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An elegy—angry, funny, and powerfully detailed—about the slow death of a Detroit auto plant and an American way of life. How does a country dismantle a century’s worth of its industrial heritage? To answer that question, Paul Clemens investigates the 2006 closing of one of America’s most potent symbols: a Detroit auto plant. Prior to its closing, the Budd Company stamping plant on Detroit’s East Side, built in 1919, was one of the oldest active auto plants in America’s foremost industrial city—one whose history includes the nation’s proudest moments and those of its working class. Its closing also reflects the character of the country in a new era—the sad, brutal process of picking it apart and sending it, piece by piece, to the countries that now have use for its machines. Punching Out is an up-close report, at once tender and angry, from the meanest, sharpest edge of America’s deindustrializa­tion, and a lament for a working-class culture that once defined a prosperous America—and that is now on the verge of eco­nomic extinction.
A generous anthology of the writings of Marty Glaberman. "Glaberman is the most important writer on labor matters in the United States during the second half of the 20th century. He developed distinctive concepts concerning the nature of trade unionism; the unfolding of working-class consciousness; and the forms of revolutionary organization appropriate to modern industrial society..." [from the Introduction by Staughton Lynd]. Dropping out of masters degree in Economics at Columbia University, he spent 20 years laboring for wages in plants in and around Detroit as an assembly line worker and machinist....and organizer. On the eve of the second world war, he associated himself with the West Indian Marxist intellectual CLR James, and never looked back. "Autoworker, historian, humorist, sociologist, poet, and baseball coach, Marty Glaberman had as close a knowledge of working people as any intellectual of his generation. He also had, as these wonderful collected writings show, the most firm confidence in their revolutionary potential." [David Roediger]
Punching Out features a unique collection of firsthand stories of the rare individuals who have been baptized by rocket fire, pushed beyond the edge of endurance, and experienced face-to-face encounters with their own mortality. These are the pilots who have survived high-speed ejections and lived to tell their stories to a new generation. Except for aerospace technical research, manuals, and periodicals, this is intended to represent the first major body of work on this subject from an experiential perspective. Many of the pilots whose stories are contained here are among the most famous names in the history of aviation. But for each, on that fateful day, fame was of no use. Their lives hung in the balance...from long silk parachute lines. Preceding these awe-inspiring stories of ejection survivors are various pages taken from the past: pilots who bailed out and survived, before there were ejection seats. It is their sacrifices, and their experiences, which has led to future generations who can count on this life-saving equipment in that instant of stark terror and confusion known as punching out.
Dinosaurs & Extinct Animals pairs the fun activity of building 3-D models with fun facts and trivia about each prehistoric animal.
NATIONAL BESTSELLER • A debut collection of witty, biting essays laced with a surprising warmth, from Jen Mann, the writer behind the popular blog People I Want to Punch in the Throat People I want to punch in the throat: • anyone who feels the need to bling her washer and dryer • humblebraggers • people who treat their pets like children Jen Mann doesn’t have a filter, which sometimes gets her in trouble with her neighbors, her fellow PTA moms, and that one woman who tried to sell her sex toys at a home shopping party. Known for her hilariously acerbic observations on her blog, People I Want to Punch in the Throat, Mann now brings her sharp wit to bear on suburban life, marriage, and motherhood in this laugh-out-loud collection of essays. From the politics of joining a play group, to the thrill of mothers’ night out at the gun range, to the rewards of your most meaningful relationship (the one you have with your cleaning lady), nothing is sacred or off-limits. So the next time you find yourself wearing fuzzy bunny pajamas in the school carpool line or accidentally stuck at a co-worker’s swingers party, just think, What would Jen Mann do? Or better yet, buy her book. Praise for People I Want to Punch in the Throat “People I Want to Punch in the Throat is so good that it’ll make you want to adopt all the cats in the world. I’m not sure about the correlation, but it’s that good. It should come with a warning.”—Jenny Lawson, author of Let’s Pretend This Never Happened “Jen Mann has an amazing way of telling stories that will make you cringe and burst out laughing at the same time. From swinger parties to racist toddlers, she makes the suburbs unbelievably funny.”—Karen Alpert, author of I Heart My Little A-Holes “Jen Mann says the things we’re all too afraid to say. Her honest and hilarious writing style reminds me of David Sedaris and Tina Fey.”—Robin O’Bryant, author of Ketchup Is a Vegetable: And Other Lies Moms Tell Themselves “Jen Mann’s shrewd and unrelenting assault on the absurdity of suburban life is an honest peek into the occasional nightmare that is part of living the American dream. I love Jen. I wish she was my neighbor. It’s so refreshing to know that I’m not the only one who wants to punch almost everyone in the f***ing throat.”—Nicole Knepper, author of Moms Who Drink And Swear
The New York Times bestselling author of Tell Me Three Things and What to Say Next delivers a poignant and hopeful novel about resilience and reinvention, first love and lifelong friendship, the legacies of loss, and the stories we tell ourselves in order to survive. "A luminous, lovely story about a girl who builds a future from the ashes of her past." --KATHLEEN GLASGOW, New York Times bestselling author of Girl in Pieces Sometimes looking to the past helps you find your future. Abbi Hope Goldstein is like every other teenager, with a few smallish exceptions: her famous alter ego, Baby Hope, is the subject of internet memes, she has asthma, and sometimes people spontaneously burst into tears when they recognize her. Abbi has lived almost her entire life in the shadow of the terrorist attacks of September 11. On that fateful day, she was captured in what became an iconic photograph: in the picture, Abbi (aka "Baby Hope") wears a birthday crown and grasps a red balloon; just behind her, the South Tower of the World Trade Center is collapsing. Now, fifteen years later, Abbi is desperate for anonymity and decides to spend the summer before her seventeenth birthday incognito as a counselor at Knights Day Camp two towns away. She's psyched for eight weeks in the company of four-year-olds, none of whom have ever heard of Baby Hope. Too bad Noah Stern, whose own world was irrevocably shattered on that terrible day, has a similar summer plan. Noah believes his meeting Baby Hope is fate. Abbi is sure it's a disaster. Soon, though, the two team up to ask difficult questions about the history behind the Baby Hope photo. But is either of them ready to hear the answers?
