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On 1st December 1996, 25-year-old Lee Harvey was stabbed 42 times in a frenzied knife attack. His girlfriend, Tracie Andrews, claimed he had been murdered in a road rage attack and appeared at a press conference making an emotional appeal for witnesses to the crime. Later, the horrific truth about what really happened that night became apparent.
Maureen Harvey lives in Kings Norton, Birmingham with her husband Ray. They have a daughter, Michelle, and three grandchildren Danielle, Paige, and Jordan. Since their son Lee was murdered by Tracie Andrews in December 1996, they have campaigned tirelessly to ensure that those convicted of murder serve their full prison tariff. Maureen's book is based on the diary she began writing after Lee's death and is a frank account of the emotional journey she and her family have taken during the last decade. It is a unique testimony which she hopes will serve not only as a tribute to Lee but as an inspiration to bereaved parents everywhere.
Born in 1948, Maureen Harvey was brought up in a poor working-class household in Birmingham at a time when the city was still a major manufacturing centre. Despite her family's poor circumstances, the author recalls a childhood filled with family pride and neighbourliness; of making do with whatever came to hand; of being thankful for small mercies. This was an age where the deserving poor could write to the Daily Mail and receive a pair of serviceable boots free of charge; when as a small child Maureen would forage for coal and wood for fuel. The industrial working classes really were 'poor, but proud and honest'. The perfect book for readers of nostalgic historical non-fiction, about life in Britain as the country emerged from the grim years of the Second World War.
This in-depth book examines the horrific case of an evil mother who betrayed her daughter, deceived friends and neighbours and wasted huge amounts of police time, at a cost of GBP3.2 million to the taxpayer. It looks at the background of the family, the court case and the aftermath of one of the most notorious deceptions in recent history.
Essays in which happiness becomes a magic carpet, lifting readers above momentary fret and making the ordinary appears wondrous.
An illustrated poem which celebrates children who enjoy doing all kinds of activities. This poem originally appeared in The Random House book of poetry for children, published in 1983.
Instant New York Times bestseller! The Emmy Award-winning star of General Hospital chronicles his astonishing and emotional life journey in this powerful memoir—an inspiring story of success, show business, and family, and his struggle with mental illness. "This shocking true story is General Hospital on anabolic steroids." — Mehmet Oz, M.D., Emmy Award-winning host of The Dr. Oz Show Maurice Benard has been blessed with family, fame, and a successful career. For twenty-five years, he has played one of the most well-known characters on daytime television: General Hospital’s Michael “Sonny” Corinthos, Jr. In his life outside the screen, he is a loving husband and the father of four. But his path has not been without hardship. When he was only twenty, Maurice was diagnosed with bipolar disorder. In Nothing General About It, Maurice looks back to his youth in a small town and his tenuous relationship with his father. He describes how his bipolar disorder began to surface in childhood, how he struggled to understand the jolting mood swings he experienced, and how a doctor finally saved his life. For years Maurice was relentless in his goal to be a successful actor. But even after he “made it,” he still grappled with terrifying lows, breakdowns, and setbacks, all while trying desperately to maintain his relationship with his wife, who endured his violent, unpredictable episodes. Maurice holds nothing back as he bravely talks about what it was like to be medicated and institutionalized, and of how he learned to manage his manic episodes while on the set of GH. Nothing General About It is also an incredible love story about an enduring marriage that demonstrates what those vows—for better, for worse, in sickness and in health—truly mean. Maurice also pays tribute to the community that has been there for him through thick and thin, and ruminates on the importance of both inherited and created family. A shocking, riveting, and utterly candid memoir of love, adversity, and ultimately hope, Nothing General About It offers insights and advice for everyone trying to cope with mental illness, and is a motivational story that offers lessons in perseverance—of the importance of believing in and fighting for yourself through the darkest times. Nothing General About It includes a 16-page insert featuring approximately 50 photographs.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Many people find it impossible to believe women are capable of committing brutal murders, but this book shows otherwise. Katherine Knight donned a black negligee before stabbing her lover John Price 37 times, then serving up his corpse for dinner with baked potatoes, pumpkin and all the trimmings. Sue Basso became supermarket packer Buddy Musso's 'lady love', but his dreams of happiness were shredded when she and her friends tortured him to death for a paltry $15,000 life insurance policy. Shelly Michael injected her husband with a drug that led to death by slow suffocation, then she set their house on fire. Each of the cases documented here makes for a chilling read, proving that evil transcends the sexes.