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In Girt By Sea Mungo MacCallum provides a devastating account of the Howard government's treatment of the refugees as well as delineating the factors in Australian history which have worked towards prejudice and those which have worked against it; ranging from Calwell's postwar immigration policy to the recent revelations of beat-ups and distortions in the 2001 election campaign. This is a powerful account of how the government played on what was ultimately the race issue. In an essay which is, by terms, witty, dry and bitingly understated, Mungo MacCallum asks what epithets are appropriate for a prime minister who has brought us to this pass. He also raises the question of whether Australia's contemporary treatment of refugees has anything in common with the sane and decent policies that have characterised the better moments in our history. ‘... it will take a long time to recover from the campaign of hate and fear which was deemed to be necessary to return the Howard government in the first year of the new millennium.’ —Mungo MacCallum, Girt By Sea ‘This most cold-eyed of one time Canberra chroniclers brings to this story all his wit and dryness and power of mind. It's a sad tale ... though it is everywhere enlivened by MacCallum's ... tendency to suggest that spades really are bloody shovels at the end of the day.’ —Peter Craven ‘A document of immense power ... MacCallum's essay will stand as a record of Australia's shame and depravity. It will haunt us. ’ —Julian Burnside, Australian Book Review ‘Mungo’s assertion that Howard is a man with no vision, only division, to his name and his recognition that Howard will never have the approval of those elites he so gratuitously desires, is a blistering strike at the Liberal man.’ —Geoff Parkes, Journal of Australian Studies Mungo MacCallum has long been one of Australia’s most influential and entertaining political journalists, in a career spanning more than four decades. Mungo has worked with the Australian, the Age, the Financial Review, Sydney Morning Herald and numerous magazines, as well as the ABC, SBS, Channel Nine and Channel Ten. His books include the bestselling Mungo: The Man Who Laughs, The Good, the Bad and the Unlikely: Australia's Prime Ministers and The Whitlam Mob.
In the second Quarterly Essay of 2004, Paul McGeough offers a dramatic account of why Iraq remains in chaos despite desperate American efforts to create a model democracy in the Middle East. According to McGeough, Iraq to this day remains a tribal society. It cannot be governed without the cooperation of the true powers in the land, the tribal and religious sheikhs. Those who have ruled Iraq in the past, including Saddam Hussein and the British before him, understood this fact. The Americans, by contrast, seem to have missed the point. In Mission Impossible, Paul McGeough enters the world of key Iraqi tribal and religious leaders. There are vivid portraits of the sheikhs' role in the fall and capture of Saddam, as well as their part in the growing insurgency. There are glimpses, too, of a history that once involved Lawrence of Arabia and Gertrude Bell, and which pre-dates Islam, stretching back thousands of years. Combining reportage and analysis in brilliant fashion, this groundbreaking essay is well timed to coincide with the next major phase in Iraq's troubled history. "Throughout the history of their region, the sheikhs have been the powerbrokers, deciding who would reign between the great rivers, the Tigris and the Euphrates." —Paul McGeough, Mission Impossible
In the first Quarterly Essay of 2003, Tim Flannery launches an attack on the various lies that we tell ourselves about our resources, our past and our future. The lie of terra nullius that made us ignore the Aborigines' knowledge of the environment. The lie of the Snowy Mountains Scheme that did untold damage to our river system for the sake of white immigration. The lie that rushing to preserve wilderness will save endangered species. Tim Flannery is also skeptical about the myths of multiculturalism, and he argues that we cannot sustain a larger population given our resources. In his conclusion, he asks how we can discharge our responsibility to the refugees who are the victims of American policies we collude with. 'This essay is written as a thundering no to the characteristic Australian assumption that 'She'll be right' ... This is a Quarterly Essay written in the passionate belief that we need a coherent policy on population ... If we do not have one, we will never be in a position to do justice to ... the dispossessed people of the earth; indeed our children's children will ... think we have dishonoured their birthright.' —Peter Craven, Introduction 'The refusal to ratify the Kyoto Protocol will almost certainly, in time, be remembered as the greatest failure of the Howard government - Tampa, detention camps and Iraq notwithstanding.' —Tim Flannery, Beautiful Lies
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English.In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in whichcontemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settlerliteratures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies.Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.
