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The inspiring true story of a nice Jewish boy who left the Church of Scientology to become the lovely lady she is today In the early 1970s, a boy from a Conservative Jewish family joined the Church of Scientology. In 1981, that boy officially left the movement and ultimately transitioned into a woman. A few years later, she stopped calling herself a woman--and became a famous gender outlaw. Gender theorist, performance artist, and author Kate Bornstein is set to change lives with her stunningly original memoir. Wickedly funny and disarmingly honest, this is Bornstein's most intimate book yet, encompassing her early childhood and adolescence, college at Brown, a life in the theater, three marriages and fatherhood, the Scientology hierarchy, transsexual life, LGBTQ politics, and life on the road as a sought-after speaker.
"Louise Rafkin gives us characters (both fictional and not-so-fictional) who encounter life's Big Questions in places made odd by thier familiarity: in front seats of Valiants and old Volvos, among the obits and wedding notices in the daily paper, in the visitors' trailer at Soledad, at a slumber party strip tease, at flea markets and in thrift stores, amidst the Harley Davidson Rodeo and Roundup at Mount Rushmore..." -- Publisher's description.
"Louise Rafkin gives us characters (both fictional and not-so-fictional) who encounter life's Big Questions in places made odd by thier familiarity: in front seats of Valiants and old Volvos, among the obits and wedding notices in the daily paper, in the visitors' trailer at Soledad, at a slumber party strip tease, at flea markets and in thrift stores, amidst the Harley Davidson Rodeo and Roundup at Mount Rushmore..." -- Publisher's description.
A twelve-year-old Cubanita finds refuge in punk music in this illustrated tour de force.
The book from the interdisciplinary fields of queer theory, critical race theory, feminist political theory, disability studies, and indigenous studies to demonstrate that analyzing contemporary notions of citizenship requires understanding the machinations of governmentality and biopolitics in the (re)production of the proper citizen.
Living Out Loud: An Introduction to LGBTQ History, Society, and Culture offers students an evidence-based foundation in the interdisciplinary field of LGBTQ Studies. Chapters on history, diversity, dating/relationships, education, sexual health, and globalization reflect current research and thinking in the social sciences, humanities, and sciences. Coverage of current events and recommendations for additional readings, videos, and web resources help students apply the contents in their lives, making Living Out Loud the perfect core text for LGBTQ+ Studies (and similar) courses.
A vivid new history of drag told through the life of the pioneering queen Doris Fish In the 1970s, queer people were openly despised, and drag queens scared the public. Yet this was the era when Doris Fish (born Philip Mills in 1952) painted and padded his way to stardom. He was a leader of the generation that prepared the world not just for drag queens on TV but for a society that is more tolerant and accepting of LGBTQ+ people. How did we get from there to here? In Who Does That Bitch Think She Is? Craig Seligman looks at Doris’ life to provide some answers. After moving to San Francisco in the mid-’70s, Doris became the driving force behind years of sidesplitting drag shows that were loved as much as you can love throwaway trash—which is what everybody thought they were. No one, Doris included, perceived them as political theater, when in fact they were accomplishing satire’s deepest dream: not just to rail against society, but to change it. From the rise of drag shows to the obsession with camp to the conservative backlash and the onset of AIDS, Seligman adds needed color and insight to this era in LGBTQ+ history, revealing the origins and evolution of drag.
A blazingly insightful, provocative study of violence against women from the peerless feminist critic. Why has violence, and especially violence against women, become so much more prominent and visible across the world? To explore this question, Jacqueline Rose tracks the multiple forms of today’s violence – historic and intimate, public and private – as they spread throughout our social fabric, offering a new, provocative account of violence in our time. From trans rights and #MeToo to the sexual harassment of migrant women, from the trial of Oscar Pistorius to domestic violence in lockdown, from the writing of Roxanne Gay to Hisham Mitar and Han Kang, she casts her net wide. What obscene pleasure in violence do so many male leaders of the Western world unleash in their supporters? Is violence always gendered and if so, always in the same way? What is required of the human mind when it grants itself permission to do violence? On Violence and On Violence Against Women is a timely and urgent agitation against injustice, a challenge to radical feminism and a meaningful call to action.
This book addresses the impact of technology and the Internet in four parts: on development, on the training of therapists, on professional ethics, and on the provision of psychotherapy and psychoanalysis. It brings an immersion in the issues of clinical work with patients in analysis and therapy.