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Evocative of writers Patrick Califia-Rice and Kate Bornstein, whose best works explore gender and sexuality through personal memoir, queer sex life is a frank and intimate collection of responses to theories of queer sexuality and identity as viewed through the author's own experiences. By turns insightful and elegant, Terry Goldie delves into contemporary subject matter both fraught and explicit, revealing subtle, fluid truths about human sexuality and desire; drag queens, feminism, cross-cultural sex, bisexuality, gay youth, and the concept of being ''out,'' among others. Goldie explores this diverse terrain with a perceptive and provocative eye as he attempts to understand the complex issues of sexuality and gender from within - and as a result, to understand himself. The result expands and deepens our understanding of the parameters and ramifications not only of queer sexuality, but human sexuality in general, in terms that are both beautiful and unapologetic. Queer sex life is a book for LGBTQ studies and general readers alike.
This book explores the queer history of the easternmost provinces of the German Reich—regions that used to be German, but which now mostly belong to Poland—in the first third of the twentieth century, a period roughly corresponding to the duration of Germany's first queer movement (1897-1933). While the amount of queer historical studies examining entire towns and cities in the German Reich has grown to an impressive size since the 1990s, most of that research concerns, firstly, the usual, large metropoles such as Berlin, Hamburg or Cologne, and, secondly, municipalities located in Germany 'proper'; that is, within its modern borders, not those of the German state in the first half of the twentieth century. Smaller cities (not to mention rural areas) in particular have received very little scholarly attention. This book is therefore one of the first to examine queer history—that of spaces, culture, sociability and political groups specifically—from this geographical perspective.
From the author of The Z Word, this guide to sex, love and life for girls who like girls is useful whether you’re a lady-dating veteran or still trying to come out to yourself. “Fresh and authentic…[King-Miller] combine[s] the ‘directness’ of Dan Savage with the ‘compassion and gentleness’ of Cheryl Strayed.”—BITCH magazine Seasoned advice columnist and queer chick Lindsay King Miller cuts through all of the bizarre conditioning imparted by parents, romantic comedies, and The L Word to help queer readers live authentic, safe, happy, sexy lives. With advice on every aspect of life as a lesbian, gay, bisexual, or queer woman—from your first Pride to confronting discrimination in the workplace—there is guidance for some of the most major parts of living in a world that can vacillate between supportive and cruel. “Lindsay King-Miller is the cool, queer aunt you never had but always wanted—she is unrelentingly kind, totally funny, and no subject is off limits. Ask a Queer Chick is essential reading.”—Jolie Kerr, author of My Boyfriend Barfed In My Handbag...And Other Things You Can't Ask Martha
A unique combination of sermons, essays and storytelling, Queerly Lutheran provocatively examines the roots of Lutheran tradition and delivers Good News to Lutherans of all sexual orientations and gender identities. Using the sex life of Martin Luther as a model, Queerly Lutheran invites readers and the contemporary church to reexamine our past and work towards a more welcoming future. This text includes an Extraordinary Prayer Calendar for congregations and individuals who would like to include queer saints (past and present) to their prayer life.
The follow-up to Lambda Literary Award-winning First Person Queer, which featured non-fiction essays all told from the first-person perspective. This collection, all told from the second-person perspective, comprises letters, admonitions, words of advice and missives against sources of contempt. Contributors include Michael Rowe, Achy Obeas, Daniel Allen Cox and Amber Dawn.
A groundbreaking collection of fourteen essays on the struggles, pleasures, and contradictions of queer culture and public life in Canada. Versed in queer social history as well as leading-edge gay and lesbian studies, queer theory, and post-colonial studies, In a Queer Country confronts queer culture from various perspectives relevant to international audiences. Topics range from the politics of the family and spousal rights to queer black identity, from pride parade fashions to lesbian park rangers.
