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ABOUT THE BOOK Christopher Boone is fifteen years old and lives with his father at 36 Randolph Street in Swinton, England. He has a brown and white pet rat named Toby. His mother died of a heart attack two years ago, though he suspects that it was probably an aneurysm or embolism. He hates the colors yellow and brown, but loves red and the color of metal. He does not like most fictional books because they lie, but he does like Sherlock Holmes murder mysteries. He likes stars, but does not like crowds or loud noises. He wants to be an astronaut when he grows up, even though he knows that it is not likely to happen. He loves math and the natural order of the world. He likes dogs. MEET THE AUTHOR Lacey Kohlmoos is a writer, traveler and lover of the arts. After graduating from the University of Virginia with a BA in Drama & the Studies of Women and Gender, the only thing she knew for sure was that she wanted to travel. So, she embarked on a 10.5 month round-the-world trip, then traveled to Costa Rica where she spent one year teaching elementary school English in a small mountain town. Throughout her two years of travels, she's always kept a blog EXCERPT FROM THE BOOK Wellington is dead. A garden fork has gone through his abdomen and stuck into the ground below. As Christopher kneels over the still warm dog, Mrs. Shears runs out of her house screaming. Christopher does not like to be yelled at, so he curls up in a ball on the grass, closes his eyes, and covers his ears with his hands. When the police are called to the scene, one of them touches Christopher while questioning him. Christopher does not like to be touched, so he punches the police officer who in turn arrests the boy. Christopher does not mind the police station cell because it is a perfect cube, but he does not stay there for very long. When Christopher's father arrives at the station, he is livid and gets the officers to release his son with just a warning. On the way home, Christopher's father tells him to drop his interest in Wellington even though Christopher considers the dog's death a murder.
In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.
At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others.
Reproduction of the original: The Testimony of Tradition by David MacRitchie