Download Free Queer Loathing On The Yellow Brick Road Book in PDF and EPUB Free Download. You can read online Queer Loathing On The Yellow Brick Road and write the review.

Dorothy isn't the happiest of girls. Kansas is pretty damn boring, her aunt and uncle are hicks, and it seems she doesn't much belong. But when her shed gets picked up by a cyclone and dropped in Oz, things begin to get interesting. There's this broad called Glinda who's taken more than a bit of a liking to her, and perverted munchkins who run a tabloid newspaper full of green celebrity snatch. There's also Ozma, who runs Oz's only transgender helpline-and who is toe-curlingly hot by the way. Between silver shoes and matching purses, politics and dildos, lesbian witches and wizards with gambling debts, Dorothy must find her way home (wherever that might be)-and figure out who really makes her heels click.
Terror Scribes is a satisfyingly diverse anthology, furnished with nebulous, original tales guaranteed to set your teeth on edge and give you bouts of gooseflesh. From the home-grown talent of Sue Phillips to prolific US gore-hound Deb Hoag, from the satirists to the psychopaths to the traditionalists, from demonic possession of celebrities to masturbating werewolves, from hair-raising fairytales to disturbing accounts of everyday terror, you will shiver and gasp and question. We are not oblivious to the fear Terror Scribes will evoke. Quite the contrary, we're advocates of it . . .
From bone-crushing lovers to a cross-dressing hitman, the night-soil man of the gods and sex conditioning on squids, the dangerous desires of the diabolically large and seductively small, body-swapping, gender-swapping, exploration, transcendence and re-incarnation, machines that are gods and machines that are cats...Polluto 7 is here
This issue we're entering into the unknown and the otherworldly, exploring strange worlds and stranger beings--not to mention the twisted, terrifying depths of some of the weirdest authors' minds. Subversive and thought provoking? Yes. Crazy as a box of Buck Roger's Intergalactic Fruit Loops? Most definitely. Dark, dreamy, and disgustingly depraved? Would it really be Polluto if it wasn't? Aliens, monsters, gods, dreams and nightmares; sex and transformation; strange worlds and the search for truth; death, blood and violence; the future of humanity; astrophobia, metatronians, sphere serpents and zombie amazons. Prepare for the unexpected . . . and remember, in space no-one can hear you dream.
Exploring nearly sixty years of memoir and autobiography, Writing Desire examines the changing identity of gay men writing within a historical context. Distinguished scholar and psychoanalyst Bertram J. Cohler has carefully selected a diverse group of ten men, including historians, activists, journalists, poets, performance artists, and bloggers, whose life writing evokes the evolution of gay life in twentieth-century America. By contrasting the personal experience of these disparate writers, Cohler illustrates the social transformations that these men helped shape. Among Cohler's diverse subjects is Alan Helms, whose journey from Indiana to New York's gay society represents the passage of men who came of age in the 1950s and 1960s, when homosexuality was considered a hidden "disease." The liberating effects of Stonewall's aftermath are chronicled in the life of Arnie Kantrowitz, the prototypical activist for gay rights in the 1970s and the founder the Gay and Lesbian Alliance against Defamation. The artistic works of Tim Miller and Mark Doty evoke loss and shock during of the early stages of the AIDS epidemic in the 1980s. Cohler rounds out this collective group portrait by looking at the newest generation of writers in the Internet age via the blog of BrYaN, who did the previously unthinkable: he "outed" himself to millions of people. A compelling mix of social history and personal biography, Writing Desire distills the experience of three generations of gay America. Finalist, LGBT Studies, Lambda Literary Foundation
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
There were eccentric characters in the hotel. The Paris slums are a gathering-place for eccentric people—people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behaviour, just as money frees people from work. Some of the lodgers in our hotel lived lives that were curious beyond words. There were the Rougiers, for instance, an old, ragged, dwarfish couple who plied an extraordinary trade. They used to sell postcards on the Boulevard St Michel. The curious thing was that the postcards were sold in sealed packets as pornographic ones, but were actually photographs of chateaux on the Loire; the buyers did not discover this till too late, and of course never complained. The Rougiers earned about a hundred francs a week, and by strict economy managed to be always half starved and half drunk. The filth of their room was such that one could smell it on the floor below. According to Madame F., neither of the Rougiers had taken off their clothes for four years.
Follow cousins on a road trip to Pride as they dive into family secrets and friendships in this contemporary novel—perfect for fans of David Levithan and Becky Albertalli. As kids, Mark and his cousin Talia spent many happy summers together at the family cottage in Ontario, but a fight between their parents put an end to the annual event. Living on opposite coasts—Mark in Halifax and Talia in Victoria—they haven't seen each other in years. When their grandfather dies unexpectedly, Mark and Talia find themselves reunited at the cottage once again, cleaning it out while the family decides what to do with it. Mark and Talia are both queer, but they soon realize that's about all they have in common, other than the fact that they'd both prefer to be in Toronto. Talia is desperate to see her high school sweetheart Erin, who's barely been in touch since leaving to spend the summer working at a coffee shop in the Gay Village. Mark, on the other hand, is just looking for some fun, and Toronto Pride seems like the perfect place to find it. When a series of complications throws everything up in the air, Mark and Talia—with Mark's little sister Paige in tow—decide to hit the road for Toronto. With a bit of luck, and some help from a series of unexpected new friends, they might just make it to the big city and find what they're looking for. That is, if they can figure out how to start seeing things through each other's eyes.