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Text by Thomas Miessgang.
Music.
NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review
Subcultural phenomena continue to draw attention from many areas of contemporary society, including the news media, the marketing and fashion industries, concerned parents, religious, and other citizen groups, as well as academia. Research into these phenomena has spanned the humanities and social sciences, and the subcultural theories that underlie this work are similarly interdisciplinary. Subcultural Theory brings these diverse analytic issues together in a single text, offering readers a concise discussion of the major concepts and debates that have developed over more than eighty years of subcultural research, including style, stratification, resistance, identity, media and "post subcultures". The text emphasizes methods, concepts, and analysis rather than mere descriptions of individual subcultures, all the while ensuring readers will gain insight into past and present youthful subcultures, including mod, punk, hardcore, straightedge, messenger, goth, riot grrrl, hip-hop, skinhead, and extreme metal, among others. The book closes with an assessment of the subculture concept as a viable and useful sociological tool in comparison with other fields of study including social movements and fandom.
Sid Vicious, most controversial member of the Sex Pistols did not survive to see them reform in 2002. He was the epitome of punk rock, brash, abusive, a hopeless heroin addict. His brief 21 years became a metaphor for all that was rotten in rock, culminating in his lethal overdose as he contemplated a life sentence for the murder of his girlfriend, Nancy Spungen. Controversial and compelling, SID VICIOUS: Rock'n'Roll Star documents the rise and fall of this rock colossus.
Forget about building a business—businesses fail and fade into oblivion. Start a revolution instead. James Watt started a rebellion against tasteless mass market beers by founding BrewDog, now one of the world’s best-known and fastest growing craft breweries, famous for beers, bars, and crowdfunding. In this smart, funny book, he shares his story and explains how you too can tear up the rule book and start a company on your own terms. It’s an anarchic, DIY guide to entrepreneurship—and a new manifesto for business. After spending seven years on the high seas of the North Atlantic, James Watt started BrewDog craft brewery in Scotland with his best friend, Martin Dickie. They didn’t have a business plan. All they had was a mis­sion to revolutionize beer drinking and make other people as passionate about craft beer as they are. They’ve succeeded. Within a few years, BrewDog was huge—a world-famous craft brewery with beer bars around the globe and hundreds of thousands of fans. Those fans became literal backers of their business with the introduction of an unprecedented crowdfunding movement, Equity for Punks. And in rewriting the record books and kickstarting a revolution—James and BrewDog inadvertently forged a whole new approach to business. Business for Punks bottles the essence of James’s methods in an accessible, honest mani­festo. Among his mantras: · Cash is motherf*cking king. Cash is the lifeblood of your company. Monitor every penny as if your life depends on it—because it does. · Get people to hate you. You won’t win by try­ing to make everyone happy, so don’t bother. Let haters fuel your fire while you focus on your hard-core fans. · Steal and bastardize from other fields. Take inspiration freely wherever you find it— except from people in your own industry. · Job interviews suck. They never reveal if someone will be a good employee, only how good that person is at interviews. Instead, take them for a test drive and see if they’re passionate and a good culture fit. Business for Punks rethinks conventional business wisdom so you can go beyond the norm. It’s an anarchic, indispensable guide to thriving on your own terms.
In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy—the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder. In Why Karen Carpenter Matters, Karen Tongson (whose Filipino musician parents named her after the pop icon) interweaves the story of the singer’s rise to fame with her own trans-Pacific journey between the Philippines—where imitations of American pop styles flourished—and Karen Carpenter’s home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly whitewashed musical fantasies of "normal love" can now have profound significance for her—as well as for other people of color, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter’s legacy. This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters’ sound, while finding the beauty in the singer's all too brief life.
“Honest and moving . . . Her painful tale is engrossing.”—Washington Post Book World For most of us, it was just another horrible headline. But for Deborah Spungen, the mother of Nancy, who was stabbed to death at the Chelsea Hotel, it was both a relief and a tragedy. Here is the incredible story of an infant who never stopped screaming, a toddler who attacked people, a teenager addicted to drugs, violence, and easy sex, a daughter completely out of control—who almost destroyed her parents’ marriage and the happiness of the rest of her family.
A heart-stopping supernatural thriller from the master of suspense. Addison Goodheart is not like other people ... Addison Goodheart lives in solitude beneath the city, an exile from a society which will destroy him if he is ever seen. Books are his refuge and his escape: he embraces the riches they have to offer. By night he leaves his hidden chambers and, through a network of storm drains and service tunnels, makes his way into the central library. And that is where he meets Gwyneth, who, like Addison, also hides her true appearance and struggles to trust anyone.But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance − and nothing less than destiny − has brought them together in a world whose hour of reckoning is fast approaching. 'A thriller that's both chilling and fulfilling' PEOPLE 'Laced with fantastical mysticism, it's an allegory of nonviolence, acceptance and love in the face of adversity ... the narrative is intense, with an old-fashioned ominousness and artistically crafted ... with an optimistic and unexpected conclusion ... Something different this way comes from Mr. Koontz's imagination. Enjoy.' KIRKUS REVIEWS 'Fascinating thriller' WOMAN'S DAY 'Monstrously thrilling' COURIER MAIL 'A supernatural tragedy ... a fantastical tale of loneliness and love, a story about our endless capacity to do good and succumb to evil' Rob Minshull, ABC