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In a highly original and interdisciplinary work bridging French and Francophone studies, cultural studies, media studies, and gender and sexuality studies, Luis Navarro-Ayala examines the transnational queer body as a physical and symbolic entity intrinsically connected with space. Through a transcultural and intersectional approach to bodily representations, socioeconomic conditions, and postcolonial politics, Navarro-Ayala analyzes queerness and Frenchness in narratives from North Africa and Latin America, revealing that Frenchness is coded to represent a sexually deviant “Other.” France and Frenchness, in two distinct regions of the global South, have come to represent an imagined queer space enabling sexual exploration, even in social conditions that would have otherwise prevented queer agency.
My dissertation proposes a new queer transcultural perspective of "Frenchness" as it is conceived in Latin America and North Africa. This concept plays a noteworthy role in the formation of queer identities from both of these so-called "marginal" geographic areas, whether it is represented as a cultural influence or personified by characters who travel abroad. Using the framework of Queer Studies, Semiotics, and Transculturalism, I analyze queer subjects who navigate transcultural spaces and experience cross-cultural encounters in seven works: José González Castillo's Los Invertidos (Argentina), Alfonso Hernández-Catá's El ángel de Sodoma (Cuba/Spain), André Gide's L'immoraliste (France), Mohamed Choukri's Le pain nu (Morocco), and Rachid O.'s narratives Chocolat chaud, Ce qui reste, and L'enfant ébloui (Morocco). In the Latin American context, the trope of exclusion is associated with "Frenchness" as sexually deviant and thus undesirable. Yuri Lotman's semiosphere reveals the ways in which national culture organizes boundaries to exclude or include un/wanted individuals--and, more specifically, queer subjects. In the North African context, the predominantly masculine public space facilitates cross-cultural encounters with French men, allowing a controversial bond to form between the privileged European tourist and local impoverished boys. My project uses Homi Bhabha's cultures of survival and mimicry, as well as Marcel Mauss's gift exchange relationships, to show how social conditions prevent or allow the younger participants in these exchanges to develop sexual agency and sites of resistance to global economic power structures. Finally, my project explores the homosexual agency and subject formation of a young protagonist thanks to French media in Morocco. It analyzes the affective attachment and sensorial connection to French television broadcasts developed by an adolescent who manages to turn public space into a realm of intimacy. Ultimately, the character transforms his attraction for racial difference into a source of postcolonial subversion and forges a new transcultural identity.
Queering the Medieval Mediterranean analyzes the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses. It highlights the importance of queerness and sexuality developed on the Mediterranean trade routes.
"Hybrid Anxieties utilizes literature and film as a means to investigate the ways in which the French-Algerian War and its postcolonial legacies have precipitated a crisis in gender and sexuality"--
This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu Ghraib and Guantánamo Bay, and migrant fiction in the twenty-first century, Christopher W. Clark creates a queer archive of transcultural U.S. texts as a way of destabilizing heteronormativity and thinking about productive spaces of queer world-building. Drawing on the fields of transcultural memory, queer studies, and transculturalism, this book raises important questions of queer bodies and subjecthood. Clark traces their legacies through texts by Sinan Antoon, Mohamedou Ould Slahi among others, alongside film and photography that includes artists such as Nina Berman and Hasan Elahi. In all, the book queers forms of cultural memory and national identity to uncover the traces of injury but also spaces of regeneration.
Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials
Transforming Family examines a selection of novels penned by francophone authors who imagine familial aspiration that is decolonial and queer, questioning how family relates to race, gender, class, embodiment, and intersectionality.
Queer Intercultural Communication helps to expand the field of queer studies to consider cultural difference and how it affects everyday communication across the globe. Authoritative essays present cases of LGTBQ people in and across race, ethnicity, gender, culture, nation, and bodies.
Spanning Europe, Asia and the Pacific, Encounters with Emotions investigates experiences of face-to-face transcultural encounters from the seventeenth century to the present and the emotional dynamics that helped to shape them. Each of the case studies collected here investigates fascinating historiographical questions that arise from the study of emotion, from the strategies people have used to interpret and understand each other’s emotions to the roles that emotions have played in obstructing communication across cultural divides. Together, they explore the cultural aspects of nature as well as the bodily dimensions of nurture and trace the historical trajectories that shape our understandings of current cultural boundaries and effects of globalization.
In this book, Meenakshi Gigi Durham outlines and advances a progressive feminist framework for digital ethics in the technosexual landscape, exploring the complex and evolving interrelationships between sex and tech. Today we live in a “sexscape,” a globalized assemblage of media, transnational capital, sexual practices, and identities. Sexuality suffuses the contemporary media-saturated environment; we engage with sex via cellphone apps and airport TVs, billboards and Jumbotron screens. Our techniques of sexual representation and body transformation — from sexting to plastic surgeries — occur in relation to our deep and complex engagements with mediated images of desire. These technosexual interactions hold the promise of sexual liberation and boldly imaginative pleasures. But in the machinic suturing of technologies with bodies, the politics of race, class, gender, and nation continue to matter. Paying acute attention to media’s relationship to the politics of location, social hierarchies, and regulatory schemas, the author mounts a lucid and passionate argument for an ethics of technosex invested in the analysis of power.