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ABOUT THE BOOK Via Sugar Sweet Sunshine It's like the world is still quivering from that night they took the stage in New York City — counting out just a little too fast, “1, 2, 3, 4...” When the four Ramones first played “Blitzkrieg Bop” in 1974, they were raw, ragged, and revolutionary. They played a new kind of rock that was more intense —darker, faster, funnier, and more free. It was Dee Dee, Tommy, Johnny, and Joey Ramone who were the first to imagine a world where the music sounded so different. Over the years we realized their band was resurrecting those taboo rock joys they'd first experienced as young teenagers, when radio rock was a freak-welcoming place, and everyone could share a wild abandonment together. In trying to reclaim that power — the dark magic they remembered — the Ramones spewed out their own pumped-up mystery, distilled from comic-book horrors, the evils both in the world around us and from their own lives, and, most of all, that powerful early fascination with what rock had meant to them and their refusal to forget what rock could mean... I actually met the Ramones just a few years after they launched, at one of their personal appearances in California. They’d already burned through two drummers, and the four tough-looking musicians were all lined up behind a table at a record store, staring back dangerously. Awed by their reputation, all I could think to ask was, “What's it like being a Ramone?” “It's very rewarding,” replied their new drummer Richie, adding “I recommend it” — a semi-sarcastic answer that was part put-on, part mystique. It was just like the way every musician who played in the band took the last name “Ramone,” even though none of them were in any way related. Though they cultivated this mock mysteriousness, the best thing about the Ramones was ultimately their kids-from-the-neighborhood attitude, their daring to believe in the idea that you could be famous without changing. In so doing, they changed the relationship between performers and audiences forever, smashing their guitars against that big wall between the media and the rest of us. Their songs catch the tension between pop music and raw reality, that love-hate dance between fame and grit, or the stage and the street, with one very radical idea: that real was enough. One of the surprises of their career is that they lived many of the cartoon horrors they described, that their life was as startling as their music. Their songs actually capture pieces of their life — that's part of what makes the songs feel so real — and they left them behind as part of a legend which can still haunt the musicians of today. In the end, it was almost as though a cruel universe felt it had to hunt down the Ramones and kill them. The voice behind the Ramones was their lovably ordinary vocalist Joey Ramone, who died of cancer in 2001 at the age of 49. And just thirteen months later, the man who’d laid down the relentless bass lines on their first albums, Dee Dee Ramone, died of a heroin overdose at the age of 50. By 2004, cancer had also claimed their fierce guitarist Johnny Ramone at the age of 55. The only original band member to even reach the age of 60 was drummer Tommy, who also co-produced their first albums (and continues producing music to this day). Though the line-up of the band sometimes changed, the Ramones' sound was always a reaction to the decline of rock in the 1970s...and an attempt to shove it in a new direction. But there was also always a tension between darkness and light — a mad hope that these wild real-life stories could somehow ascend into pop music heaven. It was a 20-year war that created love, death, and heroes, while slowly attracting believers and eventually a movement.
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
Set in Nigeria, amid the scenes of everyday racketeering and general disquiet, the police try to clear the area of undesirables, as a traditional wedding between two illustrious and ambitious families is about to take place. This play is by Nobel Prize-winner Wole Soyinka.
At the age of fifteen, Sam Jones's girlfriend Alicia gets pregnant and Sam's life of skateboarding and daydreaming about Tony Hawk changes drastically, so Sam turns to Hawk's autobiography for answers.
Hardcore, the hard-edged second generation of punk rock, whose peak period ranged from 1980 to 1986, has never before been captured in the way Steven Blushs authoritative, extensively illustrated oral history revisits its dynamic and sordid past. All the major hardcore scenes, particularly in Southern California, San Francisco, Washington D.C., Boston, New York City and Texas are given provocative voice through its major players, from drugged-out suburban Metal misfits to shit-kicking skinheads to vegan anti-drug pacifists. American Hardcore; A Tribal History not only recapitulates an important and influential scene, its provocative sociological snapshots reveal the apocalyptic desperation of a singular time in American history. Author Steven Blush was a prime mover in the scene he writes about; in the 80s, he promoted many hardcore tours and shows, DJ an influential college radio show, and ran a record label. Later Blush published Seconds magazine, and wrote for Paper, Spin, Interview, Village Voice, Details and High Times magazines. The primary photographers included in this volume are Edward Colver and Karen O Sullivan. Flyers, set lists, logos, and record covers have been provided by many collectors, and the book includes an extensive discography of Hard core rock releases from 1980 to 1986.