The tragic sentiment of Southern literature and its heteronormative perspective are foundational attributes generally accepted by both popular and scholarly audiences. Yet a pantheon of great authors ranging from like Tennessee Williams, Carson McCullers, and Truman Capote to present-day voices of Alice Walker, John Waters, and David Sedaris, collectively attest to both the vibrancy of queer experience and the prevalence of humor found in this rich regional cannon. In Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon, Tison Pugh challenges the premises that elevate William Faulkner and diminish Florence King, that esteem Walker Percy yet marginalize David Sedaris, by arguing for the inclusion of gay comic authors as long-standing, defining voices in the field. By redefining the tenets of Southern literature Pugh reveals long-overlooked or discounted aspects of gay humor within the South's literary realm. Noting, for example, that Tennessee Williams is revered as a dramatist who probes the heart of the human condition rather than for his submerged camp humor, and Truman Capote's comic cinema and literature never eclipsed serious works, Pugh establishes a history of mainstream and academic critique that ignored queer humor. Likewise, Florence King and Rita Mae Brown wrote defining narratives of Southern lesbian experience in, respectively, Confessions of a Failed Southern Lady and Rubyfruit Jungle, yet, according to Pugh, they are almost entirely neglected in accounts of the literary South. More recently, the author shows, the critical reception of Dorothy Allison's Bastard Out of Carolina testifies to an overarching interest in the traumatic aspects of her poetry and fiction rather than in her humor and its cathartic power. Pugh also asserts that David Sedaris, as a writer of the "post-Southern South," who appears to fall beyond the parameters of regional literature for many readers, creates a new, humorous vision of the region that recognizes both its pained history and its grudging accession to modernity. Drawing from works of key southern writers Pugh sets forth a new vision of Southern literature emerges -- one illuminated by the humor of gay voices no longer at the margins.
Queering Wolverine in Comics and Fanfiction: A Fastball Special interrogates the ways in which the Marvel Comics character Wolverine is a queer hero and examines his representation as an open, vulnerable, and kinship-oriented queer hero in both comics and fanfiction. Despite claims that Wolverine embodies Reagan-era conservatism or hegemonic hypermasculinity, Wolverine does not conform to gender or sex norms, not only because of his mutant status, but also because his character, throughout his publication history, resists normalization, making him a site for a queer-heroic futurity. Rather than focusing on overt queer representations that have appeared in some comic forms, this book explores the queer representations that have preceded Wolverine’s bisexual and gay characterizations and in particular focuses on his porous and vulnerable body. Through important, but not overly analyzed storylines, representations of his open body that is always in process (both visually and narratively), his creation of queer kinships with his fellow mutants, and his eroticized same-sex relationships as depicted in fanfiction, this book traces a queer genealogy of Wolverine. This book is ideal reading for students and scholars of comics studies, cultural studies, gender studies, sexuality studies, and literature.
One dimensional television characters are a thing of the past--today's popular shows feature intricate storylines and well developed characters. From the brooding Damon Salvatore in The Vampire Diaries to the tough-minded Rick Grimes in The Walking Dead, protagonists are not categorically good, antagonists often have relatable good sides, and heroes may act as antiheroes from one episode to the next. This collection of new essays examines the complex characters in Orange Is the New Black, Homeland, Key & Peele, Oz, Empire, Breaking Bad, House, and Buffy the Vampire Slayer.
Queer people may not have invented sex, but queers have long been pioneers in imagining new ways to have it. Yet their voices have been largely absent from the #MeToo conversation. What can queer people learn from the #MeToo conversation? And what can queer communities teach the rest of the world about ethical sex? This provocative book brings together academics, activists, artists, and sex workers to tackle challenging questions about sex, power, consent, and harm. While responding to the need for sex to be consensual and mutually pleasurable, these chapter authors resist the heteronormative assumptions, class norms, and racial privilege underlying much #MeToo discourse. The essays reveal the tools that queer communities themselves have developed to practice ethical sex—from the sex worker negotiating with her client to the gay man having anonymous sex in the back room. At the same time, they explore how queer communities might better prevent and respond to sexual violence without recourse to a police force that is frequently racist, homophobic, and transphobic. Telling a queerer side of the #MeToo story, Unsafe Words dares to challenge dogmatic assumptions about sex and consent while developing tools and language to promote more ethical and more pleasurable sex for everyone.