheism and a view of existence itself as Absurd, the result of nothing more than chance, circumstance and complexity, leads Nogar to a deeper appreciation of the mystery of creation. He acknowledges that the human situation is filled with frivolity and fate, wonders and strangeness and happenings whose apparent meaninglessness pose a dilemma. But, for Nogar, it was exactly in that human situation that Christ presented himself. His life, death and resurrection show him not as the Lord of cosmic order but as Lord of the Absurd. This book can be read with profit by anyone who wishes to probe the truly profound questions of life.