Taking us back to late ’70s and early ’80s Hollywood—pre-crack, pre-AIDS, pre-Reagan—We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there. “California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley “The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie “The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe “The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer “At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda Carlisle Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.
ABOUT THE BOOK For Shawn Carter, there is a no more fitting moniker than his self-given The Hustler. The artist known as Jay-Z released his first solo album in 1996, and proceeded to release a new one every single subsequent year until 2003; when he released The Black Album, his supposedly final record. However, three years later he was at it again. To release eight albums in as many years takes a hustlers ambition indeed. That is why Jay-Z sits on the throne of todays hip-hop world. He has worked hard to get there. He has done it all: hit songs, classic albums, clothing lines, fragrances, shoe deals, a book, nightclubs, champagne, and a cosmetics line. MEET THE AUTHOR Acamea Deadwiler is a freelance writer that has been featured in several publications, and also a columnist with Examiner.com. She is a lover of all things art, entertainment and sports. Currently residing in Nevada, Acamea is completing a Masters Degree in Sports Administration at Valparaiso University. You may follow her on Twitter @acameald. EXCERPT FROM THE BOOK Classic, classic, classic. Written three times for emphasis, Reasonable Doubt, is a classic hip-hop album. Easily one of the top five releases in the genres history. Jay-Z is at his ultimate creative, lyrical, maniacal, original, storytelling, conscious, and subtle best. His flow, even on the more radio-friendly tracks, is impeccable. On this album, he is a poet and a renaissance man. This is the artist, in every sense of the word, that original fans know and love. On "Song Cry": The artist admits his pain. The result of a failed relationship, and a love lost. However, he also admits his flaws. Flaws that ultimately led to the hurt he now feels. Jay-Z fully understands why his girl no longer wants him. His wounds are self-inflicted, but that does not make them any less agonizing. So, he attempts to heal in the best way that he knows how; by bleeding all over this track. CHAPTER OUTLINE Quicklet on the Best Jay-Z Songs: Lyrics and Analysis + Introduction + Jay-Z: Selected Lyrics + Fun Facts + Sources/Links The Best Jay-Z Songs: Lyrics and Analysis
ABOUT THE BOOK When country music legend Loretta Lynn first heard The White Stripes, she said the duo of Jack White and Meg White “sounded like someone was breaking into a bank.” She was describing the aggressive, loud and original sounds of the Detroit band that was changing rock ‘n’ roll with its fusion of garage-style rock and blues arrangements. Once thought to be brother and sister, Jack White and Meg White came crashing into the music scene circa 2002 with their megahit, “Fell In Love With A Girl.” When they left the music scene for good on Feb. 2, 2011, they left the world with rock ‘n’ roll hits that will survive beyond their creators. Even after it was discovered the Whites were actually ex-husband and ex-wife, no one stopped listening. Critics were too busy hailing The White Stripes as saviors of rock ‘n’ roll with hits such as “Seven Nation Army” and “Dead Leaves and the Dirty Ground.” Via Creative Commons For years, the band was a bit of a rock enigma, even to each other. They went on hiatus for a few years before reuniting for 2007’s Icky Thump, a commercial and critical success. But in the fall of 2007, the band cancelled the rest of their U.S. tour due to Meg White’s “acute anxiety.” Jack White was the talkative, lead figure of the band, while Meg White was the introverted one no one seemed to understand. In a 2009 interview with The Guardian, Jack White explained how he too tries to get past the enigma of Meg White. “My ears prick up when she actually mentions something about what we've done. I'm so interested to hear what her take on it is. But it quickly dissolves into: ‘I don't know what she's taking from that... I'm just so happy that she knew that we played that one show!"’ Meg White’s distinctive primitive drumming style made The White Stripes different from any other rock band at the time, and Jack White’s virtuoso guitar skills made them superior. Despite only two members, the band filled arenas and festivals with their ground-shaking sound.
