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A collection of gay erotic writings tracing the development of a gay identity from the late 19th century to just before the Stonewall Inn riots Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring, mostly between the covers of the cheaply produced pulp paperbacks of the post-World War II era. Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings—some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large. CONTENTS Part One Mainstream Fiction: Not Particularly Hiding in the Shadows Harrison Dowd, The Night Air, Dial Press, 1950 Lonnie Coleman, Sam, David McKay, 1959 Part Two The New Gay Novel: Happier Homos and Happier Endings James Barr, "Spurr Piece" from Derricks, Greenberg, 1951 Jay Little, Maybe—Tomorrow, Pageant Press, 1952 Part Three Truly Pulp: "Gay" Life in the Shadows Michael De Forrest, The Gay Year, Woodford Press, 1949 Vin Packer (Marijane Meaker), Whisper His Sin, Fawcett Gold Medal Books, 1954 Ben Travis, The Strange Ones, Beacon Book, 1959 James Colton (Joseph Hansen), Lost on Twilight Road, National Library, 1964 Jeff X, The Memoirs of Jeff X, Zil, 1968 Part Four Out of the Twilight World: The Sexual Revolution Goes Lavender The Boys of Muscle Beach, Guild Press, 1969 (reprint from the 1950s) Richard Amory, Song of the Loon, Greenleaf Classics, 1966 Carl Corley, My Purple Winter, PEC French Line, 1966 Jack Love, Gay Whore, PEC French Line, 1967 Chris Davidson, A Different Drum, Ember Library/Greenleaf Classics, 1967 Part Five The World Split Open: Life and Literature After Stonewall Marcus Miller, Gay Revolution, Pleasure Reader, 1969 Bruce Benderson, Kyle, Crusier Classics, 1975 Victor Jay, The Gay Haunt, Traveller's Companion, 1970 John Ironstone, Gay Rights, El Dorado Editions, 1978 Appendix: Gay Novels, 1940-1969 Bibliography
On the trail of two murderous madmen and the mysterious Television Terror, the Spirit takes Rocketeer to Central City, and Cliff finds it nearly impossible to navigate in such a crowded urban setting„but he'd better learn quickly because Betty's life depends on it!
Pulp Fiction was one of the films that defined American cinema of the 1990s, and remains one of the stand-out movies of its director Quentin Tarantino. Tarantino's style - violent, fast, funny and full of knowing pop culture references - epitomises 90s post-modernism. Pulp Fiction was a phenomenal cult success and one of the first films to generate hot debate in internet chatrooms and on fan websites. Dana Polan's compelling analysis sets out to uncover the style and technique of Pulp Fiction. He shows how broad Tarantino's points of reference are, and analyzes the film's narrative accomplishment and complexity. Where some critics dismissed Pulp Fiction for its violence and its worship of a certain brand of cool, Polan shows how the film exemplifies new kinds of engagement with cultural and social codes, such as those around racial identity. In addition, Polan argues that the film's celebration of macho attitudes is more nuanced than might first appear. In a new afterword to this new edition, Polan looks back on Pulp Fiction 30 years after its first release.
In Central City, Denny and Cliff, AKA The Spirit and The Rocketeer, are on the trail of a deviously dangerous, glove-wearing foe-but will they be able to unravel the web of mystery and intrigue they have become embroiled in? Find out in the grand finale of Pulp Friction, as two timeless characters finally discover the truth... or do they? Bonus! What happens to our hapless heroines, Betty and Ellen?
The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.
These two great, pulp-inspired heroes meet for the very first time! A Central City Councilman disappears and is found dead in Los Angeles. Commissioner Dolan, along with Denny Colt (AKA: The Spirit), and his daughter Ellen trek out to the City of Angels to investigate. Meanwhile, Cliff Secord (The Rocketeer) consoles his sweetheart Betty... who is traumatized after accidentally discovering the politician's body.
“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature. With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle. Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.
From homicidal homos to locked-up lesbians, and almost every sexually dangerous combination in between, Queer Pulp: Perverted Passions from the Golden Age of the Paperback is the first complete expose of queer sexuality in mid-twentieth century paperbacks. Compellingly written by historian Susan Stryker, Queer Pulp gives a complete overview of the cultural, political, and economic factors involved in the boom of queer paperbacks. With chapters covering gay, lesbian, transgender, and bisexually oriented books, a lively overview of the genres, and loads of scorching paperback covers, Queer Pulp reveals the complicated and fascinating history of alternative sexual literature and book publishing. Featuring the work of well-known authors such as W. Somerset Maugham and Truman Capote to the low-brow and no-brow scribes who worked under several names, Queer Pulp is the entertaining and informative introduction to these lost, salacious literary genres.
In The Killer Inside Me, America's "Dimestore Dostoevsky" Jim Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time. Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers — the low-lifes, the big-timers, and everyone in-between — as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday. But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge — and if innocent people have to die in the process, well, that's perfectly all right with him.
A Lust for Life Anxious to undress, these dangerous dolls ply their womanly wares to get whatever they want: men, power and sex - lots of sex. Yet to quench their fiery desires they crave more, much more. See, even sultry sinners long for love. Bad Girls Need Love Too is a frolicking celebration of pulp fiction floozies doomed to keep looking for love in all the wrong places. Thankfully, repeating the same mistake over and over again has never been more fun, or outrageous. For more about these hard-boiled vixens, visit BadGirlsNeedLove2.com.