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Warrior Queens & Quiet Revolutionaries is a celebration of unheard and under-heard women’s history. 'Excellent . . . bursting with extraordinary women' – Anita Anand 'Brilliant' – Daisy Buchanan “My hope is that this book will inspire as I have been inspired. It’s a love letter to the importance of history and about how, without knowing where we come from - truthfully and entirely - we cannot know who we are.” Within these pages you’ll meet nearly 1000 women whose names deserve to be better known: from the Mothers of Invention and the trailblazing women at the Bar; warrior queens and pirate commanders; the women who dedicated their lives to the natural world or to medicine; those women of courage who resisted and fought for what they believed; to the unsung heroes of stage, screen and stadium. It is global, travelling the world and spanning all periods of time. It is also an intensely moving detective story of the author’s own family history as Kate Mosse pieces together the forgotten life of her great-grandmother, Lily Watson, a famous and highly-successful novelist in her day who has all but disappeared from the record . . . Warrior Queens & Quiet Revolutionaries is accessible and fascinating in its detail. A beautifully illustrated dictionary of women, it is a love letter to family history and a personal memoir about the nature of women’s struggles to be heard and their achievements acknowledged. Joyous, celebratory and engaging, it is a book for everyone who has ever wondered how history is made. 'A must have for history lovers and feminists' – Glamour
Queens and Revolutionaries proposes new readings of Genet that focus on the two areas that Saint Genet does not adequately address: sex and politics. The book first demonstrates how Sartre's empasis on a range of binary oppositions fails to do justice to the complex interplay of agency and determinism in Genet's novels of the 1940s. Using contemporary feminist and gender theory to elucidate the fluctuations, oscillations, and reversals in Genet's representations of cross-dressing and homosexuality, the readings show how these representations in turn reveal those theories limitations. The second half of the book turns to lesser known work dating from the late 1960s onward, and to 'Prisoner of Love', in order to contest Sartre's insistence on the non-political nature of Genet's work. It examines Genet's texts on the Black Panthers and the Palestinians, highlighting his political engagement after May 1968. It also traces the continuities from his earlier work, and shows how revolutionary aesthetics, theatricality, and performance are now increasingly reconceptualised as explicitly political acts.
"They're queens wielding scepters and sitting on thrones, they're revolutionaries on the front lines, they're presidents and prime ministers leading their nations, or they're CEOs, scientists, sports stars, artists, and others who are changing the world. Welcome to The Book of Queens, where being a regal royal doesn't just mean wearing a crown." -- back cover.
In this dazzling new vision of the ever-fascinating queen, a dynamic young historian reveals how Marie Antoinette's bold attempts to reshape royal fashion changed the future of France Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion—the vehicle she used to secure her triumphs—was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The history of the Scottish monarchy is a long tale of triumph over adversity, characterised by the personal achievements of remarkable rulers who transformed their fragile kingdom into the master of northern Britain. The Kings and Queens of Scotland charts that process, from the earliest Scots and Pictish kings of around ad 400 through to the union of parliaments in 1707, tracing it through the lives of the men and women whose ambitions drove it forward on the often rocky path from its semi-mythical foundations to its integration into the Stewart kingdom of Great Britain. It is a route waymarked with such towering personalities as Macbeth, Robert the Bruce and Mary Queen of Scots, but directed also by a host of less well-known figures such as David I, who extended his kingdom almost to the gates of York, and James IV, builder of the finest navy in northern Europe. Their will and ambition, successes and failures not only shaped modern Scotland, but have left their mark throughout the British Isles and the wider world.