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A single night at an auction can lead to forever. Jonathon Wright is one of the most sought-after attorneys in and around McKingley, New Mexico. He's cool, calm, and fastidious. Reputed to be one of the more serious of the Wright clan he tends to keep to himself and focusing on his career. None of which matters when one night in a hotel changes everything. He can't get her out of his mind and so when the opportunity arises, he pursues, determined to have her. Harmony Oshiro is a child prodigy. An accident has since taken her ability to perform as she once had, so she's left the limelight and come to McKingley to teach music at the university, trying to heal her soul. She never knows that here she would run into the man with whom she'd spent one night of bliss. Despite their differences she really enjoys being with him. An incident puts them in the same quarters and suddenly Jonathon is faced with a woman who is as impulsive and carefree as he is serious. As she teaches him to enjoy life he wants to not only help her find her confidence to perform again but also stay with him forever. Can he convince her that together it will be pure harmony?
A sourcebook for the single-action harp: a brief morphology of the instrument and a breakdown of the technique applied to the instrument and its repertoire
With a bang—or rather, a barrage—Jacob Neptune finds his remote cabin in the Adirondacks besieged by a gun-toting gang of murderous bikers. With the help of his supersized sidekick Dennis, the hard-headed, wise-cracking Abenaki private detective traces the source of his troubles to a former adversary who is now running an Indian casino. In short order, the friends are drawn into a dangerous mystery that will call upon all of Jake’s skills as a martial arts expert, former special forces soldier, and—in the Abenaki tradition—a metoulin, one who can see beneath the surface of things through dreams and visions. Their investigation takes them to the Pacific Northwest, dead center in a vicious game involving tribal intrigue, a crooked casino, Chinese billions, a captive killer whale—and a series of murders and disappearances that may be linked to the monster known by Jake’s people as Padoskoks, the giant underwater serpent. Like Chenoo, the first in the Jacob Neptune series, Padoskoks has an explosive start and keeps gathering speed, giving readers a glimpse of the ancient wisdom and Native customs swirling just under the surface as the action-packed plot barrels toward its natural, if startling, conclusion.
Definitive biography covers Kepler's scientific accomplishments — laws of planetary motion, work with calculus, optics, more — plus public and personal life, more. Introduction and Notes by Owen Gingerich.
Thomas Altizer, one of America's premier theologians, searches for a proper understanding of the Christian God, which he believes can only be explicated when the question of origin is raised. He begins with an investigation of Hegelian thinking, develops his insights in dialogue with such thinkers as Augustine and Nietzsche, and then focuses on notions generated by the Christian epic poetry of Dante, Milton, and Blake. By explicating the absolute origin of God that only Christianity knows, Altizer discloses the origin of a uniquely Christian freedom while also touching upon such important themes as predestination, the fall, evil, and eternity.
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
Robin Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century. From the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory. Evans describes the ambivalent role that pictures play in architecture and urges resistance to the idea that pictures provide all that architects need, suggesting that there is much more within the scope of the architect's vision of a project than what can be drawn. He defines the different fields of projective transmission that concern architecture, and investigates the ambiguities of projection and the interaction of imagination with projection and its metaphors.