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The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences is primarily based on the study of the largely unpublished corpus of sculpture, mostly of stone, in the Sri Pratap Singh Museum in Srinagar, and of other examples in situ elsewhere in the valley. The disparate nature and fragmentary condition of these sculptures as well as their artistic and iconographical influences have for long defied accurate analysis. The method used in the classification of these sculptures is based on close analysis of their style concentrating on recurring features such as facial and physical typology, modelling, dress and ornamentation. Comparisons are made with other examples of Kashmir bronze, ivory and stone sculpture in private and public collections both within India and abroad.
Public Los Angeles is a collection of unpublished essays by scholar Don Parson focusing on little-known characters and histories located in the first half of twentieth-century Los Angeles. An infamously private city in the eyes of outside observers, structured around single-family homes and an aggressively competitive regional economy, Los Angeles has often been celebrated or caricatured as the epitome of an American society bent on individualism, entrepreneurialism, and market ingenuity. But Don Parson presents a different vision for the vast Southern California metropolis, one that is deftly illustrated by stories of sustained struggles for social and economic justice led by activists, social workers, architects, housing officials, and a courageous judge. Public Los Angeles presents insights into LA's historic collectivism, networks of solidarity, and government policy. A follow-up to Parson's seminal Making a Better World: Public Housing, the Red Scare, and the Direction of Modern Los Angeles (2005), this volume helps shape our understanding of public housing, gender and housework, judicial activism, and race and class in modernday Los Angeles and asks us if history is repeating. Parson's work anchors a collection of nine essays by friends and mentors who deepen the discussion of his themes: Dana Cuff, Mike Davis, Steven Flusty, Greg Goldin, Jacqueline Leavitt, Laura Pulido, Sue Ruddick, Tom Sitton, Edward W. Soja, and Jennifer Wolch. The book is richly illustrated. Biographical and curatorial essays by the book's editors, Roger Keil and Judy Branfman, provide background material and a coherent storyline for a mosaic of fresh Los Angeles research.
The richness of Near Eastern art is epitomized by sixteenth- and seventeenth-century Persian carpets. Among the finest ever produced, the two Ardabil carpets are believed to have been made as offerings for the Shrine of Sheikh Safi at Ardabil during the Safavid dynasty in sixteenth-century Persia. In this text Rexford Stead, deputy director of the Los Angeles County Museum of Art, explores the intricacies of the Ardabil carpets—one formerly in the Getty Museum and now in the Los Angeles County Museum of Art, and the other in the Victoria and Albert Museum, London. A bibliography and exhibition history are included.
"This book is not only a biography of Howard F. Ahmanson but also the story of the financing of the postwar housing boom and the tremendous growth of Los Angeles. Americans have long believed that homeownership is fundamental to the strength of our democracy and the character of our people. Victory in World War II, combined with new government policies designed to stimulate mortgage lending, sparked a tremendous surge in rates of homeownership in the 1950s. With savings and loans providing more than half of the mortgages for these homes, the industry enjoyed a golden era in its history--especially in southern California. Among its peers, Home Savings & Loan Association of Los Angeles was a giant. By 1954 it had more customers and assets than any other thrift in America. Through its real estate development entities, the company played a leading role in the postwar suburban explosion that made LA the quintessential postmodern city. As the crown jewel among a handful of mortgage-related businesses launched and controlled by Howard F. Ahmanson, the company generated philanthropic capital to build L.A.'s cultural centers and finance the campaigns of the region's leading politicians. As a sun-tanned yachtsman and a cigar-smoking financier, the Omaha-born Ahmanson was both unique and representative of many of the business leaders of his era. Like many elites, Ahmanson shared a fundamental confidence in his ability to lead the nation to prosperity. His death in 1968 came just as the era of deregulation was beginning. In this new era, the central role of the savings and loan in financing the American dream diminished and Home Savings was sold to help create one of the biggest branch banks in America--Washington Mutual"--