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The annual comics anthology of emerging cartoonists The Drawn & Quarterly Showcase new talent series stands out among other anthologies on the shelf, as it is the only anthology to have the focused editorial vision of D+Q editor in chief Chris Oliveros, who is responsible for launching the careers of Adrian Tomine, Seth, Julie Doucet, and more. Five years ago, Oliveros was impressed by the talent and vitality of the new generation of cartoonists. Each volume has been lauded for its short stories, and by selecting the best cartoonists every year, Oliveros gives each artist more than twenty-five pages in the Showcase to spotlight their storytelling and artistic abilities. The D+Q Showcase is where you find tomorrow's critically acclaimed graphic novelists today. Book Four features three North American cartoonists: Dan Zettwoch (The Ghost of Dragon Canoe) of St. Louis, Gabrielle Bell (When I'm Old) of Brooklyn, and Martin Cendreda (Dang!) of Los Angeles. Zettwoch and Bell have both contributed to the award-winning anthology Kramer's Ergot. Cendreda is a frequent contributor to Giant Robot magazine.
"Living by faith" is much more than a general Christian precept; it is the fundamental posture of believers in a world rife with suffering and injustice. In this penetrating reflection on the meaning of "justification," Oswald Bayer shows how this key religious term provides a comprehensive horizon for discussing every aspect of Christian theology, from creation to the end times. Inspired by and interacting with Martin Luther, the great Christian thinker who grappled most intensely with the concept of justification, Bayer explores anew the full range of traditional dogmatics (sin, redemption, eschatology, and others), placing otherwise complex theological terms squarely within their proper milieu -- everyday life. In the course of his discussion, Bayer touches on such deep questions as the hidden nature of God, the hope for universal justice, the problem of evil, and -- one of the book's most engaging motifs -- Job's daring lawsuit with God.
Rather than asking if theology is theoretical or practical -- a question that reveals a fundamental lack of understanding about the nature of theology in general -- it is better to ask "What exactly is theology?" It is this question that Oswald Bayer attempts to answer in Theology the Lutheran Way, clearing up misconceptions about the essence of theology. Along with Luther himself, Bayer claims that theology, rather than being something that we do, is really what God does. Based primarily on the third section of Bayer's original German work of the same title, this book evaluates certain approaches to theology that have been influential, from Schleiermacher's understanding of theology to debates with Kant, Hegel, and Bultmann. It also includes a substantial section on Luther from the original in order to clarify the Lutheran tradition.
Martin Luther's relationship to music has been largely downplayed, yet music played a vital role in Luther's life -- and he in turn had a deep and lasting effect on Christian hymnody. In Luther's Liturgical Music Robin Leaver comprehensively explores these connections. Replete with tables, figures, and musical examples, this volume is the most extensive study on Luther and music ever published. Leaver's work makes a formidable contribution to Reformation studies, but worship leaders, musicians, and others will also find it an invaluable, very readable resource.
An illustrated history of Canadian micro-publisher Drawn & Quarterly.
Gerhard O. Forde has stood at the forefront of Lutheran thought for most of his career. This new collection of essays and sermons—many previously unpublished— makes Forde's powerful theological vision more widely available. The book aptly captures Forde's deep Lutheran commitment. Here he argues that the most important task of theology is to serve the proclamation of the gospel as discerned on the basis of the doctrine of justification by grace alone through faith alone. For Forde, the doctrine of justification is not one topic among other theological topics; rather, it is the criterion that guides "all theology and ministry. Throughout the book Forde applies this truth to issues of eschatology, authority, atonement, and ecumenism. Also included are seven insightful sermons that model the Lutheran approach to proclamation.
"The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued such success, the burgeoning music publishing industry, and the emergence of copyright protection. This account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history of the role of money in art."--Jacket.
Two of Canada’s most famous visual artists take on the book medium in their own hilarious way Library is a collection of paintings by two of Canada’s most influential contemporary artists, Michael Dumontier and Neil Farber. From the simple premise of the book title comes a series of images that are laugh-out-loud funny. A collection of book covers adorned with titles painted in simple handwritten fonts are displayed on brightly colored hardboard. Each book forms part of an ongoing series Dumontier and Farber started in 2009. In Dumontier and Farber’s Library, titles like I Lost the Human Race, Change Your Relationship to Your Unchangeable Past, and I Have a Medical Condition That Makes It So I Don’t Have to Talk to You offer surprising and astute observations, all in the duo’s characteristic deadpan style. The simplicity of the shapes and text evokes an immediate but lasting profundity, with each piece causing one to wonder about the thoughts that roam their consciousness, and the books that take up residence on their—and our—shelves. Dumontier and Farber are founding members of the influential art collective the Royal Art Lodge, and have been collaborating on art projects for more than fifteen years, exhibiting internationally. Library is playful and insightful as it pokes and prods at the human condition.