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At the time of Elizabeth II's accession, Winston Churchill was the Prime Minister of the United Kingdom, Harry S. Truman was President of the United States and Joseph Stalin still governed the Soviet Union. It has often been said that she never put a foot wrong during her seven decades as monarch, and even those ideologically opposed to Britain and its governments have lauded her. Remarkably, she retained her relevance as sovereign well into her nineties, remaining a reassuring constant in an ever-changing world. Royal biographer Ian Lloyd reveals the woman behind the legend over seventy themed chapters. Drawing on interviews with relatives, friends and courtiers, he explores her relationship with seven generations of the royal family, from the children of Queen Victoria to Elizabeth's own great-grandchildren. He also sheds light on some lesser-known aspects of her character, such as her frugality and her gift for mimicry. In addition, we see her encounters with A-listers, from Marilyn Monroe to Madonna, and her adept handling of several of the twentieth century's most difficult leaders. Above all, Lloyd examines how the Queen stayed true to the promise she made to the nation at the age of 21, 'that my whole life, whether it be long or short, shall be devoted to your service'.
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Presents a tale inspired by the story of Mary, Queen of Scots, in a work that follows the doomed monarch's long imprisonment in the household of the Earl of Shrewsbury and his spying wife, Bess.
‘(Un)Making the Monarchy’ offers a kaleidoscopic view on the British monarchy – an institution that today seems integral, almost inevitable, to the British political system and the very texture of Britishness/Englishness. The contributions in this volume seek to historicise, contextualise, and politicise such dominant myths of the monarchy. They look at the strategies through which monarchical power has been legitimised and naturalised in the texts and practices of (not only) British culture and at the way in which the monarchy has, in turn, been used to legitimise and naturalise other hegemonic structures in society. They also engage with the forms and practices that have sought to contest and subvert monarchical power. Contributors thus tackle the psychological, performative, and political dimensions of monarchical reign, examine supportive as well as critical, satirical, and anti-monarchist representations in literature, theatre, the media, and deal with some of the monarchy’s self-representations through public relations, fashion, and language.
The latest in the thrilling and “lively” (The New York Times) Agents of the Crown series follows John Dee and his wife working together in an act of espionage that may turn out to be treason. While working on a powerful new weapon for England, the country’s first secret agent John Dee finds himself threatened from all sides. First, his secret plans are stolen, then his son is kidnapped by a vengeful enemy from his past. At the same time, Dee’s wife, Jane, is sent by Queen Elizabeth I to console her cousin, Mary, Queen of Scots, as court advisors attempt to try her for treason. But Jane suspects her assignment is much more than a visit from a sympathetic cousin. Is it possible that Elizabeth sent her to speed Mary to her death without the public trial that she knows will forever define the limits of royal power? Together, John and Jane begin to feel genuine sympathy for the Scottish queen and work to finish his invention, protect their son, and save Mary from the scaffold. But can they do that while remaining loyal to the English crown?
Edmund Spenser (?1554-99) was the greatest Elizabethan poet, whose Shepheardes Calender (1579) inaugurated a revolution in English poetry, and whose unfinished Faerie Queene (1590-6) was the longest and most accomplished poem written in the sixteenth century. In his approachable and informative study, Colin Burrow clarifies the genres and conventions at work in Spenser's poem. He explores the poet's taste for archaism and allegory, and the nature of epic and of heroism in The Faerie Queene. He presents Spenser as a 'Renaissance' poet who is drawn at once to images of vital rebirth and of mortal frailty. In clear, jargon-free prose he examines Spenser's equivocal relationship with his Queen and with the Irish landscape in which he spent his mature years. Spenser emerges from this book a less orthodox and harmonious poet than he is often thought to be, but as a complex, thoughtful, and attractive writer.
A love triangle, where two of the members attempt to murder the third. • King, Queen, Knave, like all Nabokov’s writing, bears the unmistakable stamp of his genius – brilliant, erotic, deliciously macabre, and wholly unique. “Fascinating…audacious and delightful.” – The New York Times The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed. “A simply overflowing sense of life.” – Life Magazine “A treat, a feast, the splendid work of a conscious and gifted artist.” – Book Week
This pioneering book seeks to transcend the limitations of separate English, Irish, Scottish and Welsh histories by taking the archipelago made up of the islands of Britain and Ireland as a single unit of study. There has been little attempt hitherto to study the history of the 'Atlantic archipelago' as a coherent entity, even for the period during which there was a single ruler of both Great Britain and Ireland. This book begins with the onset of the intellectual, religious, political, cultural and dynastic developments that were to bring teh Scottish house of Stewart to the thrones of England (incorporating the ancient principality of Wales), Ireland, (a kingdom created in 1541 as a dependency of the English Crown) and to full control of Scotland itself and of its islands. This is then a story of the creation of a British state system if not a British state. but the book is also a study of how the peoples of the archipelago interacted - as a result of internal migration, military conquest, protestant and Tridentine CAtholic evangelism - and how they were changed as a result. Ten distinguished historians representing the seperate peoples of the islands of Britain and Ireland, and teaching histort in Britain, Ireland and the USA, offer provocative and challenging new approaches to how and why we need to develop the history of each component of the archipelago in the context of the whole and to make 'the British Problem' central to that study.