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"...we have tried here to present designs known to be Sioux, for use in Sioux schools. The purpose of the book is a practical one. Though we have striven for accuracy, our aim has not been an exhaustive scientific study. Rather, it has been to bring together a representative collection of designs and to explain them, so that practical workers, both students and teachers, may be able to recognize the bead and quillwork of the western Sioux and to make it for themselves. The art has changed in the past and those who understand its style and uses may use their imaginations to develop it still more, while keeping it Indian and Sioux."--Introduction, page 9.
"...we have tried here to present designs known to be Sioux, for use in Sioux schools. The purpose of the book is a practical one. Though we have striven for accuracy, our aim has not been an exhaustive scientific study. Rather, it has been to bring together a representative collection of designs and to explain them, so that practical workers, both students and teachers, may be able to recognize the bead and quillwork of the western Sioux and to make it for themselves. The art has changed in the past and those who understand its style and uses may use their imaginations to develop it still more, while keeping it Indian and Sioux."--Introduction, page 9.
In-depth guide to ancient Native American crafts focuses on the techniques of the western Sioux. Explanations of techniques involved in quillwork, including dyeing and sewing, beadwork methods. More than 80 photographs and drawings depict handsome motifs on articles of clothing including vests, shirts, robes, dresses, leggings, moccasins, blankets, saddlebags, and shields.
Before European incursions began in the seventeenth century, the Western Abenaki Indians inhabited present-day Vermont and New Hampshire, particularly the Lake Champlain and Connecticut River valleys. This history of their coexistence and conflicts with whites on the northern New England frontier documents their survival as a people-recently at issue in the courts-and their wars and migrations, as far north as Quebec, during the first two centuries of white contacts. Written clearly and authoritatively, with sympathy for this long-neglected tribe, Colin G. Calloway's account of the Western Abenaki diaspora adds to the growing interest in remnant Indian groups of North America. This history of an Algonquian group on the periphery of the Iroquois Confederacy is also a major contribution to general Indian historiography and to studies of Indian white interactions, cultural persistence, and ethnic identity in North America Colin G. Calloway, Assistant Professor of History in the University of Wyoming, is the author of Crown and Calumet: British-Indian Relations, 1783-181S, and the editor of New Directions in American Indian History, both published by the University of Oklahoma Press. "Colin Calloway shows how Western Abenaki history, like all Indian history, has been hidden, ignored, or purposely obscured. Although his work focuses on Euro-American military interactions with these important eastern Indians, Calloway provides valuable insights into why Indians and Indian identity have survived in Vermont despite their lack of recognition for centuries."-Laurence M. Hauptman, State University of New York, New Paltz. "Far from being an empty no-man's-land in the seventeenth and eighteenth centuries, the western Abenaki homeland is shown in this excellent synthesis to have been an active part of the stage on which the events of the colonial period were acted out. -Dean R. Snow, State University of New York, Albany. "At last the western Abenakis have a proper history. Colin Calloway has made their difficultly accessible literature his own and has written what will surely remain the standard reference for a long time."-Gordon M. Day, Canadian Ethnology Service. "Although they played a central role in the colonial history of New England and southern Quebec, the western Abenakis have been all but ignored by historians and poorly known to anthropologists. Therefore, publication of a careful study of western Abenaki history ranks as a major event.... Calloway's book is a gold mine of useful data."-William A. Haviland, senior author, The Original Vermonters.
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
History of the Abenaki Indians of Vermont.
The bestselling memoir of a Native American woman’s struggles and the life she found in activism: “courageous, impassioned, poetic and inspirational” (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure “half-breed” status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this—as well as a punishing Catholic missionary school—she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM’s chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century’s leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.