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Taking a fresh and original approach to the life and reign of Queen Elizabeth I, this book tells the incredible story of her great passion for gardens, and how the two most powerful men in England during her reign fought a decade-long duel for their queen's affections by creating lavish gardens for her. It chronicles how, in their quest to woo the queen and outdo each other, Robert Dudley, Earl of Leicester, and William Cecil, Baron of Burghley, competed for Elizabeth's favor by laying out innovative and extravagant pleasure grounds at their palaces for when she came to visit. As she played one off against the other, they created gorgeous palaces and landscapes that amazed the world. The book also describes how others in England and abroad followed Dudley's and Cecil's leads and how the queen's love of plants made gardeners of courtiers, statesmen, and soldiers. This meticulously researched account reveals how Elizabeth's enthusiasm for horticulture changed the world, encouraging gardeners and designers to create landscapes inspired by the spirit of the Elizabethan garden.
The beguiling story of how Elizabeth I's two great courtiers fought a lifelong duel for her affections - with their gardens.
London's gardeners are twice blessed: not only do they live in one of the world's most vibrant capitals, it is also one of the most verdant. Gardens of every imaginable style, shape and size abound on rooftops, within palaces, surrounding churches, behind walls - on every piece of dry land - even if it is floating on or lapped by the river Thames. In Great Gardens of London, Victoria Summerley and Hugo Rittson Thomas collaborate to unearth the most fascinating stories of plants and people inside London's most exciting gardens. Some of the gardens are strictly private, while others are regularly open to visitors, but all can now be savoured and enjoyed along with those who know them best. Great Gardens of London is a captivating photographic portrait of the greatest gardens of the capital which are primarily closed to the public or rarely open their gates. It will feature gardens designed by some of the leading contemporary garden designers from across the world. Accompanying the photographs will be essays on the design and planting that explain the designers' inspiration and passion.
History.
In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
Elizabeth von Arnim’s novel "Elizabeth and Her German Garden" was first published in 1898. It was instantly popular and has gone through numerous reprints ever since. This story is the main character Elizabeth’s diary, where she relates stories from her life, as she learns to tend to her garden. Whilst the novel has a strongly autobiographical tone, it is also very humorous and satirical, due to Elizabeth’s frequent mistakes and her idiosyncratic outlook on life. She comments on the beauty of nature and shares her view on society, looking down on the frivolous fashions of her time and writing "I believe all needlework and dressmaking is of the devil, designed to keep women from study." The book is the first in a series about the same character. Elizabeth von Arnim (1866–1941), née Mary Annette Beauchamp, was a British novelist. Born in Australia, her family returned to England when she was three years old; and she was Katherine Mansfield’s cousin. She was first married to a Prussian aristocrat, the Graf von Arnim-Schlagenthin, and later to the philosopher Bertrand Russel’s older brother, Frank, whom she left a year later. She then had an affair with the publisher Alexander Reeves, a man thirty years her junior, and with H.G. Wells. Von Arnim moved a lot, living alternatively in the United Kingdom, Switzerland, Germany, Poland, before dying of influenza in South Carolina during the Second War. Elizabeth von Arnim was an active member of the European literary scene, and entertained many of her contemporaries in her Chalet Soleil in Switzerland. She even hired E. M. Forster and Hugh Walpole as tutors for her five children. She is famous for her half-autobiographical, satirical novel "Elizabeth and her German Garden" (1898), as well as for "Vera" (1921), and "The Enchanted April" (1922).
Marie-Luise Gothein's History of garden art was first published in German 1913. It was re-published in English in 1928, with two extra chapter. This edition (first published as a CD in 2002) has been edited and revised by Tom Turner. It is now supplied as a pdf.
Fans of bestselling authors Anne Perry and Ellis Peters are sure to love Karen Harper's new historical mystery series, rich with period detail and featuring Elizabeth Tudor, the future queen of England, as its heroine. Living in exile in the English countryside, the twenty-five-year-old Princess Elizabeth awaits her fate during the waning years of her ill and childless half sister's reign. Despite an occasional truce, there has always been bad blood between Queen Mary and the princess since Elizabeth's mother, Anne Boleyn, replaced Mary's mother, Catherine of Aragon, in the heart of King Henry VIII. Mary has already sent Elizabeth to the Tower of London when a group of Protestants raise a rebellion in her name, forcing Mary to release her, and the half sisters into an uneasy détente. Little does Elizabeth know that in the autumn of 1558, she will be called upon to explore not only England's rural heartland, but also her own heart. At great risk to her person and her nation's future, she plunges herself into an investigation of a multiple murder where she might very well become a master poisoner's next victim.
Queen Elizabeth's Book of Oxford was made in 1566 as a gift for Elizabeth I on the occasion of her first royal visit to Oxford. It was made, however, not just out of reverence for the Queen, but with the aim of getting her to endow the foundation of a new college. This sophisticated tour guide is presented as a dialogue between the Queen and her guide, in which the monarch asks questions which allow the guide to extol the generosity of the founders of each college they visit.The book failed. Queen Elizabeth founded no new institutions, but the exercise has left us with a fascinating insight into ideas of patronage and endowment in Elizabeth's day.This unique manuscript contains a Latin verse account of the famous buildings of the University illustrated by a series of beautiful pen drawings, and conceived by its scholarly producers as an imaginary progress through these locations. The complete manuscript is now made available for the first time in actual-size facsimile with full-text translation, a commentary on the images, and an analytical essay which places the manuscript in its historical context.