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The print edition is available as a set of two volumes (9789004104525).
This book attempts to see al-Mutanabbī, a great poet of the ‘Abbasid period from the lens of humanistic psychology. An effort has been made to discover the deeper aspects of al-Mutanabbī’s personality, which constitutes an important aspect of his artistic expression. Chapters are structured accordingly for better understanding of the whole discussion. The focuses are on: - Biographical sketch of al-Mutanabbī, which comprises on the historical, political, cultural background of the poet as well as his life with his patrons. - The relationship between psychology and poetry. - The major concept of humanistic psychology, as well as the work of Horney, Maslow and Rogers, upon which being the basis of the humanistic psychology. - The Maslovian theory, to consider al-Mutanabbī as a self-actualizing person in the light of his relationship with his patron Sayf al-Dawlah. - How al-Mutanabbī as a neurotic person, overcame the conflict inherent in his relationship with Kāfūr, his second patron. This book concludes that the relationship between al-Mutanabbī and Sayf al-Dawlah is the key to his great achievement as a poet, and the humanistic psychological theories thus enables us to gain a better understanding of him as a whole person. This book also proposes that humanistic psychology can open the door to a new world in the study of both Arabic literature and the life of a poet.
Cutting-edge research in the study of Islamic scholarship and its impact on the religious, political, economic and cultural history of Africa; bridges the europhone/non-europhone knowledge divides to significantly advance decolonial thinking, and extend the frontiers of social science research in Africa.
Introducing poetry, prose, songs and theatre from Nigeria, this engaging volume blends translated extracts with a rich commentary on the historical development and modern context of this hugely creative culture. Examining imaginative prose-writing, the tale tradition, popular song, Islamic religious poetry and modern TV drama amongst other topics, this is a clear and accessible book on a literary culture that has previously been little-known to the English-speaking readership.
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir. Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.
Looking Back at al-Andalus focuses on Arabic and Hebrew Literature that expresses the loss of al-Andalus from multiple vantage points. In doing so, this book examines the definition of al-Andalus’ literary borders, the reconstruction of which navigates between traditional generic formulations and actual political, military and cultural challenges. By looking at a variety of genres, the book shows that literature aiming to recall and define al-Andalus expresses a series of symbolic literary objects more than a geographic and political entity fixed in a single time and place. Looking Back at al-Andalus offers a unique examination into the role of memory, language, and subjectivity in presenting a series of interpretations of what al-Andalus represented to different writers at different historical-cultural moments.
Arabic and Hebrew Love Poems in al-Andalus investigates a largely overlooked subset of Muslim and Jewish love poetry in medieval Spain: hetero- and homo-erotic love poems written by Muslim and Jewish religious scholars, in which the lover and his sensual experience of the beloved are compared to scriptural characters and storylines. This book examines the ways in which the scriptural referents fit in with, or differ from, the traditional Andalusian poetic conventions. The study then proceeds to compare the scriptural stories and characters as presented in the poems with their scriptural and exegetical sources. This new intertextual analysis reveals that the Jewish and Muslim scholar-poets utilized their sacred literature in their poems of desire as more than poetic ornamentation; in employing Qur’ānic heroes in their secular verses, the Muslim poets presented a justification of profane love and sanctification of erotic human passions. In the Hebrew lust poems, which utilize biblical heroes, we can detect subtle, subversive, and surprisingly placed interpretations of biblical accounts. Moving beyond the concern with literary history to challenge the traditional boundaries between secular and religious poetry, this book provides a new, multidisciplinary, approach to existing materials and will be of interest to students, scholars and researchers of Islamic and Jewish Studies as well as to those with an interest in Hebrew and Arabic poetry of Islamic Spain.