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This book, Lives of Reigning and Consort Queens of England: Englands History through the Eyes of its Queens, is a factual narrative on lives of Norman, Plantagenet, Tudor, Stuart, Hanover, and Windsorqueens covering a millenium of English History. The biographical portraits start at the close of the Dark Ages with the Norman Conquest of 1066, and continue to Modern Time in the life of present Queen Elizabeth II. This narratiev of fifty short chronologicalbiographies gives a view ijnto life and courtly customs from an age far removed from the present toward the way of life we know today. Through the lives of these women, one sees Englands history unroll. Although the narratives are brief, they bring individuals to life withoutjudgmental prejudice as unique personalities. One of the fifty personalities, 7 were reigning queens, 38 were queen consort wives of moonarchs, and 5 were wives of favorites who did not reign, but who played a significant role during the life of a ruling king. This sample of wo0men on the throne, or close to the throne is too large to expect any single quality can characterize them all: Some served as exemplary reigning queens, or as consorts whom actively supported a sovereign husband or son. Some assertively played the part of regent as a significantr power behind the throne. Some infliuenced historic events forr eliegious reasons. Many avoided political involvement, but ahd great influemnce on culture and custom. Some had personal qualities that made them inherently interesting and desetrving of friendship. A relatively small number of the queens were entirely unsuited to be queens. Some queen consorts resisted familiarity and remain enigmatic effigies. Some were apwns manipulated by historic events of the time and deprived them of opportunity to elave a personal mark of hsitory. Others served chiefly as supportive mothers and wives.
A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period’s prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great Black prima donnas, and the evolution of “authentic” African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit Black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.