ABOUT THE BOOK Bryan Adams got into the music business as a young teenager and he has been performing around the world ever since. Over 35 years later, Adams has 10 studio albums, five live albums, five compilation albums, and two movie soundtracks to his credit. His songs have also been featured in films such as Robin Hood: Prince of Thieves and Don Juan DeMarco. Adams is also a social activist and an accomplished photographer, working with top magazines and fashion designers while still continuing his music career. Adams got into music at a young age, dropping out of high school to pursue his dream of becoming a singer and guitar player. A dishwashing job allowed him to afford his first guitar and his upstart career took a turn for the better when he met Jim Vallance in 1978. Vallance had been a successful drummer but was now looking to start a solo career. Recognizing Adams’ talent, Vallance took the younger man under his wing and the two started writing songs together. Vallance used his connections to get them into the studio and Adams would then sing the lyrics for their songs. They quickly got signed to a record deal later that year. The duo started out writing and recording songs that were included in other artists’ albums but Adams then released a solo album worldwide in 1980, though it was not distributed in the United States. He followed that album up with a second in 1981 that did see a U.S. release. His third album Cuts Like a Knife came out in 1983 and propelled Adams into international stardom, thanks in part to the success of lead single Straight From the Heart. Adams followed the album up with Reckless in 1984 and the record became his all-time best seller. Summer of ‘69 and Heaven were two of the main singles off the album and helped push sales to over 5 million in the United States. His popularity carried into the 90s with multiple albums landing on the Billboard charts both internationally and domestically, though his albums tended to sell better in the U.K. and Canada compared to the United States. (Everything I Do) I Do For You was an international hit single that Adams wrote and performed as the theme song to the film Robin Hood: Prince of Thieves. Several compilation and “Best-Of” albums also came out throughout the decade as Adams continued to tour worldwide in support of his studio releases. Adams became more involved in film soundtracks as the new millenium began, writing and recording music for films such as Spirit: Stallion of the Cimarron, The Guardian, and Bobby. More studio albums followed, though sales were lower than what they had been during his peak in the 80s. He continues to tour, record music and run his charity foundation that focuses on providing educational opportunities for children around the world. Adams has proven himself a special artist in part because of his versatility. He is known for rock anthems such as Summer of ‘69 while also associated with sentimental ballads such as Please Forgive Me. Add in his work in feature film scores and his photography success and it’s easy to see why Adams’ work has endured for decades... Buy the book to continue reading! Follow @hyperink on Twitter! Visit us at www.facebook.com/hyperink! Go to www.hyperink.com to join our newsletter and get awesome freebies! CHAPTER OUTLINE Background and Basics + About the Artist Discussion and Analysis + Song Lyrics: Bryan Adams' Top 10 Songs Key Information + Trivia About Bryan Adams + Conclusion References + Sources + Additional Reading Quicklet on the Best Bryan Adams Songs: Lyrics and Analysis
ABOUT THE BOOK Marshall Mathers, known to most of the world as iconic rapper Eminem, is no stranger to controversy. However, he is also no stranger to creative genius. The music industry became fascinated with Eminem when he burst onto the scene in 1999 with mega-producer Dr. Dre, touting The Slim Shady LP, an album riddled with graphic tales of Eminems demented alter-ego, Slim Shady. From there, Eminems music became a calling card for the psychopath in all of us, making famous typically taboo lines such as: You think I wont choke no whore till the vocal cords dont work in her throat no more? (From Kill You off of the Marshall Mathers LP.) MEET THE AUTHOR Acamea Deadwiler is a freelance writer that has been featured in several publications, and also a columnist with Examiner.com. She is a lover of all things art, entertainment and sports. Currently residing in Nevada, Acamea is completing a Masters Degree in Sports Administration at Valparaiso University. You may follow her on Twitter @acameald. EXCERPT FROM THE BOOK It wasn't just the shock value, however, that had fans hooked. The white rapper with the bleached-blonde hair could actually spit. Eminem's delivery and use of metaphors was lethal. His storytelling was so witty, one could not help but laugh at things that would normally cause one to cringe. As deranged and violent as his music portrayed him to be, Eminem was truly talented. After allowing Slim Shady to dominate most of his albums, Eminem reinvented himself, and did so magnificently with Recovery, his most personal and subdued album to date. No more gimmicks. No blonde hair, no funny skits and no tales of reckless escapades. Just a supremely gifted MC. CHAPTER OUTLINE Quicklet on the Best Eminem Songs: Lyrics and Analysis + Introduction + Fun Facts + Conclusion + Sources and Additional Reading The Best Eminem Songs: Lyrics and Analysis