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Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngässer (Technische Universität Dresden), Martín M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universität Dresden), Bettina Marten (Technische Universität Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Whitney's "exuberant" ("New York Times") history of the pipe organ introduces readers to the music and majesty of the organ. A "New York Times" 2003 Notable Book.
America’s got faith! You’ll find it in every state — in grand cathedrals and tiny chapels, in miracle shrines and underwater statues, and even in blessed dirt. Finding these sacred places hasn’t been easy, until now! Monuments, Marvels, and Miracles: A Traveler's Guide to Catholic America takes you to more than 500 of the country’s most intriguing holy sites, each with a riveting story to tell. Stories about: architecture (the interior of Guardian Angels Cathedral in Las Vegas resembles angel wings) religious history (at Maryland’s Old Bohemia, Jesuit priests lived and worked incognito during anti-Catholic persecution) artifacts (the Miraculous Medal Shrine in Philadelphia holds an original cast by Saint Catherine Labouré) answered prayer (from the Grasshopper Chapel in Minnesota to the Coral Miracle Church in Hawaii) healing places, beautiful places, hidden places, places where saints walked, and much more. Organized by state and region, Monuments, Marvels, and Miracles can help you easily plan your vacation or pilgrimage, and find sites close to you that you’ve never heard of. Chapters also include Catholic trivia and color photos. Websites, phone numbers, addresses, and other pertinent information are included. ABOUT THE AUTHOR Marion Amberg is an award-winning book author and freelance journalist. Her articles — mainly religion travel pieces and human-interest features — have appeared in more than 100 markets. She is known for her “nose for the unique and unusual” and for her engaging writing style.
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.
In v.1-8 the final number consists of the Commencement annual.