One of the most important of the Southern magazines in the 1920s was The Fugitive, a magazine of verse and brief commentaries on literature in general. Among its contributors were John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson, and Merrill Moore. Publication began in April 1922 and ended in December 1925. Soon thereafter, the “Fugitive” writers and some others became profoundly concerned with the materialism of American life and its effect upon the South. The group became known as “Agrarians.” Their thinking and discussion culminated in a symposium, I'll Take My Stand, published in 1930. In his first two lectures Davidson describes the underlying nature and aims of the Fugitive and Agrarian movements. He brings to the discussion his intimate and thorough knowledge of Southern life and letters. The third lecture deals with the place of the writer in the modern university, posing the questions of whether the writer needs the university and whether the university needs or wants the writer.
"A brutal murder, a suspect in jail, and an execution planned, but what if the wrong person is about to be executed? When a fellow U.S. Marshal asks Anita Blake to fly to a tiny community in Michigan's Upper Peninsula on an emergency consult, she knows time is running short. When she gets there, there is plenty of proof that a young wereleopard killed his uncle in the most gruesome and bloodiest way possible. As the mounting evidence points to him, a warrant of execution is already under way. But something seems off about the murder, and Anita has been asked to examine the crime scene and the evidence for her expert opinion. Despite the escalating pressure from local cops and the family's cries for justice for their dead patriarch, Anita quickly realizes that the evidence doesn't quite add up. But with a tight-knit community up in arms and fear against supernaturals growing, time is almost up, as Anita races to uncover the truth and determine whether the Marshals have caught the killer or are about to execute an innocent man, all in the name of justice."--
In Spiking the Sucker Punch, Robbie Q. Telfer's first published collection, the author profiles the modern comedian from the inside out - starting with the innards and moving toward a damaged laughter. His work blends surrealism and narrative, bending grammar and expectations along the way. These pieces interrogate identity, place, and lead the reader to a much higher understanding of bears. This gloriously bellowed lyrical and linguistic chaos, this ‘mess of crossed wires and mixed seagulls,’ will make your status quo ache, your perceptions implode, your horizons widen and shatter. -Patricia Smith, “Blood Dazzler” Robbie Q, our dazzling shooting star sparking the gritty Chicago heavens, crackling with the surprising and contradictory rhythms of life on the run and in the heat. Keep on, Brother Q, dance the dialectic, your wild inspired unruly convergence and conspiracy. -Bill Ayers, activist/educator/author In Spiking the Sucker Punch, Robbie Q. Telfer rocks out a bestiary of antic poetics all his own. In his open and generous hands, speech acts zoom in and out of our collective desire to live and love. You will feel alive again reading it. -Daniel Nester, “How to Be Inappropriate”
This is the history of the most significant translator, publisher, and distributor of left-wing literature in the United States. Based in Chicago and still publishing, Charles H. Kerr & Company began in 1886 as a publisher of Unitarian tracts. The company's focus changed after its founder, the son of abolitionist activists, became a socialist at the turn of the century. Tracing Kerr's political development and commitment to radical social change, "We Called Each Other Comrade" also tells the story of the difficulties of exercising the First Amendment in an often hostile business and political climate. A fascinating exploration in left-wing culture, this revealing chronicle of Charles H. Kerr and his revolutionary publishing company looks at the remarkable list of books, periodicals, and pamphlets that the firm produced and traces the strands of a rich tradition of dissent in America.