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In a landmark essay, Stan Grant writes Indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive, but to prosper. Their legacy is the extraordinary flowering of Indigenous success – cultural, sporting, intellectual and social – that we see today. Yet this flourishing co-exists with the boys of Don Dale, and the many others like them who live in the shadows of the nation. Grant examines how such Australians have been denied the possibilities of life, and argues eloquently that history is not destiny; that culture is not static. In doing so, he makes the case for a more capacious Australian Dream. ‘The idea that I am Australian hits me with a thud. It is a blinding self-realisation that collides with the comfortable notion of who I am. To be honest, for an Indigenous person, it can feel like a betrayal somehow – at the very least, a capitulation. We are so used to telling ourselves that Australia is a white country: am I now white? The reality is more ambiguous … To borrow from Franz Kafka, identity is a cage in search of a bird.’ —Stan Grant, The Australian Dream
In Quarterly Essay 64, Stan Grant takes a deep and passionate look at Indigenous futures, in particular the fraught question of remote communities. In a landmark essay, Stan Grant writes Indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive, but to prosper. Their legacy is the extraordinary flowering of Indigenous success - cultural, sporting, intellectual and social - that we see today. Yet this flourishing coexists with the boys of Don Dale and the many others like them who live in the shadows of the nation. Grant examines how such Australians have been denied the possibilities of life, and argues eloquently that history is not destiny; that culture is not static. In doing so, he makes the case for a more capacious Australian Dream. "The idea that I am Australian hits me with a thud. It is a blinding self-realisation that collides with the comfortable notion of who I am. To be honest, for an Indigenous person, it can feel like a betrayal somehow - at the very least, a capitulation. We are so used to telling ourselves that Australia is a white country: am I now white? The reality is more ambiguous ... To borrow from Franz Kafka, identity is a cage in search of a bird." —Stan Grant, The Australian Dream  This issue also contains correspondence discussing Quarterly Essay 63, Enemy Within, from Patrick Lawrence, Nicole Hemmer, Bruce Wolpe, Dennis Altman, David Goodman, Patrick McCaughey, Gary Werskey, and Don Watson.
How can we mend Australia’s broken mental health system? Mental illness is the great isolator - and the great unifier. Almost half of us will suffer from it at some point in our lives; it affects everybody in one way or another. Yet today Australia's mental health system is under stress and not fit for purpose, and the pandemic is only making things worse. What is to be done? In this brilliant mix of portraiture and analysis, Sarah Krasnostein tells the stories of three women and their treatment by the state while at their most unwell. What do their experiences tell us about the likelihood of institutional and cultural change? Krasnostein argues that we live in a society that often punishes vulnerability, but shows we have the resources to mend a broken system. But do we have the will to do so, or must the patterns of the past persist into the future? "In our conception of government, and our willingness to fund it, we are closer to the Nordic countries than to America. However, we're trending towards the latter with a new story of Australia. The moral of this new story is freedom over equality, and one freedom above all - the freedom to be unbothered by others' needs. However, as we continue to saw ourselves off our perch, mental health might be the great unifier that climate change and the pandemic aren't." Sarah Krasnostein, Not Waving, Drowning This issue also contains correspondence discussing Quarterly Essay 84, The Reckoning, from Gina Rushton & Hannah Ryan, Amber Schultz, Malcolm Knox, Janet Albrechtsen, Kieran Pender, Sara Dowse, Nareen Young, and Jess Hill
"An important and riveting story of a 19th-century feminist and change agent. Starita successfully balances the many facts with vivid narrative passages that put the reader inside the very thoughts and emotions of La Flesche." —Chicago Tribune On March 14, 1889, Susan La Flesche Picotte received her medical degree—becoming the first Native American doctor in U.S. history. She earned her degree thirty-one years before women could vote and thirty-five years before Indians could become citizens in their own country. By age twenty-six, this fragile but indomitable Native woman became the doctor to her tribe. Overnight, she acquired 1,244 patients scattered across 1,350 square miles of rolling countryside with few roads. Her patients often were desperately poor and desperately sick—tuberculosis, small pox, measles, influenza—families scattered miles apart, whose last hope was a young woman who spoke their language and knew their customs. This is the story of an Indian woman who effectively became the chief of an entrenched patriarchal tribe, the story of a woman who crashed through thick walls of ethnic, racial and gender prejudice, then spent the rest of her life using a unique bicultural identity to improve the lot of her people—physically, emotionally, politically, and spiritually. Joe Starita's A Warrior of the People is the moving biography of Susan La Flesche Picotte’s inspirational life and dedication to public health, and it will finally shine a light on her numerous accomplishments.
From resurgent racisms to longstanding Islamophobia, from settler colonial refusals of First Nations voices to border politics and migration debates, ‘free speech’ has been weaponised to target racialized communities and bolster authoritarian rule. Unsettled Voices identifies the severe limitations and the violent consequences of ‘free speech debates’ typical of contemporary cultural politics, and explores the possibilities to combat racism when liberal values underpin emboldened white supremacy. What kind of everyday racially motivated speech is protected by such an interpretation of liberal ideology? How do everyday forms of social expression that vilify and intimidate find shelter through an inflation of the notion of freedom of speech? Furthermore, how do such forms refuse the idea that language can be a performative act from which harm can be derived? Racialized speech has conjured and shaped the subjectivities of multiple intersecting participants, reproducing new and problematic forms of precarity. These vulnerabilities have been experienced from the sound of rubber bullets in the Occupied Palestinian Territories to UK hate speech legislation, to the spontaneous performace of a First Nations war dance on the Australian Rules football pitch. This book identifies the deep limitations and the violent consequences of the longstanding and constantly developing ‘free speech debates’ typical of so many contexts in the West, and explores the possibilities to combat racism when liberal values are ‘weaponized’ to target racialized communities. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.
