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The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading "Brazil" are grouped eleven poems including "Manuelzinho," "The Armadillo," "Twelfth Morning, or What You Will," "The Riverman," "Brazil, January 1, 1502" and the title poem. The second section, entitled "Elsewhere," includes others "First Death in Nova Scotia," "Manners," "Sandpiper," "From Trollope's Journal," and "Visits to St. Elizabeths." In addition to the poems there is an extraordinary story of a Nova Scotia childhood, "In the Village." Robert Lowell has recently written, "I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country."
Laura Fraser grows up in Sydney, motherless, with a cold, professional father and an artistic bent. Ravi Mendis lives on the other side of the globe -- exploring the seductive new world of the Internet, his father dead, his mother struggling to get by.Their stories alternate throughout Michelle de Kretser's ravishing novel, culminating in unlikely fates for them both, destinies influenced by travel -- voluntary in her case, enforced in his. With money from an inheritance, Laura sets off to see the world, eventually returning to Sydney to work for a publisher of travel guides. There she meets Ravi, now a Sri Lankan political exile who wants only to see a bit of Australia and make a living. Where do these two disparate characters, and an enthralling array of others, truly belong? With her trademark subtlety, wit, and dazzling prose, Michelle de Kretser shows us that, in the 21st century, they belong wherever they want to and can be -- home or away. "It is not really possible to describe, in a short space, the originality and depth of this long and beautifully crafted book." -- A.S. Byatt, The Guardian
Poet and novelist Lavinia Greenlaw's poetic reflections on William Morris's Icelandic Journal, one of the overlooked masterpieces of travel literature The great Victorian designer and decorative artist William Morris was fascinated by Iceland and wrote a book documenting his travels there. He gets caught up with questions of travel, noting his reaction to the idea of leaving or arriving, to hurry and delay, what it means to dread a place you’ve never been to or to encounter the actuality of a long-held vision. He is sensitive to the emotional landscape of his band of travelers and, above all, continuously analyzing and fixing this “most romantic of all deserts.” Lavinia Greenlaw follows in his footsteps, and interposes his prose with her own “questions of travel.” The result is a new and composite work that brilliantly explores our conflicted reasons for not staying at home.
Contemporary theory is replete with metaphors of travel—displacement, diaspora, borders, exile, migration, nomadism, homelessness, and tourism to name a few. In Questions of Travel, Caren Kaplan explores the various metaphoric uses of travel and displacement in literary and feminist theory, traces the political implications of this “traveling theory,” and shows how various discourses of displacement link, rather than separate, modernism and postmodernism. Addressing a wide range of writers, including Paul Fussell, Edward Said, James Clifford, Gilles Deleuze, Jean Baudrillard, Gayatri Spivak, Edward Soja, Doreen Massey, Chandra Mohanty, and Adrienne Rich, Kaplan demonstrates that symbols and metaphors of travel are used in ways that obscure key differences of power between nationalities, classes, races, and genders. Neither rejecting nor dismissing the powerful testimony of individual experiences of modern exile or displacement, Kaplan asks how mystified metaphors of travel might be avoided. With a focus on theory’s colonial discourses, she reveals how these metaphors continue to operate in the seemingly liberatory critical zones of poststructuralism and feminist theory. The book concludes with a critique of the politics of location as a form of essentialist identity politics and calls for new feminist geographies of place and displacement.
This book is published on occasion of the parallel exhibitions Silke Otto-Knapp presented in two markedly different locations: on Fogo Island, Newfoundland, and at the Kunsthalle Wien Karlsplatz, Vienna. The contrasting influences of place--between rural and urban, new and old world--is evident in the selection of works presented and compiled in this catalogue. The partnering of these exhibitions clearly brings into focus questions about art and its contexts. The tensions between nature and culture provide an appropriate figure for the artwork: a context imagined and devised for the circumstances of its own activation. Questions of Travel includes essays by Susan Morgan and Vanessa Joan Müller and a conversation between Otto-Knapp and Nicolaus Schafhausen. Müller reflects on how the tensions Otto-Knapp's artwork engenders are the substance of its experience, while Morgan approaches the work via three significant influences: the cultural geographer J. B. Jackson; avant-garde dancer Anna Halprin and her husband, the landscape architect Lawrence Halprin; and the poems of Elizabeth Bishop. In the conversation with Schafhausen, Otto-Knapp likens the art exhibition to "a theatre situation that is both distinctly separate from reality and engaged with it at the same time." As the activating element of an exhibition, the viewer could also be said to embody the reality of a work's engagement. Otto-Knapp took the title for this project, "Questions of Travel," from Bishop's poem of the same name, which has been reprinted for this catalogue. Published on the occasion of Otto-Knapp's exhibitions "Questions of Travel (Wien)," Kunsthalle Wien Karlsplatz, March 12-May 25, 2014, and "Questions of Travel (Fogo Island)," Fogo Island Gallery, April 16-August 31, 2014. Copublished with Fogo Islands Arts and Kunsthalle Wien Contributors Elizabeth Bishop, Susan Morgan, Vanessa Joan Müller, Nicolaus Schafhausen
On travel in literature
On Literature, New Places, and the Sacred Sacred travel guide. First published in 1998 and updated with a new preface by the author, The Art of Pilgrimage is a sacred travel guide full of inspiration for the spiritual traveler. Not just for pilgrims. We are descendants of nomads. And although we no longer partake in this nomadic life, the instinct to travel remains. Whether we’re planning a trip or buying a secondhand copy of Siddhartha, we’re always searching for a journey, a pilgrimage. With remarkable stories from famous travelers, poets, and modern-day pilgrims, The Art of Pilgrimage is for the mindful traveler who longs for something more than diversion and escape. Rick Steves with a literary twist. Through literary travel stories and meditations, award-winning writer, filmmaker and host of the acclaimed Global Spirits series, Phil Cousineau, sets out to show readers that travel is worthy of mindfulness and spiritual examination. Learn to approach travel with a desire for spiritual risk and renewal, practicing intentionality and being present. Inside find: • Stories, myths, parables, and quotes from many travelers and many faiths • How to see with the “eyes of the heart” • More than 70 illustrations Spiritual travel for the soul. If you’re looking for reasons to travel, this is it. Whether traveling to Mecca or Memphis, Stonehenge or Cooperstown, one’s journey becomes meaningful when the traveler’s heart and imagination are open to experiencing the sacred. The Art of Pilgrimage shows that there is something sacred waiting to be discovered around us. If you enjoyed books like The Pilgrimage by Paulo Coelho or Unlikely Pilgrim, Zen on the Trail, and Pilgrimage─The Sacred Art, then The Art of Pilgrimage is a travel companion you’ll love having with you.
The poet Elizabeth Bishop is said to have a prismatic way of seeing. In this companion to her poetry, making connections between modern art and modern poetry, Bonnie Costello aims to give a sense of the poet and her ways of seeing and writing.
What are the world’s greatest destinations? Where are the best places to travel solo? From airport fashion to road trip rules, professional traveller Brooke Saward shows us where to go, what to do and how to get that holiday feeling without even leaving home. Full of beautiful photographs that will ignite the imagination and featuring enduring favourites like Paris, New York, and London, this is the book that will inspire you to make every day an adventure.