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ABOUT THE BOOK Made in America is Bill Bryson’s account of America’s history through linguistic development - and linguistic development through history. His account of America’s birth and growth demonstrates the timeline of Americanisms, American phrases, and the melting pot that made American English distinctive among dialects. Bryson also explores regional dialects and how they came to exist via immigration and dispersion across the country. Published in 1998 by Black Swan, Made in America incidentally showcases the path of American culture as it catalogues history and language. History, language, and culture are all wrapped into one because they are so tightly connected to each other, and Bryson can’t avoid giving an account of all three as he gives an account of language. Made in America begins with the Mayflower voyage and travels all the way to present day modern America, accounting for the totality of America’s timeline. Every chapter consists of a historical account of America during a specific time period, and then moves into the familiar language of that day, from where the phrases came, and how they survive in modern day English after evolving from their roots. MEET THE AUTHOR Megan Yarnall is a publicist and writer from Bucks County, Pennsylvania. She studied English, creative writing, and Italian at Dickinson College, and wrote her thesis on the connections between humans, their bodies, and language. She graduated in 2010 after spending four years organizing all of her college’s concerts. Megan has lived abroad in Italy and loves studying foreign language, linguistics, and writing. EXCERPT FROM THE BOOK The invention of the airplane and then commercial flying gave rise to the word stewardess and then jet lag as well as jumbo jet. The 1950s saw the start of technological innovation, and it seemed that invention was the driving force behind linguistic development and the introduction of new terms than were immigration, cultural differences or America’s melting pot. Language reflects culture and history because culture and history are its roots. At one time, America’s culture was based on immigration and the integration of a variety of cultures on one land, and that fueled linguistic development. When America as a country transitioned into modern times and became more based on a single American identity and technology, the new identity and tech space began to fuel our language with developments such as laptop, hacker, and software. Additionally, as we become more accepting as a culture, our language becomes more accepting and relaxed as we cringe less at racial slurs - or at least openly discuss them - and our movements (such as the feminist movement) start to bleed through our communication. For example, the word femstruate instead of menstruate hasn’t stuck around, and similarly other neologisms, because they’ve been used only by extremists and not in popular culture. Regardless, language changes and fluctuates with our trends, and can be a trusty source of what is going on - even dating back to the Mayflower... Buy a copy to keep reading!
ABOUT THE BOOK In Mother Tongue: English and How It Got That Way, Bill Bryson guides us through the complicated history of the English language to figure out why it is the way it is. It’s an interesting journey, part thesis and part pop science, that explains the most significant events in the development of the English language with lots of useful tidbits along the way. English started gaining dominance as a global language during the 20th century with the rise of American supremacy. Mother Tongue was published in 1991, in the midst of the fall of Communism when America became the undisputed victor of the Cold War and, some would say, of the world. Since that time, English has surpassed all other languages as the global lingua franca, not only in the business and commerce sector, but in science, technology, diplomacy, and tourism as well. MEET THE AUTHOR Devon Smith was a software developer, university instructor, belly dancer, and researcher before turning to professional writing. She currently lives in Turkey. Someday she will put something interesting on this website: devonwashere.blogspot.com EXCERPT FROM THE BOOK Bryson then talks about the rapid evolution of English through the times of Chaucer, during which the language was greatly simplified, and Shakespeare, who was perhaps the single most innovative wordsmith in the history of the language. One particular maddening discussion is the one about English spelling and orthography, or writing (“Spelling”). One of the major ideas here is that when English adopts words from foreign languages (which it does frequently), it often preserves the original spelling, which may or may not obey the spelling rules of native English words. Buy a copy to keep reading!
The Royal Society was founded in 1660 from a basis of more informal meetings of physicians, natural philosophers, and other interested parties (there was no such thing as a "scientist" yet). It was influenced by Francis Bacon's thinking about science and knowledge and inspired by the many discoveries that were happening at the time. In a sense, the development of the Royal Society was a mirror of the development of science itself. 2010 was the 350th anniversary of the founding of the Royal Society, and Seeing Further: The Story of Science, Discovery, and the Genius of the Royal Society was published to commemorate that fact. Rather than simply write a history of the institution, Bryson elected to edit a volume of essays displaying some of the variety of interests so evident in the Royal Society itself. He selected twenty one writers, and not just scientists, either. Though there are quite a few eminent scholars listed as authors, there are also novelists and journalists. What they all share, though, besides the ability to turn a phrase, is an enthusiasm for science and an appreciation for the achievements of the Society.
