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This book is a treasure house of Italian philosophy. Narrating and explaining the history of Italian philosophers from the Middle Ages to the twentieth century, the author identifies the specificity, peculiarity, originality, and novelty of Italian philosophical thought in the men and women of the Renaissance. The vast intellectual output of the Renaissance can be traced back to a single philosophical stream beginning in Florence and fed by numerous converging human factors. This work offers historians and philosophers a vast survey and penetrating analysis of an intellectual tradition which has heretofore remained virtually unknown to the Anglophonic world of scholarship.
The first-ever bibliography of Scottish Latin authors in print.
This volume deals with the psychological, metaphysical and scientific ideas of two major and influential Aristotelian philosophers of the Italian Renaissance - Nicoletto Vernia (d. 1499) and Agostino Nifo (ca 1470-1538) - whose careers must be seen as inter-related. Both began by holding Averroes to be the true interpreter of Aristotle's thought, but were influenced by the work of humanists, such as Ermolao Barbaro, though to a different degree. Translations of the Greek commentators on Aristotle (Alexander of Aphrodisias, Themistius and Simplicius) provided them with new material and new ways of understanding Aristotle - Nifo even put himself to learning Greek - and led them to abandon Averroes, especially as regards his views on the soul and intellect. Nevertheless, both Vernia and Nifo engaged seriously with the thought of medieval scholars such as Albert the Great, Thomas Aquinas and John of Jandun. Both also showed interest in their celebrated contemporary, Marsilio Ficino.
Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. 'Humanist Wit' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled '"Serious" Humanists' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the 'minor' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: 'Rire est le propre de l'homme.'
The Renaissance Era was a period of huge cultural advancements. It began in Italy and spread throughout the length and breadth of Europe. The Renaissance had lasting effects on art, literature and sciences. Here are 12 notable works of fiction from this era. Contents: 1. Dante Alighieri : The Divine Comedy 2. Francesco Petrarca (Petrarch) : Sonnets 3. Giovanni Boccaccio : The Decameron 4. William Shakespeare : Hamlet 5. William Shakespeare : Macbeth 6. Thomas More : Utopia 7. Thomas Nashe : The Unfortunate Traveller, or The Life Of Jack Wilton 8. Francois Rabelais : Gargantua and His Son Pantagruel 9. Sebastian Brant : The Ship of Fools 10. Miguel de Cervantes : Don Quixote 11. Luis de Camões : The Lusiad 12. Desiderius Erasmus : In Praise of Folly
The Greatest Works of French Literature serves as a monumental anthology, bringing together an unparalleled collection of works that span genres, styles, and centuries, showcasing the richness of French literary heritage. From the intricate psychological narratives of Marcel Proust to the dramatized societal critiques of Émile Zola, and the romanticized adventures by Alexandre Dumas, this collection transcends the mere assemblage of texts to become a tapestry of human thought and emotion. The anthology highlights the evolution of French literature, embracing the diversity of its expressions - from the foundational philosophical discourses of Jean-Jacques Rousseau to the compelling modernist poetry of Charles Baudelaire. This range not only celebrates the individual genius of each writer but also underscores the collective cultural and historical journey of France itself. The contributing authors and editors, each a luminary in their right, represent the zenith of French literary achievement across several eras. From the Renaissance vibrancy of François Rabelais to the Enlightenment provocations of Voltaire, and into the romantic and existential depths explored by Victor Hugo and Gaston Leroux, the compilation mirrors the broad spectrum of intellectual and artistic movements that have shaped not just French, but global literature. The anthology not only demonstrates the contributors' pivotal roles in crafting the narrative of French literature but also contextualizes their works within the larger tapestry of global literary and philosophical thought, inviting readers to appreciate the dialogues between French literature and worldwide cultural shifts. The Greatest Works of French Literature is an indispensable volume for anyone wishing to dive into the depths of French literary brilliance. It offers readers the unique opportunity to traverse time and genre within the pages of a single book, from enlightenment to romanticism, realism, and beyond. This collection is not just a testament to the enduring legacy of its authors but an invitation to explore the complexities of human experience through the lens of French literary imagination. Whether a student, scholar, or simply a lover of literature, this anthology promises a panoramic view into the heart of French literary artistry, fostering a deeper understanding and appreciation for the rich threads woven into the fabric of cultural history.