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The world is at an inflection point. Advancing technologies are creating new opportunities and challenges. Great demographic changes are occurring rapidly, with significant consequences. Governance everywhere is in disarray. A new world is emerging. These are some of the key insights to emerge from a series of interdisciplinary roundtables and global expert contributions hosted by the Hoover Institution. In these pages, George P. Shultz and James Timbie examine a range of issues shaping our present and future, region by region. Concrete proposals address migration, reversing the decline of K–12 education, updating the social safety net, maintaining economic productivity, protecting our democratic processes, improving national security, and more. Meeting these transformational challenges will require international cooperation, constructive engagement, and strong governance. The United States is well positioned to ride this wave of change—and lead other nations in doing the same.
A man searches two continents for a beautiful woman he caught a glimpse of in Spain. As Lucas, a New York journalist pursues the object of his obsession, he runs into one misadventure after another, all the way to Death Row. A black comedy.
The author looks to the origins of equality in Greek thought and the idea's important in the eighteenth century to understand the tenacious attraction it has had for American over more than two hundred years of political, legal, and social controversy.
During the plague year of 1358, Heron, a French student, decides to walk to the sea and then to seek passage to England. His journey symbolizes freedom, as he turns his back on both the ruling oligarchy and the peasant armies forming all over Europe. He travels through a chaotic wasteland, where armies clash for unknown reasons, where the barren countryside is plagued by robbers and warlords. He meets death, destruction, and famine before finally finding Claudia, the daughter of a medieval lord. Heron’s quest, stemming from a desire to create an ideal world out of a violently cruel one, leads him through despair and danger, before delivering him to love. Originally published in 1961, A Walk with Love and Death was the third novel by Hans Koning (Koningsberger) and was directed as a film by John Huston in 1969.
This is the first in a continuing series of reminders that the past informs the present as it infuses the future. As Benj DeMott notes, the aim of First of the Year is to define "the democratic imperatives and demotic tones that make our ongoing politics of culture matter." This annual publication is grounded in the needs of "dissed" people: disenfranchised, disadvantaged, disinherited, discomfited, and dismissed. But the concept has been sharpened to acknowledge that though the underdog is owed sympathy, the mad dog is owed a bullet. In short, First of the Year is very much an effort of the twenty-first century.The publication aims to be more than a launching pad for writers. It attempts to bridge the gap between radical perspectives without losing focus on the centrality of African-American culture to the national conversation. The coming together of figures like Armond White, Kate Millett, Lorenzo Thomas, Russell Jacoby, Adolph Reed, and Amiri Baraka is quite unlike what can be found in standard literary and social publications. They treat the African-American condition as a policy issue or an executive summary report--not as a touchstone for the state of the nation as a whole.The initial volume also deals extensively and seriously with the issue of humanism and terror, the nature of social movements, electoral and urban politics, and the musical trends of our time. It does so with a sense of urgency often denied in mainstream literary reviews. Issues of "standards" are addressed from the angle of African-American cultural traditions, and the mind-body problem as a matter of race not just of metaphysics. In a nutshell, this volume intends to open a new chapter in the Harlem Renaissance; or better, an American renaissance with a Harlem lilt. First of the Year is an attempt to make political arguments breathe through cultural voices. Contributors include Sheldon Wolin, Jean Bethke Elshtain, Kurt Vonnegut, Paul Berman, Cha