“A literate exploration of why we use—or mangle—our native tongue.”—USA Today Bill Bryson celebrates America’s magnificent offspring in the book that reveals once and for all how a dusty western hamlet with neither woods nor holly came to be known as Hollywood…and exactly why Mr. Yankee Doodle call his befeathered cap “Macaroni.”
'Funny, wise, learned and compulsive' - GQ Bill Bryson turns away from travelling the highways and byways of middle America, so hilariously depicted in his bestselling The Lost Continent, The Life and Times of the Thunderbolt Kid and Notes from a Big Country, for a fast, exhilarating ride along the Route 66 of American language and popular culture. In Made in America, Bryson tells the story of how American arose out of the English language, and along the way, de-mythologizes his native land - explaining how a dusty desert hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how they were eating junk food long before the word itself was cooked up - as well as exposing the true origins of the words G-string, blockbuster, poker and snafu. 'A tremendously sassy work, full of zip, pizzazz and all those other great American qualities' Will Self, Independent on Sunday
Travel writer Bill Bryson looks at the language of America and explains the history behind it, including the origins of phrases such as The real McCoy and the G-string; why two humble bicycle repairmen from Ohio succeeded in mastering manned flight when the world's greatest engineers couldn't get a model aircraft off the ground; why the assassination of President Garfield led to the invention of air conditioning; and how a lonesome hamburger stand at the end of Route 66 provided the inspiration for McDonald's.
ABOUT THE BOOK The first time I read a Bill Bryson book, I was not expecting much at all. For many years my family shared a rustic cottage on a lake with all the other members of my mother's family. Entertainment on nice days usually involved swimming, swimming, more swimming, and the occasional nap. On gray days, we read. Over the years four generations of the family left behind a muddled collection of books. When I read through the books I had brought with me, I'd grab whatever my relations had left behind. That's how I first encountered Bill Bryson. I found a well-worn, tattered copy of A Walk in the Woods, left behind by a relative. I picked it up with uncertainty, not sure I was completely interested in a stranger's account of a summer spent hiking the Appalachian Trail. As for a stranger who told that story while trying to be funny? I suspended my disbelief. But, Bryson really was funny. So funny that when I returned home I promptly ordered a copy and made my husband read it. After finishing it, he went out and got still more Bryson books. They were funny, too. That's the first thing that should be said about Bryson, and about Notes from a Big Land: It's a funny book written by a man who has a mastery of funny. MEET THE AUTHOR Peg Robinson holds a BA in Religious Studies from the University of California at Santa Barbara, and has partially completed an MA/PhD in Mythological Studies from Pacifica Graduate Institute. She holds a certificate in copy editing from Media Bistro. Her publishing career started in 1998, on winning a place in Simon and Schuster's Star Trek: Strange New Worlds competition. Her novelette "Tonino and the Incubus" qualified for the 2007 Nebula Awards. She has worked as a content provider, copy writer, informational writer, copy editor, and developmental editor. EXCERPT FROM THE BOOK Notes from a Big Country is the British version of a book published in the United States under the title I'm a Stranger Here, Myself. Both books are compiled of essays written for the British publication, Mail on Sunday's Night and Day, edited by Simon Kelner, a friend and associate of Bryson's. There are extensive differences between the two books. Notes from a Big Country contains a full 78 essays; I'm a Stranger Here, Myself contains only 70. Editorial adjustments were made to take the language and assumptions of each nation into account. An extensive comparison of the two volumes can be found from the Department of Translation Studies, at the University of Tanjere. The linguistic analysis may not interest everyone, but it provides a fairly extensive overview of the changes made in adapting the book for two distinct audiences. There is no question to an American reader that Notes from a Big Country was written for an English audience. While Bryson is on record as considering his identity in England that of an outsider it's impossible to read the essay chapters without realising how deeply Bryson has adapted to English culture. It's equally impossible to miss how profoundly he felt the culture-shock on returning to the United States. Buy a copy to keep reading! CHAPTER OUTLINE Quicklet on Bill Bryson's Notes from a Big Country Bill Bryson’s Notes from a Big Country + Introduction + Biographical Information + Overview: Notes from a Big Country + Material and Tone + ...and much more
'Flatland' is a conceptual, graphic-based rewriting of E.A. Abbott's sci-fi classic: a fictional guide to concept of multiple dimensions of reading which will appeal to those interested in design and architecture as well as unusual writing and poetry.
Dan Farrell's second volume of poetry is an examination of a discourse that everyone knows about but few people have examined in detail: the response of people to Rorschach inkblot patterns. By turns profound and hilarious, this book is an insightful statement about the relentless drive to make meaning out of nothing. The online version features a dynamic inkblot, designed by Brian Kim Stefans, to test your own poetic/psychological state of being.