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When Kendall Kelly's career as the free spirited punk country crossover queen ends in a fiery ball of doom and humiliation, she has no place to go but back to her hometown Blackberry Cove, California, where she abandoned her secret husband years ago without so much as a note. She’s hoping to pick up the pieces of her shattered life and finally cut the last tie to the only man she ever loved. As part owner of Kelly Family Farms, Damian Sloan has spent the last few years rebuilding the floundering business into a growing organic farm. He thought he'd moved on from his broken heart, but when Kendall barges back into his life—broken but beautiful as ever---he soon realizes he hasn’t forgotten. Or forgiven. Kendall threatens everything he’s built, but he can’t quite turn her away. Damian and Kendall must put aside their differences for the success of the farm they both depend on. Maybe, in the process, they can rebuild what they tragically lost.
An intimate examination of cowgirl narratives, horseback riding, and the characters and personalities of the animals who have accompanied the author from childhood to the present. The Cowgirl and the Racehorse offers a moving, intimate, and richly descriptive memoir on the relationship between a girl and her horses. Beginning with a traumatic horse-riding accident, Wells reflects on the personalities and characters of the many horses--both real and fictional--who have accompanied her through often difficult life experiences, teaching her strength, resilience, discipline, care, and trust. The Cowgirl and the Racehorse is also a scholarly reflection on the many cowgirl narratives--films, television shows, music, and books--that have marked the author's life passages and which offer complex and compelling images for girls as they grow: particularly in terms of their independence of spirit and the social and familial expectations with which they are burdened. Finally, The Cowgirl and the Racehorse is a detailed examination of the ethical and societal questions raised by the sometimes dangerous and cruel, and sometimes seductive and compelling, world of horseback riding.
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.
British rock historian Hoskyns examines the long and twisted rock & roll history of Los Angeles in its glamorous and debauched glory. The Beach Boys, The Doors, the Eagles, Joni Mitchell, and others populate the pages of this comprehensive and extensively illustrated book.
A freshman art student from Manhattan spends her first year away from home in New England.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage. Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag’s relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground. In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST’s tumultuous history and epic catalog. Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the ’80s punk and alternative rock scenes, and shows how the music industry was changed forever.
Modern motherhood has changed; it isnt just frilly aprons, mini-vans, and soccer practice anymore. You are a modern moma rebel momready to raise your kids while running a successful business, starting a band, or finding your voice, while doing the things you love and fighting for what's right. Even so, the path to epic mom rebellion is not always easy. Meet the women who have seen, conquered, and survivedmaking a difference, doing things their own way and on their own terms. They are activists, teachers, veterans, firefighters, pin-ups, fast food workers, tattoo artists, and more. A rebel mom has no set definition beyond her tendency to elude definition. These women, from varying places and backgrounds, have seen it all: divorce, abuse, depression, and disability. They have succeeded and raised children with tough grins on their faces. Are you a new or expecting mother? Are you a mother who's fed up with the super-mom/super-woman myth? Or are you a pro whos been there and done that, but would still love to learn from other rebel moms? Its never too late to learn a new trick, and motherhood is never the same for anyone. Cultures change, as do child-rearing practices, but certain aspects of being a mom are universal and timelesslove, support, and strength. The rebel moms have mastered the art of motherhood, and you can embrace the revolution.
For savvy programmer Gabrielle Alvarez, moving to Portland, Oregon means a fresh start with a blank screen. She wants nothing more than to erase the last traces of her old life, starting with an exotic tattoo to hide an old scar. Gabby’s instantly drawn to the enigmatic artist, who also happens to be her neighbor. Lucky she has no plans to date-especially sexy, brooding men. Last year, Bowen Landry was the king of broken promises. He made hundreds to his sister to get clean and hundreds more to his band and his boss. But Bowen’s sober now and determined to stay that way. The last thing he needs are complications, especially Gabby with her curves, dry humor, and independent spirit. Gabby spells danger to Bowen’s peace of mind, not to mention his personal promise to stay celibate for one year. Bowen is content keeping a firewall up between them until a stalker threatens Gabby’s safety. Alone in a new city, she has no choice but to turn to Bowen for help, moving into his apartment after hers is vandalized. While the two grow closer, Bowen can’t make any promises, and Gabby’s not asking. While the inexperienced Gabby can’t deny the charming, reformed bad boy, she’s unsure she can ever trust an addict again. If Bowen can help Gabby forgive her past and his, he may learn to believe in love again.