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The British Army in Queen Victoria's reign fought a series of regional campaigns against various African groups with complex military traditions well-suited to their environment. In many instances, the outcome of the ensuing fighting was by no means one-sided. This book focuses on the large-scale wars in northern Africa in which British regular troops were engaged throughout the 19th century, including those in Abyssinia, Asante, Egypt and the Sudan. Containing a number of rare contemporary photographs and eight colour plates, the book charts the history of these campaigns and describes the African groups against which they were waged.
Osprey Men-at-Arms: A Celebration is a very special volume detailing some of the wonderful artwork that has graced Osprey's renowned Men-at-Arms series over the last forty years. Beautifully presented in luxurious cloth, embossed and foil blocked, with head and tails bands and a ribbon bookmark, the collection contains the most treasured illustrations from the vast archives of this respected series and is a classic, collectable item for all military history enthusiasts.
When Queen Victoria acceded to the British throne in 1837, British troops had recently concluded a war in southern Africa against the Xhosa people, and the seeds were already sown for a clash with the Boers. When she died in January 1901 Britain was fighting the Boers in one of the longest and costliest of the imperial colonial wars. This book details the history of Britain's numerous conflicts with the people of southern Africa, namely the Xhosa, Basotho, Tswana and Boers. Numerous illustrations, including rare photographs and colour plates, detail the dress, weaponry and organization of Victoria's enemies in the late 19th century.
China, the greatest empire the world had ever known, is weak and divided after a series of humiliating defeats in the Opium Wars, and the divine Empress' court harbours many who deeply resent the westerners who inflicted and now take advantage of these losses. Japan, on the other hand, has embraced the West with open arms. After centuries of isolation the Japanese now march forwards and accept technologies that, a few decades before, would have been regarded as witchcraft. Possessed of the East's most modern army, Japan now looks avariciously towards its neighbours. The next decade will decide whether the ancient empires of the East survive or are washed away, and every one of the Great Powers wants their slice.
The Men Who Would Be Kings is a set of rules designed for fighting historical or Hollywood colonial battles in the mid to late 19th Century, from the Indian Mutiny to the Boxer Rebellion. Large scale colonial clashes tended to be one-sided affairs, but there are countless reports of brief, frantic skirmishes in every colonial war, where either side could be victorious, and these are the battles that The Men Who Would Be Kings seeks to recreate. Although focusing on the British colonial wars against the Zulus, Maoris and others, these rules will also permit players to explore the empires of France, Germany, and other nations, as well as allowing for battles between rival native factions. Gameplay is very simple, and is driven by the quality of the officers leading your units, in the true spirit of Victorian derring-do and adventure, where larger than life characters such as the (real) Fred Burnaby and the (fictional) Harry Flashman led their troops to glory and medals or a horrible end at the point of a spear tip.
In 1963, a human skull was discovered in a pub in Kent in south-east England. A brief handwritten note stuck inside the cavity revealed it to be that of Alum Bheg, an Indian soldier in British service who was executed during the aftermath of the 1857 Uprising, or The Indian Mutiny as historians of an earlier era described it. Alum Bheg was blown from a cannon for having allegedly murdered British civilians, and his head was brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti- colonial violence and the brutality and spectacle of British retribution. Kim Wagner presents an intimate and vivid account of life and death in British India in the throes of the largest rebellion of the nineteenth century. Fugitive rebels spent months, even years, hiding in the vastness of the Himalayas before they were eventually hunted down and punished by a vengeful colonial state. Examining the colonial practice of collecting and exhibiting human remains, this book offers a critical assessment of British imperialism that speaks to contemporary debates about the legacies of Empire and the myth of the 'Mutiny'.
By the time Queen Victoria came to the throne, India – some 1,600,000 square miles, ranging from soaring mountains to deserts and jungle swamps, populated by 400,000,000 people with a kaleidoscope of different cultures and religions – was firmly in the grip of a handful of British East India Company administrators, either ruling directly or through Indian nominees. However, the Company's search for a policy in western India embroiled it in a string of military campaigns, including one of the worst disasters ever to befall a British army. Ian Knight's fascinating text examines the absorbing, dramatic and brutal history of the Company's exploits against Victoria's Indian enemies.
“The hitherto forgotten story of the development of the regimental band, mainly drummers and buglers. A rare piece of social history” (Books Monthly). The Instruments of Battle examines in detail the development and role of the British Army’s fighting drummers and buglers, from the time of the foundation of the army up to the present day. While their principal weapon of war was the drum and bugle—and the fife—these men and boys were not musicians as such, but fighting soldiers who took their place in the front line. The origins of the drum and bugle in the classical period and the later influence of Islamic armies are examined, leading to the arrival of the drum and fife in early Tudor England. The story proper picks up post-English Civil War. The drum’s period of supremacy through much of the eighteenth-century army is surveyed, and certain myths as to its use are dispelled. The bugle rapidly superseded the drum for field use in the nineteenth century—until developments on the battlefield consigned these instruments largely to barrack life and the parade ground. But there are surprising examples of the use of the bugle in the field through both world wars as the story is brought up to modern day and the instruments’ relegation to an almost exclusively ceremonial role. This is all set against a background of campaigns, battles, changing tactical methods, and the difficult processes of command and control on the battlefield. Interwoven is relevant comparison with other armies, particularly American and French. Stories of the drummers and buglers themselves provide social context to their place in the army.
Preclassical and indigenous nonwestern military institutions and methods of warfare are the chief subjects of this annotated bibliography of work published 1967–1997. Classical antiquity, post-Roman Europe, and the westernized armed forces of the 20th century, although covered, receive less systematic attention. Emphasis is on historical studies of military organization and the relationships between military and other social institutions, rather than wars and battles. Especially rich in references to the periodical literature, the bibliography is divided into eight parts: (1) general and comparative topics; (2) the ancient world; (3) Eurasia since antiquity; (4) sub-Saharan Africa and Oceania; (5) pre-Columbian America; (6) postcontact America; (7) the contemporary nonwestern world; and (8) philosophical, social scientific, natural scientific, and other works not primarily historical.