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Mandore, Rajasthan, 769 AD: Ravindra-Raj, the evil sorcerer-king, devises a deadly secret ritual, where he and his seven queens will burn on his pyre, and he will rise again with the powers of Ravana, demon-king of the epic Ramayana. But things go wrong when one queen, the beautiful, spirited Darya, escapes with the help of Aram Dhoop, the court poet. Jodhpur, Rajasthan, 2010: At the site of ancient Mandore, teenagers Vikram, Amanjit, Deepika and Rasita meet and realize that the deathless king and his ghostly brides are hunting them down. As vicious forces from the past come alive, they need to unlock truths that have been hidden for centuries, and fight an ancient battle . . . one more time.
'David Hair hasn't just broken the mould. He's completely shattered it' - Bibliosanctum One deathless Demon King. Six ghostly queens. And only four twenty-first century young men and women to stand against a centuries-old evil . . . The first in award-winning author David Hair's series The Return of Ravana. Mandore, Rajasthan, 769 AD: the evil sorcerer-king, Ravindra-Raj, has devised a deadly ritual. He and his seven queens will burn on his funeral pyre, and he will rise again with the powers of Ravana, Demon-King of the epic Ramayana. But things go wrong when a court poet rescues the beautiful, spirited Queen Darya, ruining the ritual - and Ravindra's plans. Jodhpur, Rajasthan, 2010: At the site of ancient Mandore, Vikram, Amanjit, Deepika and Rasita meet - and are forced to accept that this is not the first time they have come together to fight the deathless king. Now Ravindra and his ghostly brides are hunting them down. As vicious forces from the past come alive, Vikram needs to unlock truths that have been hidden for centuries, if they are to win this ancient battle . . . for the first and last time. 'Riveting! Like its reincarnated heroes, I was drawn again and again to David Hair's gripping, blood-soaked tale' - Chris Bradford, author of Young Samurai
'The Book of Queens' begins with the last invasion of Eire by the Milesiaen's and the great battle, which split the tribes to different isles. In a time when ancient gods have stepped to the tween with watchful eyes 'The Book of Queens' chronicles the path the tribes must travel, and the new enemies that await them on the isle of Eiru. It is an age of gods and warriors - where High Queen's and Kings do not sit thrones but stand the field of battle to defend not only their tribes, yet their faith as well. On Eiru, the Cruithnian's - the ratsastaja, horsemen of the soaring, northern lands and guardians of Lia Fail, the stone of destiny - become legends even to their enemies who build walls of stone across the neck of the isle to defend against them. It is a journey; a journey of faith in their gods, courage against enemies, and fury alongside heartache at the losses they must face - and in the end - it is the voice of one who stands as witness to both their past and their future.
Bollywood actress Sunita Ashoka's reality show Swayamvara Live has ended in bloodshed and disaster. Vikram, Amanjit and Rasita are on the run, accused of the actress murder. Exiled like the heroes of the Ramayana, they are seemingly beset by the same perils, especially when Vikram encounters an unlikely temptress. Then another tragedy, also foretold in the Ramayana, forces Vikram into the open. But there is hope: Amanjit's skills as a warrior are returning, Rasita is beginning to remember her own past lives, and Deepika is awakening to powers undreamt. But the Enemy, Ravindra, has also found allies?the nightmarish Rakshasa army. Memories and legends are coming alive all over India, from the bloodied sands of Ullal and the fortress of Jhansi to secret places in Mumbai, Pushkar and Varanasi. The fight to the finish has begun . . .
The main topic of this book is arranged marriage. So it is self explanatory to indicate what this book is about. There is quite a bit of doubt and confusion in the west; how the people in India get married through arranged marriage system without seeing or knowing the spouse. The arranged marriage is a contract of co-existence for life signed in the presence of the guardians of faith, guardians and guarantors of contract and well wishers. We take marriage for granted without knowing the intricacies of married life. It is not so. To stay married is the highest priority of life. It is much higher than signing a contract to get a job and make money and even obeying the faith values, because the faith can be achieved through values and love of married life. In arranged marriage the necessities of life are taken into consideration not the enjoyment for a few days. It is a contract signed in good faith. The acceptance of the spouse is the most important factor for the marriage to last forever. This factor is drilled into the couple by the elders to realize the requirements of the spouse. Realizing and fulfilling those requirements makes the marriage last forever. There are some other short stories in the book. Most of those stories are true but some are imaginary as well. So read it and find out what the writer is trying to convey and justify.
‘Boundaries, Dynamics and Construction of Traditions in South Asia’ explores the dynamic constructions and applications of the concept of ‘tradition’ that occurred within the South Asian context during the ancient and pre-colonial periods. This collection of essays features a significant selection of the specialized fields of knowledge that have shaped classical South Asian intellectual history, and the aim of this volume is to offer a stimulating anthology of papers on the different and complex processes employed during the ‘invention’, construction, preservation and renewal of a given tradition.
The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen’s extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen’s developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects