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Ron Athey is one of the most important, prolific, and influential performance artists of the past four decades. A singular example of lived creativity, his radical performances are odds with the art worlds and art marketplaces that have increasingly dominated contemporary art and performance art over the period of his career. Queer Communion, an exploration of Athey's career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey's performative practice and each community he engages. Emphasizing the ephemeral and largely uncollectible nature of his work, the book places Athey's own writing at its center, turning to memoir, memory recall, and other modes of retrieval and narration to archive his performances. In addition to documenting Athey's art, ephemera, notes, and drawings, the volume features commissioned essays, concise "object lessons" on individual objects in the Athey archive, and short testimonials by friends and collaborators by contributors including Dominic Johnson, Amber Musser, Julie Tolentino, Ming Ma, David Getsy, Alpesh Patel, and Zackary Drucker, among others. Together they form Queer Communion, a counter history of contemporary art.
A fascinating read for anyone seeking to understand the conflict between Christianity and LGBTQI individuals, this book is, as its editors proclaim, "a fearlessly wide vision of queer Christians finding a place within Christianity—and claiming their authentic experience and voice." Through essays by noted lesbian, gay, bisexual, transgender, queer or questioning, and intersex (LGBTQI) religion scholars, this important compilation summarizes the history and current status of LGBTQI theology, exploring its relationship to the policies, practices, and theology of traditional Christianity. Contributors contrast the "radically inclusive" thinking of LGBTQI theology with the "exclusivity" practiced by many Christian churches, explaining the reasoning of each and clarifying contentious issues. At the same time, the book highlights ways in which "queer" theology and practice benefit Christian congregations. Writing from the perspective of grassroots Christian LGBTQI movements, many of the contributors draw upon their own experiences. They provide graphic examples of the effects exclusion has on individuals, congregations, and denominations, and also share examples of inclusion and its effects. Equally important, the work creates the basis for dialogue between traditional churches and followers of LGBTQI theology, offering practical suggestions for Christian congregations that wish to put aside exclusionary policies and practices.
Popular perceptions of American writers as either godless radicals or God-fearing reactionaries overlook a vital tradition of Christian leftist thought and creative work. In Communion of Radicals, Jonathan McGregor offers the first literary history of theologically conservative writers who embraced political radicalism, as their reverence for tradition impelled them to work for social justice. Challenging recent accounts that examine twentieth-century American literature against the backdrop of the rising Religious Right, Communion of Radicals uncovers a different literary lineage in which allegiance to religious tradition fostered dedication to a more just future. From the Gilded Age to the Great Depression to the civil rights movement, traditional faith empowered the rebellious writing of socialists, anarchists, and Catholic personalists such as Vida Scudder, Dorothy Day, Claude McKay, F. O. Matthiessen, and W. H. Auden. By recovering their strain of traditioned radicalism, McGregor shows how strong faith in the past can fuel the struggle for an equitable future. As Christian socialists, Scudder and Ralph Adams Cram envisioned their movement for beloved community as a modern version of medieval monasticism. Day and the Catholic Workers followed the fourteenth-century example of St. Francis when they lived and wrote among the disaffected souls on the Bowery during the Great Depression. Tennessee’s Fellowship of Southern Churchmen argued for a socialist and antiracist understanding of the notion of “the South and the Agrarian tradition” popularized by James McBride Dabbs, Walker Percy, and Wendell Berry. Agrarian roots flowered into creative expressions encompassing the queer and Black medievalist poetry of Auden and McKay, respectively; Matthiessen’s Catholic socialist interpretation of the American Renaissance; and the genteel anarchism of Percy’s southern comic novels. Imaginative writing enabled these Christian leftists to commune with the past and with each other, driving their radical efforts in the present. Communion of Radicals chronicles a literary Christian left that unites deeply traditional faith with radicalism, and offers a usable past that disrupts perceived alignments of religion and politics.
Food, sex, and God– these intertwine at the heart of Christian faith and practice. This book invites Christian communities to reflect theologically and spiritually on the desire for God and the desire for sexual intimacy as the same fundamental desire for communion. This is likewise God’s own desire to be in communion with us, which Christians celebrate whenever we share a simple meal of bread and wine at the Eucharistic table. The longing for intimacy and its disruptions echo throughout our political contestations, economic systems, racial and ethnic conflicts, and ecological crises. In no small measure, the vitality of Christian witness to the Gospel in the twenty-first century depends on exploring the depths of desire itself in the ancient hope for Divine Communion made new.
Attorney, historian, and novelist R. W. Holmen brings a unique voice to the conversation of gay clergy in the pulpits. "Queer Clergy: A History of Gay and Lesbian Ministry in American Protestantism" provides a detailed history of the ways in which the following denominations have dealt with the issue of ordaining gay clergy: United Church of Christ; Episcopal Church; Evangelical Lutheran Church in America; United Methodist Church; and Presbyterian Church (U.S.A.) It provides an important historical reference for continuing dialogue.
The first-ever illustrated history of the iconic designs, symbols, and graphic art representing more than 5 decades of LGBTQ pride and activism. Beginning with pre-liberation and the years before the Stonewall uprising, spanning across the 1970s and 1980s and through to the new millennium, Queer X Design celebrates the inventive and subversive designs that have powered the resilient and ever-evolving LGBTQ movement. The diversity and inclusivity of these pages is as inspiring as it is important, both in terms of the objects represented as well as in the array of creators; from buttons worn to protest Anita Bryant, to the original 'The Future is Female' and 'Lavender Menace' t-shirt; from the logos of Pleasure Chest and GLAAD, to the poster for Cheryl Dunye's queer classic The Watermelon Woman; from Gilbert Baker's iconic rainbow flag, to the quite laments of the AIDS quilt and the impassioned rage conveyed in ACT-UP and Gran Fury ephemera. More than just an accessible history book, Queer X Design tells the story of queerness as something intangible, uplifting, and indestructible. Found among these pages is sorrow, loss, and struggle; an affective selection that queer designers and artists harnessed to bring about political and societal change. But here is also: joy, hope, love, and the enduring fight for free expression and representation. Queer X Design is the potent, inspiring, and colorful visual history of activism and pride.
What do Christianity and queerness have to do with each other? Can Christianity be queered? Queer Theology offers a readable introduction to a difficult debate. Summarizing the various apologetic arguments for the inclusion of queer people in Christianity, Tonstad moves beyond inclusion to argue for a queer theology that builds on the interconnection of theology with sex and money. Thoroughly grounded in queer theory as well as in Christian theology, Queer Theology grapples with the fundamental challenges of the body, sex, and death, as these are where queerness and Christianity find (and, maybe, lose) each other.
Jay Hulme is an award-winning transgender poet, performer, educator and speaker. In late 2019, his fascination with old church buildings turned into a life-changing encounter with the God he had never believed in, and he was baptised in the Anglican church. In this new poetry collection, Jay details his journey through faith and baptism during an unprecedented world-wide pandemic. As he finds God in the ruined factories and polluted canals of his home city, Jonah is heckled over etymology, angels appear in tube stations, and Jesus sits atop a multi-story car park. Cathedrals are trans, trans people are cathedrals, and amidst it all God reaches out to meet us exactly where we are. Jay’s poetry explores belief in the modern world and offers a perspective on queer faith that will appeal not only to Christians, but young members of the LGBT+ community who are interested in faith but unsure of where to start.
"Modern-day badass drag queen superhero nuns"--"It was like this asteroid belt": the origins and growth of the sisters -- "We are nuns, silly!": serious parody as activism -- "A sacred, powerful woman": complicating gender -- "Sister outsiders": navigating whiteness -- "A secular nun": serious parody and the sacred -- New world order? -- Blooper reel -- Studying the sisters
If the church is ever tempted to think that it has its theology of grace sorted, it need only look at its reception of queer black bodies and it will see a very different story. In this honest, timely and provocative book, Jarel Robinson-Brown argues that there is deeper work to be done if the body of Christ is going to fully accept the bodies of those who are black and gay. A vital call to the Church and the world that Black, Queer, Christian lives matter, this book seeks to remind the Church of those who find themselves beyond its fellowship yet who directly suffer from the perpetual ecclesial terrorism of the Christian community through its speech and its silence.