In Bad Company Gideon Haigh scrutinises the way we have turned CEOs into tin gods. Is moral outrage the appropriate response to the collapses of Enron or HIH or are we all implicated in a crazy system? Haigh argues that the attempt to create great entrepreneurs of the new caste of CEOs by giving them shares is doomed to failure and inherently absurd. In a tough-minded, vigorous demolition job on the culture that produced the cult of the CEO, Haigh writes a mini-history of business and shows how the classic traditions of capitalism are mocked by the managerialism of the present. ‘The making of the modern CEO has been a story of more: more power, more discretion, more ownership, more money, more demands, more expectations and, above all, more illusions. More, as so often, has brought less ...’ —Gideon Haigh, Bad Company ‘The world where the CEO is deemed to be a 'genius' at least equal to a great actor or a great sportsman is a world in which ... Gideon Haigh refuses to believe.’ —Peter Craven ‘Of all the extraordinary corporate stories of the 1990s, none has been more powerful than what Gideon Haigh wants to call the cult of the CEO.’ —Sydney Morning Herald ‘Haigh should be showered with blessings for producing a book which not only says boo to these geese, but has the figures and the historical perspective to back itself up. There’s even some good business advise in there.’ —Nicholas Lezard, the Guardian ‘A cogent and elegant argument.’ —Business Review Weekly Gideon Haigh has worked as a journalist for the Bulletin, the Guardian, the Australian, the Times and the Monthly. As an author he has written books on business, including Quarterly Essay 10: Bad Company – The Cult of the CEO, The Battle for BHP and One of a Kind: The Story of Bankers Trust Australia 1969–1999, and on cricket: Silent Revolutions, Game for Anything, The Green and Golden Age.
In Sending Them Home, Robert Manne tells the stories of individual asylum seekers and finds in their experience the seeds of a devastating critique. Balancing sorrow and pity with a controlled anger, Manne develops a sustained argument about what could, and should, be done for the nine thousand refugees who remain in limbo on temporary protection visas. Sending Them Home also contains a groundbreaking account of conditions in the offshore processing camps on Nauru, whose operations have until now been shrouded in secrecy, and a damning forensic investigation of the recent efforts to return - frequently against their will - many of those who sought our protection and whose countries remain in turmoil. Combining ethical reflection and acute political analysis, this essay initiates a new phase in the refugee debate. 'No one ought to pretend that the unanticipated arrival of the Iraqis, Afghans and Iranians did not pose real ... problems for Australia. However these problems arose not because these people were not genuine refugees. They arose, rather, precisely because the overwhelming majority of them were.' -Robert Manne, Sending Them Home This issue also contains correspondence discussing Quarterly Essay 10, Made in England, from Phillip Knightley, Morag Fraser, Larissa Behrendt, Alan Atkinson, James Curran, Sara Wills, and Gerard Windsor
This book examines the economic consequences of immigration and asylum migration, it focuses on the economic consequences of legal and illegal immigration as well as placing the study of immigration in a global context.
This book maps the seascape borders of Australia's insular imagination. It explores how the boundaries and contours of the nation were made and remade in the first years of the war on terror, offering a striking reassessment of the territoriality of 'the island continent'.
This volume gathers together research by ten scholars engaging with multicultural discourse in Australia and Germany. The term ‘polyculturalism’ rather than ‘multiculturalism’ is employed deliberately to re-open a space in which the workings of discourse on culturally diverse societies, both as archive or practice, and as intervention, can be considered in greater depth. The inter-cultural perspective and wide range of disciplinary affiliations exhibited by the essays in this volume contribute to this goal: whereas the majority of discourse analytical work addresses the diversity of speaking positions, as well as the arbitrariness of ascribed meanings, within a historical framework delimited by national boundaries and disciplinary boundaries, the texts collected here transgress this perspective in working comparatively between Australia and Germany.