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Queen is the landmark biography of the brief, intensely lived life and soulful music of the great Dinah Washington. A gospel star at fifteen, she was discovered by jazz great Lionel Hampton at eighteen, and for the rest of her life was on the road, playing clubs, or singing in the studio--making music one way or another. Dinah's tart and heartfelt voice quickly became her trademark; she was a distinctive stylist, crossing over from the "race" music category to the pop and jazz charts. Known in her day as Queen of the Blues and Queen of the Juke Boxes, Dinah was regarded as that rare "first take" artist, her studio recordings reflecting the same passionate energy she brought to the stage. As Nadine Cohodas shows us, Dinah suffered her share of heartbreak in her personal life, but she thrived on the growing audience response that greeted her signature tunes: "What a Diff'rence a Day Makes," "Evil Gal Blues," and "Baby (You've Got What It Takes)," with Brook Benton. She made every song she sang her own. Dinah lives large in these pages, with her seven marriages; her penchant for clothes, cars, furs, and diets; and her famously feisty personality--testy one moment and generous the next. This biography, meticulously researched and gracefully written, is the first to draw on extensive interviews with family members and newly discovered documents. It is a revelation of Dinah's work and her life. Cohodas captures the Queen in all her contradictions, and we hear in this book the voice of a natural star, born to entertain and to be loved.
This book is written to my son Prince Maximus De’Laney Bentley in my efforts as his mother Dr. Yvonne B. Bentley to break the curse of your father, father. This curse is called the generation curse. There are men and women in the Body of Christ who believe in James 2:7,8; If you fulfill the royal law according to the scripture, Thou shalt love thy neighbor as thyself, you do well: 9). But if you have respect to persons, you commit sin, and are convinced of the law, as transgressors. 10). For whosoever shall keep the whole law, and yet offend in one point, he is guilty of all. I asked God for you like Sarah ask for Isaac and he gave me Prince. You are not a mistake. It is because of the blood of Jesus Christ that you and your fatherless friends can be restored from you fathers curse. You are now apart of 1 Peter 2:9; But you are a chose race, a royal priesthood, a dedicated nation, (God’s own purchase, special people, that you may set forth the wonderful deeds and display the virtues and perfections of Him who called you out of darkness into His marvelous light. (Exod. 19:5,6) 10). Once you were not a people (at all), but now you are God’s people, once you were unpitied, but now you are pitied and have received mercy (Hos. 2: 23). This book is written for all of the young boys and girls who need direction to break the curse of your fathers, father. This is contribution in breaking the Gehazi and King Balak curse. Don’t let your father in the Lord Pastor Ed Brinson take his anointing to the grave. You have a resurrected anointing that can pray your father and his father back home. My dream is that one day you and your nature father will walk together in the breakers anointing. This anointing can break the generational curses from your children, children, childrens. May God restore the fathers as kings in there homes, on their jobs, in there communities, cities, and states. Kings of the earth arise; your Queens are tired of ruling.
Dead Woman Pickney chronicles life stories of growing up in Jamaica from 1943 to 1965 and contains both personal experience and history, told with stridency and humour. The author’s coming of age parallels the political stages of Jamaica’s moving from the richest Crown colony of Great Britain to an independent nation within the British Commonwealth of Nations. Taking up the haunting memories of childhood, along with her astonishment at persistent racial marginalization, both locally and globally, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author’s quest to understand the absence of her mother and her mother’s people from her life is at the heart of this narrative. The title, Dead Woman Pickney, is in Jamaican patois, and its meaning unfolds throughout the narrative. It begins with the author’s childhood question of what a mother is, followed by the realization of the vulnerability of a child without its mother’s protection. The term “pickney” was the name for slave children on sugar plantations, and post-emancipation the term was retained for the descendants of enslaved Africans and the children of black women fathered by slavers. The author struggles through her life to discover the identity of her mother in the face of silence from her father’s brutal family. A wonderful resource for teachers of history, social studies, cultural studies, and literature, this work could be used as a starting point to discuss issues of diasporic identities, colonialism, racism, impact of slavery, and Western imperialism around the world. It is also an engaging read for those interested in memoir and life writing.
A warm and funny teen coming of age story set in Silicon Valley from Asian American author Yvonne Woon about the questions we all ask when making mistakes in life and in love, perfect for fans of Emergency Contact and When Dimple Met Rishi. What would you ask your future self? First question: What does it feel like to kiss someone? Xia is stuck in a lonely, boring loop. Her only escapes are Wiser, an artificial intelligence app she designed to answer questions as her future self, and a mysterious online crush she knows only as ObjectPermanence. Until one day Xia enrolls at the Foundry, an app incubator for tech prodigies in Silicon Valley, and suddenly anything is possible. Flirting with Mast, a classmate also working on AI, leads to a date. Speaking up generates a vindictive nemesis intent on publicly humiliating her. And running into Mitzy Erst, Foundry alumna and Xia’s idol, could give Xia all the answers. And then Xia receives a shocking message from ObjectPermanence. He is at the Foundry, too. Xia is torn between Mast and ObjectPermanence—just as Mitzy pushes her towards a shiny new future. Xia doesn’t have to ask Wiser to know: The right choice could transform her into the future self of her dreams, but the wrong one could destroy her.
