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Telling the stories of some of the strongest women in all of Scripture, Thy Queendom Come offers Christian women a new path forward - a revolutionary new spirituality, and a revolutionary word to describe it: queendom. We can leave the narrow kingdom behind and embrace a more vibrant and just spiritual life.
Thy Queendom Come is a deep investigation into the infamous Mystery Babylon the Great, the woman who sat upon a scarlet-colored beast, holding a golden cup full of abominations, in the Biblical Apocalyptic book of Revelation (17). This woman represents a “system.” The world order is collapsing and rapidly becoming darker by the moment. Followers of Christ are fighting a deceptive enemy who operates deeply in secret, through a system of hidden language, symbology, lies, and twisting of the Holy Scriptures. Thy Queendom Come exposes the inner teachings of Mystery Babylon, Mystery religions Mystery schools Secret Societies Occult Practices New Age Movements Demonology and ultimate agenda. What was uncovered during our investigation, revealed an ancient plan that was so shocking, so subtle, so coercive, and so diabolical, that it calls for immediate attention. Leaders and laypersons alike are in a complete hypnotic state, as to the ideology of Mystery Babylon that has crept into the minds, hearts, and thoughts of born-again believers, and even into worship practices. Thy Queendom Come, through historical records and first-hand accounts from the highest sources, will expose to the reader how this subtle enemy through “his seed” has been able to operate without detection. These truths will bring about the Godly confidence to defend the faith in Christ. The manipulative practices of this woman riding the beast are unknowingly destroying the moral fabric of current and future generations. The need is urgent to shine the light on this ages-long agenda. The Father wishes that none be lost, to this subversive, Anti-Christ, beast system of the devil; Mystery, Babylon The Great, The Mother Of Harlots And Abominations Of The Earth (Revelation 17:5). Thy Queendom Come is a clarion call to all true believers in the Messiah, Jesus Christ.
We are all born inside a fence. Not the same fence, but we all have our own variation of restrictions-passed-down-to-us. The narrative passed down to Christian women by patriarchal religion tells us not only that we are bad, but that we need someone outside ourselves to save us. We need a revolutionary new spirituality, and a revolutionary term to describe it: the queendom of God. Telling the stories of some of the strongest women in all of Scripture--like Delilah, Deborah, and Jael--as well as some of the most brutalized--like the daughter of Jephthah--Thy Queendom Come offers a new path forward. In the queendom of God, we are no longer waiting on a rescuer. We realize we are ready to conceive and give birth to new life--a creative act between God and us, no masculine authority necessary. We can, as women, say yes to the divine annunciation, quite apart from any sinner's prayer, the blessing of priests, or an ordination by men. We can leave the narrow kingdom behind and embrace a more vibrant, just, and inspiring spiritual life in God's queendom.
This book is guaranteed: if you don't laugh out loud or find it a delight, return it and your money will be cheerfully refunded. Cowan's unique, strong voice let's you see, like a live performance, the adventures and challenges she and her husband face as they leave behind careers, cities, and pavement to create new lives. Her conversational style will remind you of letters from a favorite cousin as she weaves profound insights into whacky situations. Open descriptions of the hard confrontations and choices in her marriage, life, and cultural changes are right next to recipes for custard pie and potato soup. Wine enthusiasts, exhausted professionals dreaming of escape, sailors, artists, couples determined to stay married, gardeners, pet lovers, and everyone who enjoys true adventure gone awry will relate to this exceptionally personal journal. Charmed, they may find themselves comparing Cowan's work to Erma Bombeck, Garrison Keiler, or Anne Lamott. Lee Cowan lives deep in the woods of the Arkansas Ozark Mountains with her husband, two dogs, and a cat. These Beings, physical health, a blessed multitude of The World's Best Friends, offspring, and plenty of money render her life bearable. She's been lost and confused much of it. Wandering around the United States and the world in her quest for belonging and meaning, she kept returning to Arkansas. Her internal journey and willingness to take on the unknown led to a variety of experiences with spirituality, relationships, and vocations. Over time, she became a psychotherapist, making a decent living and occasionally helping someone. At 61, she's still in transition. This is Lee's first book, and she hopes you in-joy every bite of it. If you do, you can order more, and see her visual art, at www.StoneCountyArt.com.
