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Fleeing the compromises of the 4th century church, the Desert Fathers founded monasticism. In reaction to a Christianity they scarcely recognized, these radicals fled to the Egyptian desert to model a different, radical style of discipleship, filled with sacrifice and continual prayer. Who are the new monks, the new punks, the new revolutionaries? The answer lies in an upsurge of 24-7 monastic communities around the world. Punk Monk combines a narrative journey through the beginnings of 24-7 Prayer Boiler Rooms with a discussion on the roots of monasticism, particularly its ethos and values, and how it can be applied in the third millennium. Drawing influences from the Franciscans, the Celts and the Moravians, the book highlights the counter-cultural and revolutionary force of monasticism and asks whether it is time for a new monastic movement. It also takes punk as a contemporary expression of monastic spirit and asks whether a “silent revolution” is coming.
Everyone recognises the iconic photo from the cover of the Ramones' self-titled album of 1976. But how many have seen the image, taken with the same roll of film, of Dee Dee excitedly chasing his bandmates out of shot with a stick? This compilation of stunning images from punk and new wave's most iconic albums uncovers these lost photographs, along with the stories behind them. With hundreds of photographs, accompanied by anecdotes, interviews and first-hand accounts from the photographers themselves, this book gives access to rare behind-the-scenes stories about how shoots took place and the creative processes behind them.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Since the moment they emerged into the mainstream in 1974, armed with the hit "This Town Ain't Big Enough for Both of Us," the band Sparksbrothers Ron and Russell Maelhas endeared themselves to successive generations of fans, not only with their wry humor and quirkiness, but also with a lyrical and musical inventiveness that sees them listed among the most influential acts ever. Exclusive interviews and insights trace the group from its earliest strivings in California up tothe present, while author Dave Thompson's unique eye for period detail and context reveals just how intelligently Sparks has predicted the course of popular music over the past quarter century. Afull worldwide discography, including albums, singles, and audio-visual material, make it a must for Sparks fans everywhere."
Presents a series of humorous essays in which a Ukrainian-born musician traces her bizarre journey through the indie rock world in New York City and Russia.
Jim Lindberg is a Punk Rock Dad. When he drives his kids to school in the morning, they listen to the Ramones, the Clash, or the Descendents—and that's it. They can listen to Britney and Justin on their own time. Jim goes to soccer games, dance rehearsals, and piano recitals like all the other dads, but when he feels the need, he also goes to punk shows, runs into the slam pit, and comes home bruised and beaten . . . but somehow feeling strangely better. While the other dads dye their hair brown to cover the gray, Jim occasionally dyes his blue or green. He makes his daughters' lunches, kisses their boo-boos, and tucks them in at night—and then goes into the garage and plays Black Flag and Minor Threat songs at a criminal volume. He pays his taxes, votes in all the presidential and gubernatorial elections, serves on jury duty, and reserves the right to believe that there is a vast Right Wing Conspiracy—and that the head of the P.T.A. is possibly in on it. He is a Punk Rock Dad.
This softback edition has a bonus extras section which contains an additional 100 stories from OMD fans.
An astonishing collection of over 700 original scans of printed ephemera and memorabilia from the prime years of the punk and post-punk movements. Since finding punk in the summer of 1976, Andrew Krivine has amassed one of the world's largest collections of punk graphic design and memorabilia, with part of his collection exhibiting at the Cranbrook Art Museum in Michigan, before moving to the New York Museum of Arts and Design, and many other such spaces around the world in 2020 and 2021. This book represents the cream of that collection--over 700 original scans of posters, flyers, covers, and ads from the prime years of the movement, which changed the world of graphic design forever. Too Fast to Live tells of one man's obsession with creating an unparalleled collection of punk memorabilia. The illustrative content of the book is verified, critically assessed, and given provenance by an array of graphic design experts, academics, and commentators, among them Steven Heller (former art director at the New York Times), Russ Bestley, Professor Rick Poynor, Malcolm Garrett, and Pulitzer and National Book Award-winning editor Michael Wilde. The unique mix of imagery and text makes this arguably the most essential and definitive work on the graphic design revolution within the punk and post-punk movements of America and the U.K.