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A complete and informative performance-oriented edition of this sparkling Mendelssohn work. Detailed performance and background notes are also provided. A 'must' for all serious piano students!
Originally published: London: Macdonald and Jane's, 1976.
The very lack of concrete knowledge about the lira da braccio and its technical difficulties challenged Sterling Scott Jones to discover more about this sixteenth-century string instrument, which may be the missing link between the medieval fiddle and the modern violin.
What might have seemed like an unlikely pairing, became a very symbiotic relationship for Roelof Weertman: engineering principles applied to the structure of the stringed instrument. Along with mastery of the creation of stringed instruments, there grew an intense desire to understand the superior sound prominent luthiers before him had achieved. Using his technical knowledge and outstanding woodworking skills, he set upon the goal to build violins, violas and cellos that would be a match for the renowned sound quality of the revered old masters like Stradavarius, Guarneri, Amati and others. Violin Building My Way describes the techniques Roelof developed to reach his goal. "There must be a mutual bond and support, a harmonious relationship between the back and the top, perhaps more factors that help explain the acoustic difference and superiority of a Stradavarius and a so-so fiddle."