In Elf Queens and Holy Friars Richard Firth Green investigates an important aspect of medieval culture that has been largely ignored by modern literary scholarship: the omnipresent belief in fairyland. Taking as his starting point the assumption that the major cultural gulf in the Middle Ages was less between the wealthy and the poor than between the learned and the lay, Green explores the church's systematic demonization of fairies and infernalization of fairyland. He argues that when medieval preachers inveighed against the demons that they portrayed as threatening their flocks, they were in reality often waging war against fairy beliefs. The recognition that medieval demonology, and indeed pastoral theology, were packed with coded references to popular lore opens up a whole new avenue for the investigation of medieval vernacular culture. Elf Queens and Holy Friars offers a detailed account of the church's attempts to suppress or redirect belief in such things as fairy lovers, changelings, and alternative versions of the afterlife. That the church took these fairy beliefs so seriously suggests that they were ideologically loaded, and this fact makes a huge difference in the way we read medieval romance, the literary genre that treats them most explicitly. The war on fairy beliefs increased in intensity toward the end of the Middle Ages, becoming finally a significant factor in the witch-hunting of the Renaissance.
A biography of the life, work, and legacy of a pivotal figure in New Orleans cultural history. Based on more than seventy interviews with the subject and his close friends and family, this biography delves deep into the life of Donald Harrison—a waiter, performer, mentor to musicians, philosopher, devoted family man, and, most notably, the Big Chief of the Guardians of the Flame, a Mardi Gras Indian tribe. The firsthand accounts and anecdotes from those who knew him offer insight into the electrifying existence of a man who enriched the culture of New Orleans, took pride in his African American heritage, and advocated education throughout the city. Beneath a vibrant costume of colorful feathers and intricate beading stood a man of conviction who possessed a great intellect and intense pride. Harrison grew up during the Great Depression and faced discrimination throughout his life but refused to bow down to oppression. Through determination and an insatiable eagerness to learn, he found solace in philosophy, jazz, and art and spiritual meaning in the Mardi Gras Indian tradition. He shared his ideals and discoveries with his family, whom he protected fiercely, until he took his last breath in 1998. Harrison’s wife, children, and grandchildren continue to carry his legacy by furthering literacy programs for New Orleans’ youth. From Harrison’s birth in 1933 to his desire to become a Mardi Gras Indian to the moment he met his beloved wife, author Al Kennedy shares Harrison’s significant life experiences. He allows Big Chief Donald to take center stage and explain—in his own words—the mysterious world of the Mardi Gras Indians, their customs, and beliefs. Rare personal photographs from family albums depict the Big Chief with his family, parading through the streets on Carnival Day, and performing the timeless rituals of the Mardi Gras Indians of New Orleans. This well-researched biography presents a side of the Big Chief the public did not see, revealing the rebellious spirit of a man who demanded respect, guarded his family, and guided his tribe with utmost pride. Praise for Big Chief Harrison and the Mardi Gras Indians “Enormously enjoyable, richly informative, and deeply moving. . . . To meet the Harrisons is to encounter an America you can't help but fall in love with and be inspired by forever, while gaining a glimpse into the powerful and meaningful tradition of the Mardi Gras Indians in New Orleans. It's a story of strength, passion, survival, and resistance. It’s a story for today.” —Jonathan Demme, Academy Award–winning director “Building on his impressive knowledge of New Orleans culture, Al Kennedy delivers a masterpiece of artistic biography. The world needs to know about Big Chief Donald Harrison, Sr. Al Kennedy tells his full story in this wonderful book. . . . A powerful read.” —Robert Farris Thompson, Col. John Trumbull Professor, History of Art; Master of Timothy Dwight College, Yale University; and author, Tango: The Art History of Love, Face of the Gods, and Aesthetic of the Cool
Thirty-one year old Clare Paxton opens the door to her childhood friend Derek and his discovery. Little 4-year-old Mary Martin had been missing and all that was left were her articles of clothing and a large pool of blood. Having interrupted her Criminology Degree for her mother's feigned illness, Clare's unending questioning her own life's choices is heightened by this tragedy. Clare embroils herself in the investigation because of her personal mistrust of Mary's parents while romantically conflicted with the Chief of Police. Adult readers will be both captivated and exasperated by Clare's debut in this 88,000-word novel.
After trapping her nefarious uncle Robert and his allies in the Realm of Sleep, Legend-Princess Amber and her friends return to face a familiar challenge: seeking out the remaining Legends that have gone into hiding. With few kingdoms keeping close tabs on their Legends and more monsters on the rise, will they be able to find them before something else does first? Meanwhile, Devas Ashton is entering his first year of high school with shadows watching his every move... literally. As he tries to navigate the social pressures of the elite school, he finds sympathy in an unlikely place—a fellow freshman with a mysterious past. Destinies intertwine and prophecy unfolds as the Legends rendezvous with their next recruit: the Princess of the Unicorns.