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Footprints of the Queen without a Crown, represents itself, the most important poetic work in the incipient literary career of the author. Written among some unique corners of Canada and surrounding areas: British Columbia, Quebec and Ontario, this book has been the greatest display of unrestrained inspiration, admiration and love for life and women, that the poet has embodied through letters and, where metaphors are broken with the solemn chant lost among words. Emerging from a sudden romance within long hours of snowy solitudes, this poetry will achieve, between sounds and cadences, to unfold the reader to a sudden emotional revolution, where there will be no space for logic, and where death does not matter anymore, but inspire and praise to the end, because it is through the language of the soul in which we really understand our existence Love is like the cigarette of the poet, often inspiring and almost always kills, its absence tend to exasperate, you can throw and tread on it, or enjoy it until it fades off
“Ursula Blanchard, lady-in-waiting and spy extraordinaire, returns in a new Elizabethan mystery steeped in suspense and historical detail.” —Booklist November, 1569: Happily married to her third husband, Hugh Stannard, Ursula Blanchard is hoping to give up her undercover work for Queen Elizabeth l in order to enjoy domestic bliss. But when Hugh unwittingly endangers possession of his ancestral home, Ursula is forced to take on a seemingly hopeless, but handsomely paid, private assignment—which the queen considers the perfect cover for a covert investigation into a group of rebel barons plotting to put Mary, Queen of Scots back on the English throne . . . “Ursula is the essence of iron cloaked in velvet—a heroine to reckon with.” —Kirkus Reviews “The worthy Ursula is an estimable heroine, and Buckley’s confident mastery of sixteenth-century British history lends an air of authenticity to her cleverly spun adventures.” —Booklist
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade In the follow-up to the "delightful" Regency fantasy novel (NPR.org) Sorcerer to the Crown, a young woman with no memories of her past finds herself embroiled in dangerous politics in England and the land of the fae. When sisters Muna and Sakti wake up on the peaceful beach of the island of Janda Baik, they can’t remember anything, except that they are bound as only sisters can be. They have been cursed by an unknown enchanter, and slowly Sakti starts to fade away. The only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic. If Muna is to save her sister, she must learn to navigate high society, and trick the English magicians into believing she is a magical prodigy. As she's drawn into their intrigues, she must uncover the secrets of her past, and journey into a world with more magic than she had ever dreamed.
Stories of a Queen without a Crown Events and Emotions This is a work that was born out of the impulse and motivation that author Martha E. Arias had to continue telling stories from different moments of the life of Elizabeth, the main character of all her works. Her writing takes a very personal tone, one that is genuine and easy to identify with. Elizabeth's life is an example for the lives of others, created to serve as a guide for the complex situations common to the human condition. Stories of a Queen Without a Crown -Events and Emotions- contains eleven stories with an equal number of illustrations, taken from events that occur at different points of time (which summarize in a few lines what will be developed more thoroughly later), and from the emotions that accompany the character during those events. Her profound narrative style explores diverse aspects of the life of the protagonist: her psychology, the way that she discovered her faith, the strength of always having known that she was a spiritual being, adversities in her life that caused her pain and panic, entertaining family anecdotes, tales of suffering from pathologies, miracles, deep desires of the heart manifested in reality, personal experiences of the cruelty of true love, a painful novel, and various disappointments. This doesn't omit, of course, a quota of happiness, laughter and gratitude, among the other emotions that characterize her personality. Martha E. shows how a single human being can manifest the complexities of a deformed and fragile species. The richness of each story allows the reader to identify with the author's message and enthusiasm, from the first until the last page.