'As uncomfortable as it is, we need to reckon with our history. On January 26, no Australian can really look away.' Since publishing his critically acclaimed, Walkley Award-winning, bestselling memoir Talking to My Country in early 2016, Stan Grant has been crossing the country, talking to huge crowds everywhere about how racism is at the heart of our history and the Australian dream. But Stan knows this is not where the story ends. In this book, Australia Day, his long-awaited follow up to Talking to My Country, Stan talks about our country, about who we are as a nation, about the indigenous struggle for belonging and identity in Australia, and what it means to be Australian. A sad, wise, beautiful, reflective and troubled book, Australia Day asks the questions that have to be asked, that no else seems to be asking. Who are we? What is our country? How do we move forward from here? Praise for Talking to My Country: 'A story so essential and salutary to this place that it should be given out free at the ballot box' The Australian 'Deeply disturbing, profoundly moving' Hobart Mercury 'Grant will be an important voice in shaping this nation' The Saturday Paper Talking to My Country won the 2016 Walkley Book Award and the Special Award at the 2016 Heritage Awards, and was shortlisted in the 2016 Queensland Literary Awards, the Nib Waverley Library Awards and the 2017 ABIA Awards.
This volume showcases academic research into the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss Western and non-western genres (opera, film, dance, choral, chamber); the history of music-making in particular cosmopolitan and regional centres (Canberra, Brisbane, the Hunter Valley, Alice Springs); old, new, and experimental compositions; and a variety of performers and ensembles active at particular points in time. In addition, cultural tropes and music as social practice are also explored, providing a rich tapestry of music and music-making in the country. The volume thus serves as a model for representing and approaching multicultural musical societies in an inclusive and comprehensive manner.
Since the turn of the twenty-first century, family history is the place where two great oceans of research are meeting: family historians outside the academy, with traditionally trained, often university-employed historians. This collection is both a testament to dialogue and an analysis of the dynamics of recent family history that derives from the confluence of professional historians with family historians, their common causes and conversations. It brings together leading and emerging Australian and New Zealand scholars to consider the relationship between family history and the discipline of history, and the potential of family history to extend the scope of historical inquiry, even to revitalise the discipline. In Anglo-Western culture, the roots of the discipline’s professionalisation lay in efforts to reconstruct history as objective knowledge, to extend its subject matter and to enlarge the scale of historical enquiry. Family history, almost by definition, is often inescapably personal and localised. How, then, have historians responded to this resurgence of interest in the personal and the local, and how has it influenced the thought and practice of historical enquiry?
The practice of a public theology is to identify issues that require attention for the sake of a civil society and the flourishing of all. In diverse ways the writers of Enacting a Public Theology recognise that the present is a volatile moment in time. The publication explores the loss of confidence in the contemporary expressions of democracy; the climate emergency accompanies the dawn of the Anthropocene; the migration of people raises concerns to do with identity, belonging and where is home; the invasion of land wrongly described as terra nullius and then invaded demands a deepened praxis of reconciliation between first and second peoples; and lastly there is an urgent need to speak into the situation of those pushed to the margins because of HIV/Aids. Enacting a Public Theology represents the thinking of writers from Australia and Aotearoa-New Zealand. It is both local and global in its concern. Each one of the contributors participated in the triennial gathering of the Global Network of Public Theology held in Stellenbosch in 2016.
Journalist Aaron Smith's new memoir holds up a unique mirror to Australia. What he sees is at once amazing, disturbing and revealing. The Rock explores the failings of our nation's character, its unresolved past and its uncertain future from the vantage point of its most northerly outpost, Thursday Island. Smith was the last editor, fearless journalist and the paperboy of Australia's most northerly newspaper, the Torres News, a small independent regional tabloid that, until it folded in late 2019, was the voice of a predominantly Torres Strait Islander and Aboriginal readership for 63 years across some of the most remote and little understood communities in Australia. The Rock is a story of self-discovery where Smith grapples to understand a national identity marred by its racist underbelly, where he is transplanted from his white-boy privileged suburban life to being a racial and cultural minority, and an outsider. Peppered with his experiences, Smith gradually and sensitively becomes embedded in island life while vividly capturing the endless and often farcical parade of personalities and politicians including Scott Morrison and Tony Abbott. Smith pulls no punches while he reflects on the history of Terra Australis incognita, dissecting what is truly Australia, and its gaping cultural and moral divide. 'A credit to regional journalism, Aaron carried on the fine tradition of the Torres News holding governments to account and telling stories of everyday life in the Straits, never shying away from controversies, lifting all the rocks and even out foxing prime minister Tony Abbott on his visit to Mabo's grave.' — Stefan Armbruster, SBS 'Aaron Smith makes a huge and extremely valuable contribution to journalism in Australia. With insight and committment he brings issues of national and international significance to audiences in Australia and beyond.' — Dr Tess Newton Cain, Griffith Asia Institute 'Aaron's journalism has provided a rare and valuable insight into issues affecting the Torres Strait Islander community. Navigating cultural protocols and geographical challenges, he has given a voice to some of Australia's most marginalised people and shared important stories that would otherwise have gone unheard.' — Ella Archibald-Binge, Sydney Morning Herald