This book contains the complete lyrics to 200 old school rap songs, with a history and overview of this musical form up until the early nineties. Once dismissed as a fashionable music form, rap is a vital force in American culture itself. From music awards to McDonalds adverts, sounds of rap have permeated the media. Controversies caused by groups such as Public Enemy, and sometimes coarse language and lyrics of the street have caused the public at large to scrutinize popular music in an attempt to control it. Like every other genre of music, the lyrics run from socially aware to hedonistic and everything in between.
Well-known playwright and acerbic wit, John Osborne was a man of trenchant opinions which he was unafraid to express. Ranging from his infamous 1961 letter to Tribune which provides the book with its title to columns written in the last decade of his life, the prose on offer here bear witness to the rage, fury - and great tenderness - that inspired so much of his work.
In a Queendom divided, can one girl unite the realms? Jacs, an inventor’s apprentice from the Lower Realm, has only ever dreamed of what the land among the clouds holds. That is until she finds a letter from Connor, an Upperite boy hoping to learn more about the land below. Little does Jacs know, Connor is actually Prince Cornelius of the Queendom of Frea. With wooden boats and hot air balloons, the two begin a secret correspondence. But their friendship is divided by a heavily-guarded bridge and an inescapable prejudice. The strength of their bond was thought to transcend distance and time, but when the royal family visits the Lower Realm, the Queendom’s feud is reignited. To save her people, Jacs must infiltrate the Upper Realm and earn her place to compete in the Contest of Queens. In a story about friendship, love, bravery, and defying gravity, Jacs will strive to prove that a Queendom is strongest when united.
Some of the earliest books ever written, including The Epic of Gilgamesh and the Odyssey, deal with monsters, marvels, extraordinary voyages, and magic, and this genre, known as fantasy, remained an essential part of European literature through the rise of the modern realist novel. Tracing the history of fantasy from the earliest years through to the origins of modern fantasy in the 20th century, this account discusses contributions decade by decade--from Tolkien's Lord of the Rings trilogy and Lewis's Narnia books in the 1950s to J. K. Rowling's Harry Potter series. It also discusses and explains fantasy's continuing and growing popularity.
This book provides a critical survey of the gothic texts of late twentieth-century and contemporary Scottish women writers including Kate Atkinson, Ellen Galford, A.L. Kennedy, Ali Smith and Emma Tennant focusing on four themes: quests and other worlds, w
Bella Caledonia: Woman, Nation, Text looks at the widespread tradition of using a female figure to represent the nation, focusing on twentieth-century Scottish literature. The woman-as-nation figure emerged in Scotland in the twentieth century, but as a literary figure rather than an institutional icon like Britannia or France's Marianne. Scottish writers make use of familiar aspects of the trope such as the protective mother nation and the woman as fertile land, which are obviously problematic from a feminist perspective. But darker implications, buried in the long history of the figure, rise to the surface in Scotland, such as woman/nation as victim, and woman/nation as deformed or monstrous. As a result of Scotland's unusual status as a nation within the larger entity of Great Britain, the literary figures under consideration here are never simply incarnations of a confident and complete nation nurturing her warrior sons. Rather, they reflect a more modern anxiety about the concept of the nation, and embody a troubled and divided national identity. Kirsten Stirling traces the development of the twentieth-century Scotland-as-woman figure through readings of poetry and fiction by male and female writers including Hugh MacDiarmid, Naomi Mitchison, Neil Gunn, Lewis Grassic Gibbon, Willa Muir, Alasdair Gray, A.L. Kennedy, Ellen Galford and Janice Galloway.