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Essays on the use of word play in the literature of ancient Egypt, Mesopotamia, Ugarit, and Israel, and Medieval Hebrew and Arabic literature; includes such topics as: alliterative allusions, rebus writing, ominous homophony, portentous puns, and paronomasia.
This volume examines numerous Hebrew wordplays not identified and discussed in previous research, and the technique of the Septuagint translators, by offering another criterion of evaluation – essentially, their concern about the style of translating Hebrew into Greek. Elizabeth Backfish's study analyzes seventy-four wordplays employed by the Hebrew poets of Psalms 90-106, and how the Septuagint renders Hebrew wordplay in Greek. Backfish estimates that the Septuagint translators were able to render 31% of the Hebrew semantic and phonetic wordplays (twenty-four total), most of which required some sort of transformation, or change, to the text in order to function in Greek. After providing a thorough summary of research methods on wordplay, definitions and research methodology, Backfish summarizes all examples of wordplay within the Fourth Psalter, and concludes with examples of the wordplay's replication, similar rendition or textual variation in the Septuagint. Emphasising the creativity and ingenuity of the Septuagint translators' work in passages that commentators often too quickly identify as the results of scribal error or a variant Vorlage from the Masoretic text, Backfish shows how the aptitude and flexibility displayed in the translation technique also contributes to conversations in modern translation studies.
After a brief essay that introduces each book, a verse-by-verse commentary follows. Drawing upon linguistic analysis, archaeological evidence, history, other ancient Near Eastern literatures, and the like, the commentary provides the historical and cultural background against which the texts can be read and understood. --from publisher description.
Magic, dreams and prophecy played important roles in ancient Egypt, as in other Mediterranean societies. Scholars are now approaching the whole topic of divination in antiquity with greatly enhanced attention. In this volume eminent international specialists come together to explore the practice, logic and psychology of divination among ancient Egyptians.
This work is a study in the attribution, aesthetics and representations of Yahweh’s speeches in the Hebrew Bible. It describes the literary elegance and beauty of the speeches of Yahweh in the Abrahamic narratives. Employing a synchronic reading of the Abrahamic cycle, it underscores the presence of various literary devices in the divine speeches (12:1-9, 13:1-18, 15:1-21, 17:1-27, 18:1-33, and 22: 1-19). Specifically, it engages the high concentration, literary effects and use of metaphors/metaphoric language, similes, alliterations, wordplays, euphemisms, hyperboles, repetitions, allusions and other distinctive literary features in the speeches of Yahweh which are deliberately denied, and glaringly absent in the speeches of the other main characters of the Abrahamic narratives (e.g. Abraham, Sarah, and Hagar). Similarly, it demonstrates the importance of these elevated speeches in the narrative world of Abrahamic epic. Most importantly, it also highlights the ideological significance of these decorated speeches of Yahweh to the original audience of the narrator who presumably identified with their excessive optimism and rhetoric. Consequently, this book is a pioneering work in the contemporary study of stylistics, characterizations and functions of attributed speeches in the Hebrew narratives.
This magnificent volume is a compilation of the writings of friends, colleagues, and former students in tribute to Shalom Paul, Professor Emeritus and former Chair of the Bible Department at The Hebrew University of Jerusalem. More than 60 essayists contribute new ideas in the areas of research most loved by Prof. Paul, such as biblical literature and criticism, prophecy, comparative exegesis and linguistics, ancient Near Eastern historical and cultural milieus, and biblical and Mesopotamian law. Contributors include scholars of renown such as Adele Berlin, Frank Moore Cross, William G. Dever, Michael V. Fox, William W. Hallo, Sara Japhet, André Lemaire, Carol Meyers, Jacob Milgrom, Elisha Qimron, Gary A. Rendsburg, Jack M. Sasson, Shemaryahu Talmon, Emanuel Tov, James C. VanderKam, Joan Goodnick Westenholz, and Ziony Zevit.
This ground-breaking study explores the structure and literary figures in the biblical Hebrew poetry of the Song of Songs. These figures include simile, metaphor, paronomasia, parallelism, sensory cluster, fertility language - flowers, spices, and plants as well as animals and images of wealth - and many other literary devices, delineated but not limited to how they also appear in classical literature as defined by Aristotle, Quintilian, and others. This biblical poetry is also compared to the Greek poetry of Sappho and Egyptian love poetry as well as to the Ramayana and the Kamasutra. The Song of Songs is discreetly yet firmly interpreted as erotic literature.
In this volume twelve contributions discuss the relevance, accuracy, potential, and possible alternatives to a literary reading of ancient Jewish writings, especially the Hebrew Bible. Drawing on different academic fields (biblical studies, rabbinic studies, and literary studies) and on various methodologies (literary criticism, rhetorical criticism, cognitive linguistics, historical criticism, and reception history), the essays form a state-of-the-art overview of the current use of the literary approach toward ancient Jewish texts. The volume convincingly shows that the latest approaches to a literary reading can still enhance our understanding of these texts.
The first study to focus exclusively on the use in the Hebrew Bible of soundplay to allude to and interpret earlier literary traditions This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions. Features: Demonstrates that allusive soundplay was a productive compositional technique in ancient Israel Identifies examples of innerbiblical allusion that have not been identified before A robust methodology for identifying soundplay in innerbiblical allusions
This is volume 8 (2014) of Interpreter: A Journal of Mormon Scripture published by The Interpreter Foundation. It contains articles on a variety of topics including narrative theology, Limhi's use of enallage, a book review of The Intolerance of Tolerance, biblical theophanies and Joseph Smith's First Vision, Oliver Cowdery's aborted attempts to describe the First Vision, a book review of Tiki and Temple: The Mormon Mission in New Zealand, thoughts on Christmas from Hugh Nibley, the scale of creation in space and time, a book review of In God's Image and Likeness 2: Enoch, Noah, and the Tower of Babel, Hagar in LDS thought, two book reviews of Letters to a Young Mormon, the NHM inscriptions as evidence for the historicity of the Book of Mormon, chiasmus in Abraham 3, a note on the names Zeezrom and Jershon, two book reviews of Significant Textual Changes in the Book of Mormon: The First Printed Edition Compared to the Manuscripts and to the Subsequent Major LDS English Printed Editions, and a call to Pacific anthropologists on the origin of mankind in the Pacific.